Lips Tongueless.

For my part, I never care
For those lips that tongue-tied are:
Tell-tales I would have them be
Of my mistress and of me.
Let them prattle how that I
Sometimes freeze and sometimes fry:
Let them tell how she doth move
Fore or backward in her love:
Let them speak by gentle tones,
One and th' other's passions:
How we watch, and seldom sleep;
How by willows we do weep;
How by stealth we meet, and then
Kiss, and sigh, so part again.
This the lips we will permit
For to tell, not publish it.

Robert Herrick

Robert Herrick was a 17th-century English lyric poet and cleric. He is known for his book of poems, "Hesperides," which includes the carpe diem poem "To the Virgins, to Make Much of Time." His works are noted for their clarity, simplicity, and musical quality. Herrick was also a vicar of Dean Prior in Devon, despite being ejected during the English Civil War and later reinstated.

Robert Herrick

To All Young Men That Love.

Robert Herrick, Simple Poetry

Another. (Upon Himself.)

Robert Herrick, Simple Poetry

To The Nightingale And Robin Redbreast.

Robert Herrick, Simple Poetry

Policy In Princes.

Robert Herrick, Simple Poetry

English

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Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

To His Mistress, Objecting To Him Neither Toying Or Talking

You say I love not, 'cause I do not play
Still with your curls, and kiss the time away.
You blame me, too, because I can't devise
Some sport, to please those babies in your eyes; -
By Love's religion, I must here confess it,
The most I love, when I the least express it.
Small griefs find tongues; full casks are ever found
To give, if any, yet but little sound.
Deep waters noiseless are; and this we know,
That chiding streams betray small depth below.
So when love speechless is, she doth express
A depth in love, and that depth bottomless.
Now, since my love is tongueless, know me such,
Who speak but little, 'cause I love so much.

Robert Herrick

Kisses Loathsome.

I abhor the slimy kiss,
Which to me most loathsome is.
Those lips please me which are placed
Close, but not too strictly laced:
Yielding I would have them; yet
Not a wimbling tongue admit:
What should poking-sticks make there,
When the ruffe is set elswhere?

Robert Herrick

To Mistress Amy Potter.

Ay me! I love; give him your hand to kiss
Who both your wooer and your poet is.
Nature has precompos'd us both to love:
Your part's to grant; my scene must be to move.
Dear, can you like, and liking love your poet?
If you say "Aye," blush-guiltiness will show it.
Mine eyes must woo you, though I sigh the while:
True love is tongueless as a crocodile.
And you may find in love these different parts--
Wooers have tongues of ice, but burning hearts.

Robert Herrick

To Anthea.

Ah, my Anthea! Must my heart still break?
(Love makes me write, what shame forbids to speak.)
Give me a kiss, and to that kiss a score;
Then to that twenty add a hundred more:
A thousand to that hundred: so kiss on,
To make that thousand up a million.
Treble that million, and when that is done
Let's kiss afresh, as when we first begun.
But yet, though love likes well such scenes as these,
There is an act that will more fully please:
Kissing and glancing, soothing, all make way
But to the acting of this private play:
Name it I would; but, being blushing red,
The rest I'll speak when we meet both in bed.

Robert Herrick

The Kiss: A Dialogue

Among thy fancies, tell me this,
What is the thing we call a kiss?
I shall resolve ye what it is:

It is a creature born and bred
Between the lips, all cherry-red,
By love and warm desires fed,
CHOR.And makes more soft the bridal bed.
It is an active flame, that flies
First to the babies of the eyes,
And charms them there with lullabies,
CHOR.And stills the bride, too, when she cries.
Then to the chin, the cheek, the ear,
It frisks and flies, now here, now there:
'Tis now far off, and then 'tis near,
CHOR.And here, and there, and every where.
Has it a speaking virtue?
Yes.
How speaks it, say?
Do you but this,
Part your join'd lips, then speaks your kiss;
CHOR.And this Love's sweetest language is.
Has it a body?
Ay, and wings,...

Robert Herrick

Tears Are Tongues.

When Julia chid I stood as mute the while
As is the fish or tongueless crocodile.
Air coin'd to words my Julia could not hear,
But she could see each eye to stamp a tear;
By which mine angry mistress might descry
Tears are the noble language of the eye.
And when true love of words is destitute
The eyes by tears speak, while the tongue is mute.

Robert Herrick