Inside Seam

    1

    Having wilderness cracks
    in emotional facades
    chinks within
    to let cabins in.

    2
    Porous wind
    examining pavement,
    foot-sore maybe loose
    winding entrails
    of our hearts
    into lavatory paper;
    would that it pleased
    riddled trees
    - more whistling,
    poked holes
    across oasis tracks
    wandering spaces.

    3
    Blistering thought,
    paint flecks
    chipped in the mica-afraid
    heat of wan-ton passion;
    (acknowledging debts to Chinese cuisine)
    a wan smile
    left from which
    I pretend to remember all.

    4
    Love-smitten
    to lend
    the reach of your arm -
    sighs,
    droop to
    hips heaving
    a droll verandah
    (like curtain's edge
    across the exhausted wall).

    5
    Besmirched stain,
    The lavender hoop
    of your belt is a winding lizard's skin
    or perspiring rope
    to anchor the filmy edge
    of letters written,
    not sent.

    The breeze,
    quiet wind -
    a chipmunk
    with woodchips
    poked into a grin.

Paul Cameron Brown

Paul Cameron Brown is a Canadian poet known for his extensive work in both poetry and art criticism. Born in western Canada, Brown has had a prolific career in writing, often intertwining themes of human experience and nature. His works have been showcased in various literary magazines and anthologies. With a style that is both reflective and evocative, he has gained recognition not only in Canada but also internationally.

Paul Cameron Brown

Metaphor

Paul Cameron Brown, Simple Poetry

To Cross The Bay

Paul Cameron Brown, Simple Poetry

Flood

Paul Cameron Brown, Simple Poetry

Bargaining Unit

Paul Cameron Brown, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Passageways

    Greet the days -
        greet the moon,
            gather the stars.. .
    Man is not at one with himself -
    collars the infidel ways of his
    race under pressure domes of widening silence.

    I scan the horizon barely cognizant
    of the metallic bits that pierce
    the night's crown - no
    jewelled orb stabs this queen's spectre.
    I am running and lost. . . ever slow
    to breech this reasoning.

    Honeysuckle mist with armfuls
    of orange lilies with scent stronger
    than the carriage needed in their gathering.

    Place the constellations upon their heads,
    the colour so transcends.
    And then there are the bludgeoned
    stars fallen into the eyes of
    my farmhouse scene.
    The sphin...

Paul Cameron Brown

Offerings (A Movement In Four Parts)

The night is folly without the moon,
trees blank space against a frontal sky
where lattice work from a bled fish reveals
skeletal markings will not administer
the red jack of hearts to a mistress sea.

Most fickle, the ways of a cockroach
(I don't recommend them) to offerings
of white linen, cold squares atop
a stone diamonded floor.

Palaver shacks drone in ghostly light
communicating some message about eel runs
up the black river, the equivalent brush
of tombstones against dark nightsoil.

Tiny bars open as cubicles.
proverbial flashes of the coming evening,
haciendas to count every blessing.

The road to such places
snarls a dusty pleasure
and will heat thin blood
to boil in the daylight hours.

II

Swe...

Paul Cameron Brown

Swords And Roses

    Some lives have themes.
    Goldfish that stubbornly die;
    compatability only with distant lovers
    - flowers (but no sweet-breads)
    that wilt to the touch.

    Waiting. Charcoal-grey cat
    agreeably on a green linoleum table
    with light basking in....
    a tad playful,
    paws up,
    (classic boxer stance)
    but no one notices.
    Others oblique in their transparency,
    are unmindful of even the empty closet
    and greeting cards that smile hello.

    In the dark
    this room shimmers below
    life-raft status;
    chairs are buoys
    bobbing under waves
    of congealed fright.
    In the morning
    the first pigeons
    rifle over rooftops,
    mad flutterings like your eyes

Paul Cameron Brown

Wanderlust

    Who administers to my needs?

    Is it the dandelion, so ant-encrusted, that
    yellow pollen dangles from a shiny abdomen
    suggestive of some actor's
    smeared and garish make-up?

    Or the cicada's song,
    difficult to describe,
    laundering thick summer heat?

    Perhaps, then, the Red Admiral butterfly
    especially active at the close of day and drawn
    to wooden lawn-furniture or the exposed human limb?

    If none of these
    breathes vigour or tonic
    through my nostrils,
    what of tubs of fresh water?

    Take pea-pods for crude, rudimentary boats
    and children as make-shift sailors,
    then they both shall spy the secrets of seas.
    Bold harbours will be their cues,
    astrola...

Paul Cameron Brown

Cuando-Cubango

    1

    Moths, if they dream dusk,
    sport esurient hip-flasks on their wings -
    gangster rum-runners better to sully dark,
    traverse caravans of colour
    amid silk-routes
    to dazzle Prester John,
    cork unscrew the unicorn horn askew.

    2
    Compte de la Mothe
    escadrilles/flotillas
    D'Entrecasteaux
    with Bougainville discovering
    well, Bougainvillaea and I,
    latter day la Perouse,
    cunningly amuck on coral
    adoration and wine,
    (red as scarlet leaves)
    chenille, frangipanni and the Marquis house colours
    of the flame-bitten tropics.

    3
    Let me scandalize why.
    Watch the sea churn
    to white bubbles then coat
    your nostril with brine
...

Paul Cameron Brown

Turncoat

    Sitting in the spendthrift dark
    lilting pennies away,
    deciphering fate ... .
    The bed, a warm reach past
    the pillow
    like personal mortality in the
    incest breath of life.

    Warm stuff of dreams -
    the calender with its days mesh &
    march like soldiers
    dearly departed
    (cindered and bludgeoned)
    or the old sea-faring chest
    where all men are sailors
    past light's corner.

    Sturdy trudgeons,
    clock bursts thru the room
    mindful of time and aching,
    decaying things.

    Hallow's Eve in movements of the curtains -
    a remembered Rembrandt,
    self-portrait of the old man
    standing alone in a clammy room,
    idling the seconds, with drab

Paul Cameron Brown