Merry Autumn

It's all a farce,--these tales they tell
About the breezes sighing,
And moans astir o'er field and dell,
Because the year is dying.

Such principles are most absurd,--
I care not who first taught 'em;
There's nothing known to beast or bird
To make a solemn autumn.

In solemn times, when grief holds sway
With countenance distressing,
You'll note the more of black and gray
Will then be used in dressing.

Now purple tints are all around;
The sky is blue and mellow;
And e'en the grasses turn the ground
From modest green to yellow.

The seed burrs all with laughter crack
On featherweed and jimson;
And leaves that should be dressed in black
Are all decked out in crimson.

A butterfly goes winging by;
A singing bird comes after;
And Nature, all from earth to sky,
Is bubbling o'er with laughter.

The ripples wimple on the rills,
Like sparkling little lasses;
The sunlight runs along the hills,
And laughs among the grasses.

The earth is just so full of fun
It really can't contain it;
And streams of mirth so freely run
The heavens seem to rain it.

Don't talk to me of solemn days
In autumn's time of splendor,
Because the sun shows fewer rays,
And these grow slant and slender.

Why, it's the climax of the year,--
The highest time of living!--
Till naturally its bursting cheer
Just melts into thanksgiving.

Paul Laurence Dunbar

Paul Laurence Dunbar was an influential American poet, novelist, and playwright of the late 19th and early 20th centuries. Born in Dayton, Ohio, Dunbar gained national recognition for his dialectic verse and collections of poems such as 'Majors and Minors' (1895) and 'Lyrics of Lowly Life' (1896). His works often addressed themes of racial identity and struggle, making significant contributions to African American literature. Dunbar's writings served as an inspiration for later writers of the Harlem Renaissance.

Paul Laurence Dunbar

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English

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With what a glory comes and goes the year!
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Autumn.

With what a glory comes and goes the year!
The buds of spring, those beautiful harbingers
Of sunny skies and cloudless times, enjoy
Life's newness, and earth's garnitude spread out
And when the silver habit of the clouds
Comes down upon the autumn sun, and with
A sober gladness the old year takes up
His bright inheritance of golden fruits,
A pomp and pageant fill the splendid scene.

    There is a beautiful spirit breathing now
Its mellow richness on the clustered trees,
And, from a beaker full of richest dyes,
Pouring new glory on the autumn woods,
And dipping in warm light the pillared clouds.
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William Henry Giles Kingston

Autumn

The year grows still again, the surging wake
Of full-sailed summer folds its furrows up,
As after passing of an argosy
Old Silence settles back upon the sea,
And ocean grows as placid as a cup.
Spring, the young morn, and Summer, the strong noon,
Have dreamed and done and died for Autumn's sake:
Autumn that finds not for a loss so dear
Solace in stack and garner hers too soon -
Autumn, the faithful widow of the year.

Autumn, a poet once so full of song,
Wise in all rhymes of blossom and of bud,
Hath lost the early magic of his tongue,
And hath no passion in his failing blood.
Hear ye no sound of sobbing in the air?
'Tis his. Low bending in a secret lane,
Late blooms of second childhood in his hair,
He tries old magic, like a dotard mage;
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Richard Le Gallienne

Autumn.

The summer-flower has run to seed,
And yellow is the woodland bough;
And every leaf of bush and weed
Is tipt with autumn's pencil now.

And I do love the varied hue,
And I do love the browning plain;
And I do love each scene to view,
That's mark'd with beauties of her reign.

The woodbine-trees red berries bear,
That clustering hang upon the bower;
While, fondly lingering here and there,
Peeps out a dwindling sickly flower.

The trees' gay leaves are turned brown,
By every little wind undress'd;
And as they flap and whistle down,
We see the birds' deserted nest.

No thrush or blackbird meets the eye,
Or fills the ear with summer's strain;
They but dart out for worm and fly,
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Autumn.

If seasons, like the human race, had souls,
Then two artistic spirits live within
The Chameleon mind of Autumn - these,
The Poet's mentor and the Painter's guide.
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Are truly represented by the hues
That thrill the forests with prophetic fire.
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What palette ever held the flaming tints
That on these leafy hieroglyphs foretell
How set the ebbing currents of the year?
What poet's page was ever like to this,
Or told the lesson of life's waning days
More forcibly, with more of natural truth,
Than yon red maples, or these poplars, white
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A Dream Of Autumn.

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    Summer's brink, and floodlike sweeping
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        Willows wring their helpless hands.

    Flared, like Titan torches flinging
        Flakes of flame and embers, springing
    From the vale the trees stand swinging
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    Fills the sense to overflowing
        With the sorrow of the year.

    Sorrowfully, yet the sweeter
    Sings the brook in rippled meter
    Under boughs that lithely teeter
        Lorn birds, ...

James Whitcomb Riley