Lines Rhymed In A Letter From Oxford

I.

The Gothic looks solemn,
The plain Doric column
Supports an old Bishop and Crosier;
The mouldering arch,
Shaded o'er by a larch
Stands next door to Wilson the Hosier.

II.

Vice that is, by turns,
O'er pale faces mourns
The black tassell'd trencher and common hat;
The Chantry boy sings,
The Steeple-bell rings,
And as for the Chancellor dominat.

III.

There are plenty of trees,
And plenty of ease,
And plenty of fat deer for Parsons;
And when it is venison,
Short is the benison,
Then each on a leg or thigh fastens.

John Keats

John Keats was an English Romantic poet who is among the most beloved of all English poets. His work is characterized by sensual imagery, most notably in his series of odes. Though his poems were not generally well-received by critics during his lifetime, his reputation grew posthumously. Keats’ work, such as "Ode to a Nightingale", and "To Autumn", has had a lasting effect on many writers and artists. He died at the young age of 25 from tuberculosis.

John Keats

To ----

John Keats, Simple Poetry

Spenserian Stanza: Written At The Close Of Canto II, Book V, Of "The Faerie Queene"

John Keats, Simple Poetry

Faery Songs

John Keats, Simple Poetry

An Extempore

John Keats, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Teignmouth: "Some Doggerel," Sent In A Letter To B. R. Haydon

I.

Here all the summer could I stay,
For there's Bishop's teign
And King's teign
And Coomb at the clear Teign head
Where close by the stream
You may have your cream
All spread upon barley bread.

II.

There's Arch Brook
And there's Larch Brook
Both turning many a mill,
And cooling the drouth
Of the salmon's mouth
And fattening his silver gill.

III.

There is Wild wood,
A Mild hood
To the sheep on the lea o' the down,
Where the golden furze,
With its green, thin spurs,
Doth catch at the maiden's gown.

IV.

There is Newton Marsh
With its spear grass harsh
A pleasant summer level
Where the maidens sweet
Of the Market Street
Do meet in the dusk to revel.

V....

John Keats

Spenserian Stanzas On Charles Armitage Brown

I

He is to weet a melancholy carle:
Thin in the waist, with bushy head of hair,
As hath the seeded thistle when in parle
It holds the Zephyr, ere it sendeth fair
Its light balloons into the summer air;
Therto his beard had not begun to bloom,
No brush had touch'd his chin or razor sheer;
No care had touch'd his cheek with mortal doom,
But new he was, and bright, as scarf from Persian loom.

II

Ne cared he for wine, or half-and-half;
Ne cared he for fish or flesh, or fowl;
And sauces held he worthless as the chaff;
He 'sdeigned the swine-head at the wassail-bowl;
Ne with lewd ribbalds sat he cheek by jowl;
Ne with sly Lemans in the scorner's chair;
But after water-brooks this Pilgrim's soul
Panted, and all his food was woodland air;

John Keats

Fragment Of "The Castle Builder."

To-night I'll have my friar, let me think
About my room, I'll have it in the pink;
It should be rich and sombre, and the moon,
Just in its mid-life in the midst of June,
Should look thro' four large windows and display
Clear, but for gold-fish vases in the way,
Their glassy diamonding on Turkish floor;
The tapers keep aside, an hour and more,
To see what else the moon alone can show;
While the night-breeze doth softly let us know
My terrace is well bower'd with oranges.
Upon the floor the dullest spirit sees
A guitar-ribband and a lady's glove
Beside a crumple-leaved tale of love;
A tambour-frame, with Venus sleeping there,
All finish'd but some ringlets of her hair;
A viol, bow-strings torn, cross-wise upon
A glorious folio of Anacreon;
A skull upon...

John Keats

Lines Written In The Highlands After A Visit To Burns's Country

There is a charm in footing slow across a silent plain,
Where patriot battle has been fought, where glory had the gain;
There is a pleasure on the heath where Druids old have been,
Where mantles grey have rustled by and swept the nettles green;
There is a joy in every spot made known by times of old,
New to the feet, although each tale a hundred times be told;
There is a deeper joy than all, more solemn in the heart,
More parching to the tongue than all, of more divine a smart,
When weary steps forget themselves upon a pleasant turf,
Upon hot sand, or flinty road, or sea-shore iron scurf,
Toward the castle or the cot, where long ago was born
One who was great through mortal days, and died of fame unshorn.
Light heather-bells may tremble then, but they are far away;
Wood-lark...

John Keats

Ode On A Grecian Urn

Thou still unravishd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fringd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endeard,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the g...

John Keats

At A House In Hampstead Sometime The Dwelling Of John Keats

O poet, come you haunting here
Where streets have stolen up all around,
And never a nightingale pours one
Full-throated sound?

Drawn from your drowse by the Seven famed Hills,
Thought you to find all just the same
Here shining, as in hours of old,
If you but came?

What will you do in your surprise
At seeing that changes wrought in Rome
Are wrought yet more on the misty slope
One time your home?

Will you wake wind-wafts on these stairs?
Swing the doors open noisily?
Show as an umbraged ghost beside
Your ancient tree?

Or will you, softening, the while
You further and yet further look,
Learn that a laggard few would fain
Preserve your nook? . . .

Where the Piazza steps incline,
And catch late light at eventid...

Thomas Hardy