Lines Upon Seeing ---- At One Of The Annual Banquets Given In Guildhall.

Gorgeous and splendid was the sight;
From myriad lamps a fairy light
Enshrin'd in wreaths the Gothic wall,
And heav'nly music fill'd the hall!

But there was one - (alas! that I
Had ever seen) - the melody
Her voice surpassed, and brighter far
Her eyes than ev'ry mimic star!

I gaz'd, until, oh! thought divine!
I fancied she I saw was mine;
But soon the beauteous vision flew -
The stranger-form I lov'd withdrew.

Yet still she lives within my breast,
There mem'ry has her form imprest: -
Thus, when some minstrel's strain is done,
Sounds seem to breathe, for ever gone!

John Carr

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John Carr

Lines To Annette.

John Carr, Simple Poetry

Lines To The Memory Of Erasmus, By Oudaan, Inscribed On The Pedestal Of The Statue Raised In Honour Of The Former, In Rotterdam.

John Carr, Simple Poetry

Lines[A] Written In A Beautiful Spot, The Favourite Retreat Of Delia.

John Carr, Simple Poetry

Lines To An Auricula, Belonging To ---- .

John Carr, Simple Poetry

English

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Lines Written At Brighton.

From Mirth's bright circle, from the giddy throng,
How sweet it is to steal away at eve,
To listen to the homeward fisher's song,
Whilst dark the waters of the ocean heave; -

And on the sloping beach to bear the spray
Dash 'gainst some hoary vessel's broken side;
Whilst, far illumin'd by the parting ray,
The distant sail is faintly seen to glide.

Yes, 'tis Reflection's chosen hour; for then,
With pensive pleasure mingling o'er the scene,
Th' erratic mind treads over life again,
And gazes on the past with eye serene.

Those stormy passions which bedimm'd the soul,
That oft have bid the joys it treasur'd fly,
Now, like th' unruffled waves of Ocean, roll
With gentle lapse - their only sound a sigh.

The galling wrong no longer knits the brow...

John Carr

To Miss Susan Beckford.[1] On Her Singing.

I more than once have heard at night
    A song like those thy lip hath given,
And it was sung by shapes of light,
    Who looked and breathed, like thee, of heaven.

But this was all a dream of sleep.
    And I have said when morning shone:--
"Why should the night-witch, Fancy, keep
    "These wonders for herself alone?"

I knew not then that fate had lent
    Such tones to one of mortal birth;
I knew not then that Heaven had sent
    A voice, a form like thine on earth.

And yet, in all that flowery maze
    Through which my path of life has led,
When I have heard the sweetest lays
    From lips of rosiest lustre shed;

When I have felt the warbled word
    From Beauty's lip, in sweetness vying
With music's own melodious bird;

Thomas Moore

A Haunted Room.

In the dim chamber whence but yesterday
    Passed my beloved, filled with awe I stand;
    And haunting Loves fluttering on every hand
Whisper her praises who is far away.
A thousand delicate fancies glance and play
    On every object which her robes have fanned,
    And tenderest thoughts and hopes bloom and expand
In the sweet memory of her beauty's ray.
Ah! could that glass but hold the faintest trace
    Of all the loveliness once mirrored there,
    The clustering glory of the shadowy hair
That framed so well the dear young angel face!
    But no, it shows my own face, full of care,
And my heart is her beauty's dwelling place.

John Hay

Visions.

"She was a phantom," &c.

In lone Glenartney's thickets lies couched the lordly stag,
The dreaming terrier's tail forgets its customary wag;
And plodding ploughmen's weary steps insensibly grow quicker,
As broadening casements light them on towards home, or home-brewed liquor.

It is (in fact) the evening - that pure and pleasant time,
When stars break into splendour, and poets into rhyme;
When in the glass of Memory the forms of loved ones shine -
And when, of course, Miss Goodchild's is prominent in mine.

Miss Goodchild! - Julia Goodchild! - how graciously you smiled
Upon my childish passion once, yourself a fair-haired child:
When I was (no doubt) profiting by Dr. Crabb's instruction,
And sent those streaky lollipops home for your fairy suction!

...

Charles Stuart Calverley

At the Opera

The curtain rose, the play began,
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.

Long lark-notes clear the first act close,
So the soprano: then a hush,
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.

The curtain fell, the music died,
The lights grew bright, revealing there
The flash of jewelled fingers fair,
And wreaths of pearls on brows of pride;
Then, with a quick-flushed cheek, I turned,
And into mine her dark eyes burned.

Such eyes but once a man may see,
And, seeing once, his fancy dies
To thought of any other eyes:

Victor James Daley

Love

All thoughts, all passions, all delights,
Whatever stirs this mortal frame,
Are all but ministers of Love,
And feed his sacred flame.

Oft in my waking dreams do I
Live o'er again that happy hour,
When midway on the mount I lay
Beside the ruined tower.

The moonshine stealing o'er the scene
Had blended with the lights of eve;
And she was there, my hope, my joy,
My own dear Genevieve!

She leant against the armed man,
The statue of the armed knight;
She stood and listened to my lay,
Amid the lingering light.

Few sorrows hath she of her own,
My hope! my joy! my Genevieve!
She loves me best, whene'er I sing
The songs that make her grieve.

I played a soft and doleful air,
I sang an old and moving story -
An ...

Samuel Taylor Coleridge