Investiture

Our nights have cruel eyes
And have cast us about too thinly,
Fallen upon us,
Divested the attention of the wind.

Night comes to develop us,
Will polish our minds with
A precision lasting 'til daybreak.
Its damp coolness peaks with wretched effect.

Autumnal decay
Whereby the slow process of vegetation
Displeases the nostril,
Is but a preamble to greater violence
Leading tepid legislation in an orchestra
Toward greater effect.

The thin harmony of our lives
Positions no alarms whereby
We might use them.

The fabric mixture of existence, nothing but investiture,
Props to heighten necessary lies,
Strains at extinction,
The volcanic instrument life itself.

Goals are these same vehicles
To operate weak desires.
Frustration defeats a goal
That will not fit.

Paul Cameron Brown

Paul Cameron Brown is a Canadian poet known for his extensive work in both poetry and art criticism. Born in western Canada, Brown has had a prolific career in writing, often intertwining themes of human experience and nature. His works have been showcased in various literary magazines and anthologies. With a style that is both reflective and evocative, he has gained recognition not only in Canada but also internationally.

Paul Cameron Brown

The Strongbox

Paul Cameron Brown, Simple Poetry

Sequin

Paul Cameron Brown, Simple Poetry

Illuminaire

Paul Cameron Brown, Simple Poetry

Made In Space

Paul Cameron Brown, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Offerings (A Movement In Four Parts)

The night is folly without the moon,
trees blank space against a frontal sky
where lattice work from a bled fish reveals
skeletal markings will not administer
the red jack of hearts to a mistress sea.

Most fickle, the ways of a cockroach
(I don't recommend them) to offerings
of white linen, cold squares atop
a stone diamonded floor.

Palaver shacks drone in ghostly light
communicating some message about eel runs
up the black river, the equivalent brush
of tombstones against dark nightsoil.

Tiny bars open as cubicles.
proverbial flashes of the coming evening,
haciendas to count every blessing.

The road to such places
snarls a dusty pleasure
and will heat thin blood
to boil in the daylight hours.

II

Swe...

Paul Cameron Brown

Turncoat

    Sitting in the spendthrift dark
    lilting pennies away,
    deciphering fate ... .
    The bed, a warm reach past
    the pillow
    like personal mortality in the
    incest breath of life.

    Warm stuff of dreams -
    the calender with its days mesh &
    march like soldiers
    dearly departed
    (cindered and bludgeoned)
    or the old sea-faring chest
    where all men are sailors
    past light's corner.

    Sturdy trudgeons,
    clock bursts thru the room
    mindful of time and aching,
    decaying things.

    Hallow's Eve in movements of the curtains -
    a remembered Rembrandt,
    self-portrait of the old man
    standing alone in a clammy room,
    idling the seconds, with drab

Paul Cameron Brown

The Height Of Land

Here is the height of land:
The watershed on either hand
Goes down to Hudson Bay
Or Lake Superior;
The stars are up, and far away
The wind sounds in the wood, wearier
Than the long Ojibway cadence
In which Potàn the Wise
Declares the ills of life
And Chees-que-ne-ne makes a mournful sound
Of acquiescence. The fires burn low
With just sufficient glow
To light the flakes of ash that play
At being moths, and flutter away
To fall in the dark and die as ashes:
Here there is peace in the lofty air,
And Something comes by flashes
Deeper than peace; -
The spruces have retired a little space
And left a field of sky in violet shadow
With stars like marigolds in a water-meadow.

Now the Indian guides are dead asleep;
There is no sound u...

Duncan Campbell Scott

Passageways

    Greet the days -
        greet the moon,
            gather the stars.. .
    Man is not at one with himself -
    collars the infidel ways of his
    race under pressure domes of widening silence.

    I scan the horizon barely cognizant
    of the metallic bits that pierce
    the night's crown - no
    jewelled orb stabs this queen's spectre.
    I am running and lost. . . ever slow
    to breech this reasoning.

    Honeysuckle mist with armfuls
    of orange lilies with scent stronger
    than the carriage needed in their gathering.

    Place the constellations upon their heads,
    the colour so transcends.
    And then there are the bludgeoned
    stars fallen into the eyes of
    my farmhouse scene.
    The sphin...

Paul Cameron Brown

Blight

Give me truths;
For I am weary of the surfaces,
And die of inanition. If I knew
Only the herbs and simples of the wood,
Rue, cinquefoil, gill, vervain and agrimony,
Blue-vetch and trillium, hawkweed, sassafras,
Milkweeds and murky brakes, quaint pipes and sundew,
And rare and virtuous roots, which in these woods
Draw untold juices from the common earth,
Untold, unknown, and I could surely spell
Their fragrance, and their chemistry apply
By sweet affinities to human flesh,
Driving the foe and stablishing the friend,--
O, that were much, and I could be a part
Of the round day, related to the sun
And planted world, and full executor
Of their imperfect functions.
But these young scholars, who invade our hills,
Bold as the engineer who fells the wood,

Ralph Waldo Emerson

The Mother Mourns

When mid-autumn's moan shook the night-time,
And sedges were horny,
And summer's green wonderwork faltered
On leaze and in lane,

I fared Yell'ham-Firs way, where dimly
Came wheeling around me
Those phantoms obscure and insistent
That shadows unchain.

Till airs from the needle-thicks brought me
A low lamentation,
As 'twere of a tree-god disheartened,
Perplexed, or in pain.

And, heeding, it awed me to gather
That Nature herself there
Was breathing in aerie accents,
With dirgeful refrain,

Weary plaint that Mankind, in these late days,
Had grieved her by holding
Her ancient high fame of perfection
In doubt and disdain . . .

- "I had not proposed me a Creature
(She soughed) so excelling
All else of my king...

Thomas Hardy