Inscription III. For A Cavern That Overlooks The River Avon.

Enter this cavern Stranger! the ascent
Is long and steep and toilsome; here awhile
Thou mayest repose thee, from the noontide heat
O'ercanopied by this arch'd rock that strikes
A grateful coolness: clasping its rough arms
Round the rude portal, the old ivy hangs
Its dark green branches down, and the wild Bees,
O'er its grey blossoms murmuring ceaseless, make
Most pleasant melody. No common spot
Receives thee, for the Power who prompts the song,
Loves this secluded haunt. The tide below
Scarce sends the sound of waters to thine ear;
And this high-hanging forest to the wind
Varies its many hues. Gaze Stranger here!
And let thy soften'd heart intensely feel
How good, how lovely, Nature! When from hence
Departing to the City's crouded streets,
Thy sickening eye at every step revolts
From scenes of vice and wretchedness; reflect
That Man creates the evil he endures.

Robert Southey

Robert Southey was an English poet, biographer, essayist, and historian. Born on August 12, 1774, he was associated with the Romantic school of poetry and is well known for his works such as 'The Story of the Three Bears', which is the origin of the famous Goldilocks tale. He served as Poet Laureate of the United Kingdom from 1813 until his death in 1843. His prolific output included not just poetry, but also significant biographical and historical works.

Robert Southey

Sonnet III.

Robert Southey, Simple Poetry

Ode

Robert Southey, Simple Poetry

Eclogue I. The Old Mansion-House.

Robert Southey, Simple Poetry

Elinor.

Robert Southey, Simple Poetry

English

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Inscription VII. For A Tablet On The Banks Of A Stream.

Stranger! awhile upon this mossy bank
Recline thee. If the Sun rides high, the breeze,
That loves to ripple o'er the rivulet,
Will play around thy brow, and the cool sound
Of running waters soothe thee. Mark how clear
It sparkles o'er the shallows, and behold
Where o'er its surface wheels with restless speed
Yon glossy insect, on the sand below
How the swift shadow flies. The stream is pure
In solitude, and many a healthful herb
Bends o'er its course and drinks the vital wave:
But passing on amid the haunts of man,
It finds pollution there, and rolls from thence
A tainted tide. Seek'st thou for HAPPINESS?
Go Stranger, sojourn in the woodland cot
Of INNOCENCE, and thou shalt find her there.

Robert Southey

Inscription I. For A Tablet At Godstow Nunnery.

Here Stranger rest thee! from the neighbouring towers
Of Oxford, haply thou hast forced thy bark
Up this strong stream, whose broken waters here
Send pleasant murmurs to the listening sense:
Rest thee beneath this hazel; its green boughs
Afford a grateful shade, and to the eye
Fair is its fruit: Stranger! the seemly fruit
Is worthless, all[1] is hollowness within,
For on the grave of ROSAMUND it grows!
Young lovely and beloved she fell seduced,
And here retir'd to wear her wretched age
In earnest prayer and bitter penitence,
Despis'd and self-despising: think of her
Young Man! and learn to reverence Womankind!

Robert Southey

Inscription VIII. For The Cenotaph At Ermenonville.

STRANGER! the MAN OF NATURE lies not here:
Enshrin'd far distant by his [1] rival's side
His relics rest, there by the giddy throng
With blind idolatry alike revered!
Wiselier directed have thy pilgrim feet
Explor'd the scenes of Ermenonville. ROUSSEAU
Loved these calm haunts of Solitude and Peace;
Here he has heard the murmurs of the stream,
And the soft rustling of the poplar grove,
When o'er their bending boughs the passing wind
Swept a grey shade. Here if thy breast be full,
If in thine eye the tear devout should gush,
His SPIRIT shall behold thee, to thine home
From hence returning, purified of heart.

Robert Southey

Musings On A Landscape Of Gaspar Poussin.

Poussin! most pleasantly thy pictur'd scenes
Beguile the lonely hour; I sit and gaze
With lingering eye, till charmed FANCY makes
The lovely landscape live, and the rapt soul
From the foul haunts of herded humankind
Flies far away with spirit speed, and tastes
The untainted air, that with the lively hue
Of health and happiness illumes the cheek
Of mountain LIBERTY. My willing soul
All eager follows on thy faery flights
FANCY! best friend; whose blessed witcheries
With loveliest prospects cheat the traveller
O'er the long wearying desart of the world.
Nor dost thou FANCY with such magic mock
My heart, as, demon-born, old Merlin knew,
Or Alquif, or Zarzafiel's sister sage,
Whose vengeful anguish for so many a year
Held in the jacinth sepulchre entranced

Robert Southey

Elinor.

(Time, Morning. Scene, the Shore.[1])

Once more to daily toil--once more to wear
The weeds of infamy--from every joy
The heart can feel excluded, I arise
Worn out and faint with unremitting woe;
And once again with wearied steps I trace
The hollow-sounding shore. The swelling waves
Gleam to the morning sun, and dazzle o'er
With many a splendid hue the breezy strand.
Oh there was once a time when ELINOR
Gazed on thy opening beam with joyous eye
Undimm'd by guilt and grief! when her full soul
Felt thy mild radiance, and the rising day
Waked but to pleasure! on thy sea-girt verge
Oft England! have my evening steps stole on,
Oft have mine eyes surveyed the blue expanse,
And mark'd the wild wind swell the ruffled surge,
And seen the upheaved billows boso...

Robert Southey

Inscription VI. For A Monument In The New Forest.

This is the place where William's kingly power
Did from their poor and peaceful homes expel,
Unfriended, desolate, and shelterless,
The habitants of all the fertile track
Far as these wilds extend. He levell'd down
Their little cottages, he bade their fields
Lie barren, so that o'er the forest waste
He might most royally pursue his sports!
If that thine heart be human, Passenger!
Sure it will swell within thee, and thy lips
Will mutter curses on him. Think thou then
What cities flame, what hosts unsepulchred
Pollute the passing wind, when raging Power
Drives on his blood-hounds to the chase of Man;
And as thy thoughts anticipate that day
When God shall judge aright, in charity
Pray for the wicked rulers of mankind.

Robert Southey