Light And Wind

Where, through the myriad leaves of forest trees,
The daylight falls, beryl and chrysoprase,
The glamour and the glimmer of its rays
Seem visible music, tangible melodies:
Light that is music; music that one sees
Wagnerian music where forever sways
The spirit of romance, and gods and fays
Take form, clad on with dreams and mysteries.
And now the wind's transmuting necromance
Touches the light and makes it fall and rise,
Vocal, a harp of multitudinous waves
That speaks as ocean speaks an utterance
Of far-off whispers, mermaid-murmuring sighs
Pelagian, vast, deep down in coral caves.

Madison Julius Cawein

Madison Julius Cawein was born on March 23, 1865, in Louisville, Kentucky and died on December 8, 1914. Known as the “Keats of Kentucky,” his poetry often focused on nature, mythology, and the lush landscapes of his home state. Throughout his lifetime, Cawein published more than 30 books of poetry. He is remembered for his vivid and descriptive style and his ability to capture the beauty of the natural world. His works provide a window into the pastoral and often mystical world of the late 19th and early 20th centuries.

Madison Julius Cawein

The Charcoal-Burner's Hut

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The Gray Sisters

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English

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Light And Wind

Where, through the myriad leaves of forest trees,
The daylight falls, beryl and chrysoprase,
The glamour and the glimmer of its rays
Seem visible music, tangible melodies:
Light that is music; music that one sees -
Wagnerian music - where forever sways
The spirit of romance, and gods and fays
Take form, clad on with dreams and mysteries.
And now the wind's transmuting necromance
Touches the light and makes it fall and rise,
Vocal, a harp of multitudinous waves
That speaks as ocean speaks - an utterance
Of far-off whispers, mermaid-murmuring sighs -
Pelagian, vast, deep down in coral caves.

Madison Julius Cawein

The Wind Of Summer

From the hills and far away
All the long, warm summer day
Comes the wind and seems to say:

"Come, oh, come! and let us go
Where the meadows bend and blow,
Waving with the white-tops' snow.

"'Neath the hyssop-colored sky
'Mid the meadows we will lie
Watching the white clouds roll by;

"While your hair my hands shall press
With a cooling tenderness
Till your grief grows less and less.

"Come, oh, come! and let us roam
Where the rock-cut waters comb
Flowing crystal into foam.

"' Under trees whose trunks are brown,
On the banks that violets crown,
We will watch the fish flash down;

"While your ear my voice shall soothe
With a whisper soft and smooth
Till your care shall wax uncouth.

"Come! where fore...

Madison Julius Cawein

The Night-Wind

I.

I have heard the wind on a winter's night,
When the snow-cold moon looked icily through
My window's flickering firelight,
Where the frost his witchery drew:
I have heard the wind on a winter's night,
Wandering ways that were frozen white,
Wail in my chimney-flue:
And its voice was the voice, so it seemed to me,
The voice of the world's vast misery.

II.

I have heard the wind on a night of spring,
When the leaves unclasped their girdles of gold,
And the bird on the bough sang slumbering,
In the lilac's fragrant fold:
I have heard the wind on a night of spring,
Shaking the musk from its dewy wing,
Sigh in my garden old:
And it seemed that it said, as it sighed above,
"I am the voice of the Earth's great love."

III.

Madison Julius Cawein

Fairies.

On the tremulous coppice,
From her plenteous hair,
Large golden-rayed poppies
Of moon-litten air
The Night hath flung there.

In the fern-favored hollow
The fire-flies fleet
Uncertainly follow
Pale phantoms of heat,
Druid shadows that meet.

Hidden flowers are fragrant;
The night hazes furl
O'er the solitudes vagrant
In purple and pearl,
Sway-swinging and curl.

From moss-cushioned valley
Where the red sunlight fails,
Rocks where musically
The hollow spring wails,
And the limber fern trails,

With a ripple and twinkle
Of luminous arms,
Of voices that tinkle,
And feet that are storms
Of chaste, naked charms,

Like echoes that revel
On hills, where the brier
Vaults roofs of dishevel<...

Madison Julius Cawein

The Wind.

The ways of the wind are eerie
And I love them all,
The blithe, the mad, and the dreary,
Spring, Winter, and Fall.

When it tells to the waiting crocus
Its beak to show,
And hangs on the wayside locust
Bloom-bunches of snow.

When it comes like a balmy blessing
From the musky wood,
The half-grown roses caressing
Till their cheeks show blood.

When it roars in the Autumn season,
And whines with rain
Or sleet like a mind without reason,
Or a soul in pain.

When the wood-ways once so spicy
With bud and bloom
Are desolate, sear, and icy
As the icy tomb.

When the wild owl crouched and frowsy
In the rotten tree
Wails dolorous, cold, and drowsy,
His shuddering melody.

Then I love to sit in Decemb...

Madison Julius Cawein

The Wind Of Spring

The wind that breathes of columbines
And celandines that crowd the rocks;
That shakes the balsam of the pines
With laughter from his airy locks,
Stops at my city door and knocks.

He calls me far a-forest, where
The twin-leaf and the blood-root bloom;
And, circled by the amber air,
Life sits with beauty and perfume
Weaving the new web of her loom.

He calls me where the waters run
Through fronding ferns where wades the hern;
And, sparkling in the equal sun,
Song leans above her brimming urn,
And dreams the dreams that love shall learn.

The wind has summoned, and I go:
To read God's meaning in each line
The wildflowers write; and, walking slow,
God's purpose, of which song is sign,
The wind's great, gusty hand in mine.

Madison Julius Cawein