Lal Of Kilrudden.

Kilrudden ford, Kilrudden dale,
Kilrudden fronting every gale
On the lorn coast of Inishfree,
And Lal's last bed the plunging sea.

Lal of Kilrudden with flame-red hair,
And the sea-blue eyes that rove and dare,
And the open heart with never a care;
With her strong brown arms and her ankles bare,
God in heaven, but she was fair,
That night the storm put in from sea?

The nightingales of Inishkill,
The rose that climbed her window-sill,
The shade that rustled or was still,
The wind that roved and had his will,
And one white sail on the low sea-hill,
Were all she knew of love.

So when the storm drove in that day,
And her lover's ship on the ledges lay,
Past help and wrecking in the gray,
And the cry was, "Who'll go down the bay,
With half of the lifeboat's crew away?"
Who should push to the front and say,
"I will be one, be others who may,"
But Lal of Kilrudden, born at sea!

The nightingales all night in the rain,
The rose that fell at her window-pane,
The frost that blackened the purple plain,
And the scorn of pitiless disdain
At the hands of the wolfish pirate main,
Quelling her great hot heart in vain,
Were all she knew of death.

Kilrudden ford, Kilrudden dale,
Kilrudden ruined in the gale
That wrecked the coast of Inishfree,
And Lal's last bed the plunging sea.

Bliss Carman

Bliss Carman was a Canadian poet, born in Fredericton, New Brunswick. He is best known for his nature poems and lyrical verse. Carman was a leading figure in the Confederation period of Canadian literature and is often remembered for his collections such as 'Low Tide on Grand Pré' and 'Songs of the Sea Children'. His work reflects a deep romanticism and connection to the natural world. Throughout his career, he collaborated with several other poets, including Charles G.D. Roberts and Archibald Lampman.

Bliss Carman

Nocturne: In Anjou.

Bliss Carman, Simple Poetry

A Toast.

Bliss Carman, Simple Poetry

In The House Of Idiedaily.

Bliss Carman, Simple Poetry

The Ships Of St. John

Bliss Carman, Simple Poetry

English

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The Shadow Boatswain

Don't you know the sailing orders?
It is time to put to sea,
And the stranger in the harbor
Sends a boat ashore for me.

With the thunder of her canvas
Coming on the wind again,
I can hear the Shadow Boatswain
Piping to his shadow men.

Is it firelight or morning,
That red flicker on the floor?
Your good-by was braver, sweetheart,
When I sailed away before.

Think of this last lovely summer!
Love, what ails the wind to-night?
What's he saying in the chimney
Turns your berry cheek so white?

What a morning! How the sunlight
Sparkles on the outer bay,
Where the brig lies waiting for me
To trip anchor and away!

That's the Doomkeel. You may know her
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The Lock Of Hair.

It is in sooth a lovely tress,
    Still curled in many a ring,
As glossy as the plumes that dress
    The raven's jetty wing.
And the broad and soul-illumined brow,
    Above whose arch it grew,
Was like the stainless mountain snow,
    In its purity of hue.

I mind the time 'twas given to me,
    The night, the hour, the spot;
And the eye that pleaded silently,
    "Forget the giver not."
Oh! myriads of stars, on high,
    Were smiling sweetly fair,
But none was lovely as the eye
    That shone beside me there!

Above our heads an ancient oak
    Its strong, wide arms held out,
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    With a tiny laughing shout;
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    Were bending to their rest,
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At Sea.

As a brave man faces the foe,
Alone against hundreds, and sees Death grin in his teeth,
But, shutting his lips, fights on to the end
Without speech, without hope, without flinching,--
So, silently, grimly, the steamer
Lurches ahead through the night.

A beacon-light far off,
Twinkling across the waves like a star!
But no star in the dark overhead!
The splash of waters at the prow, and the evil light
Of the death-fires flitting like will-o'-the-wisps beneath! And beyond
Silence and night!

I sit by the taffrail,
Alone in the dark and the blown cold mist and the spray,
Feeling myself swept on irresistibly,
Sunk in the night and the sea, and made one with their footfall-less onrush,
Letting myself be borne like a spar adrift
Helplessly into the nig...

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Baile And Aillinn

ARGUMENT. i(Baile and Aillinn were lovers, but Aengus, the)
i(Master of Love, wishing them to he happy in his own land)
i(among the dead, told to each a story of the other's death, so)
i(that their hearts were broken and they died.)

I HARDLY i(hear the curlew cry,)

On the heir of Uladh, Buan's son,
Baile, who had the honey mouth;
And that mild woman of the south,
Aillinn, who was King Lugaidh's heir.
Their love was never drowned in care
Of this or that thing, nor grew cold
Because their hodies had grown old.
Being forbid to marry on earth,
They blossomed to immortal mirth.>1
About the time when Christ was born,
When the long wars for the White Horn
And the Brown Bull had not yet come,
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Called rather Ba...

William Butler Yeats

The Marring Of Malyn

I

            The Merrymakers

Among the wintry mountains beside the Northern sea
There is a merrymaking, as old as old can be.

Over the river reaches, over the wastes of snow,
Halting at every doorway, the white drifts come and go.

They scour upon the open, and mass along the wood,
The burliest invaders that ever man withstood.

With swoop and whirl and scurry, these riders of the drift
Will mount and wheel and column, and pass into the lift.

All night upon the marshes you hear their tread go by,
And all night long the streamers are dancing on the sky.

Their light in Malyn's chamber is pale upon the floor,
And Malyn of the mountains is theirs for evermore.

She fancies them a people in saffron and in green,
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Written In The Highlands Of Scotland, September 1, 1812.

Blue was the loch, [1] the clouds were gone,
Ben-Lomond in his glory shone,
When, Luss, I left thee; when the breeze
Bore me from thy silver sands,
Thy kirk-yard wall among the trees,
Where, grey with age, the dial stands;
That dial so well-known to me!
--Tho' many a shadow it had shed,
Beloved Sister, since with thee
The legend on the stone was read.
    The fairy-isles fled far away;
That with its woods and uplands green,
Where shepherd-huts are dimly seen,
And songs are heard at close of day;
That too, the deer's wild covert, fled,
And that, the Asylum of the Dead:
While, as the boat went merrily,
Much of ROB ROY [2] the boat-man told;
His arm that fell below his knee,
His cattle-ford and mountain-hold.
    Tarbet, [3] thy shore I climb'...

Samuel Rogers