In The Cool Of The Evening

I thought I heard Him calling. Did you hear
A sound, a little sound? My curious ear
Is dinned with flying noises, and the tree
Goes, whisper, whisper, whisper silently
Till all its whispers spread into the sound
Of a dull roar. Lie closer to the ground,
The shade is deep and He may pass us by.
We are so very small, and His great eye,
Customed to starry majesties, may gaze
Too wide to spy us hiding in the maze;
Ah, misery! the sun has not yet gone
And we are naked: He will look upon
Our crouching shame, may make us stand upright
Burning in terror, O that it were night!
He may not come ... what? listen, listen, now,
He is here! lie closer ... 'Adam, where art thou?'

James Stephens

James Stephens was an Irish novelist and poet, whose literary output includes many retellings of Irish myths and fairy tales. He was born on February 9, 1880, and passed away on December 26, 1950. Notable works include 'The Crock of Gold' and 'The Demi-Gods'. Stephens also wrote several well-regarded collections of poetry, including 'The Hill of Vision' and 'Insurrections'. His work is characterized by a blend of myth, fantasy, and modernism, capturing the spirit and culture of Ireland.

James Stephens

Mary Hynes

James Stephens, Simple Poetry

The Canal Bank (The Rocky Road To Dublin)

James Stephens, Simple Poetry

Donnybrook (The Rocky Road To Dublin)

James Stephens, Simple Poetry

The Cherry Tree (The Adventures Of Seumas Beg)

James Stephens, Simple Poetry

English

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Midnight.

From where I sit, I see the stars,
And down the chilly floor
The moon between the frozen bars
Is glimmering dim and hoar.

Without in many a peakèd mound
The glinting snowdrifts lie;
There is no voice or living sound;
The embers slowly die.

Yet some wild thing is in mine ear;
I hold my breath and hark;
Out of the depth I seem to hear
A crying in the dark:

No sound of man or wife or child,
No sound of beast that groans,
Or of the wind that whistles wild,
Or of the tree that moans:

I know not what it is I hear;
I bend my head and hark:
I cannot drive it from mine ear,
That crying in the dark.

Archibald Lampman

Sound And Sights

I.

Often, when I wake at night,
I can hear the strangest sounds,
Stealthy noises, left and right,
As of some one going his rounds:
On the stairs there comes a crack
As if some one mounted there;
Then the door creaks; and the back
Settles of the rocking-chair,
As if some one had sat down.
Then I get up in my gown;
Run to mother; hide my head;
Snuggle down by her in bed.
And she says to me, "My dear,
There is nothing here to fear:
All the noises that you hear
Are the old house and the weather,
Dry old weather,
Having a little talk together.
You just heard the old house stretching,
Waking up to have a chat:
Seems to me that it is catching.
Don't wake up again for that."

II.

And again I wake at night,
...

Madison Julius Cawein

The Little Green Orchard

Some one is always sitting there,
                    In the little green orchard;
    Even when the sun is high
    In noon's unclouded sky,
    And faintly droning goes
    The bee from rose to rose,
Some one in shadow is sitting there,
                    In the little green orchard.

Yes, and when twilight is falling softly
                    In the little green orchard;
    When the grey dew distils
    And every flower-cup fills;
    When the last blackbird says,
    "What - what!" and goes her way - s-sh!
I have heard voices calling softly
                    In the little green orchard.

Not that I am afraid of being there,
                    In the little green orchard;
    Why, when the moon's been bright,
    Shedding her ...

Walter De La Mare

In The Dark.

O in the depths of midnight
    What fancies haunt the brain!
When even the sigh of the sleeper
    Sounds like a sob of pain.

A sense of awe and of wonder
    I may never well define, -
For the thoughts that come in the shadows
    Never come in the shine.

The old clock down in the parlor
    Like a sleepless mourner grieves,
And the seconds drip in the silence
    As the rain drips from the eaves.

And I think of the hands that signal
    The hours there in the gloom,
And wonder what angel watchers
    Wait in the darkened room.

And I think of the smiling faces
    That used to watch and wait,
Till the click of the clock was answered
    By the click of the opening gate. -

They are not there now in the evening...

James Whitcomb Riley

The Old Inn

Red-Winding from the sleepy town,
One takes the lone, forgotten lane
Straight through the hills. A brush-bird brown
Bubbles in thorn-flowers, sweet with rain,
Where breezes bend the gleaming grain,
And cautious drip of higher leaves
The lower dips that drip again.
Above the tangled trees it heaves
Its gables and its haunted eaves.

One creeper, gnarled and blossomless,
O'erforests all its eastern wall;
The sighing cedars rake and press
Dark boughs along the panes they sprawl;
While, where the sun beats, drone and drawl
The mud-wasps; and one bushy bee,
Gold-dusty, hurls along the hall
To buzz into a crack. To me
The shadows seem too seared to flee.

Of ragged chimneys martins make
Huge pipes of music; twittering, here
They build a...

Madison Julius Cawein

The Little Green Orchard

Some one is always sitting there,
        In the little green orchard;
    Even when the sun is high
    In noon's unclouded sky,
    And faintly droning goes
    The bee from rose to rose,
Some one in shadow is sitting there
        In the little green orchard.

Yes, when the twilight's falling softly
        In the little green orchard;
    When the grey dew distills
    And every flower-cup fills;
    When the last blackbird says,
    'What - what!' and goes her way - ssh!
I have heard voices calling softly
        In the little green orchard

Not that I am afraid of being there,
        In the little green orchard;
    Why, when the moon's been bright,
    Shedding her lonesome light,
    And moths like ghosties come,
   ...

Walter De La Mare