Mowing

There was never a sound beside the wood but one,
And that was my long scythe whispering to the ground.
What was it it whispered? I knew not well myself;
Perhaps it was something about the heat of the sun,
Something, perhaps, about the lack of sound,
And that was why it whispered and did not speak.
It was no dream of the gift of idle hours,
Or easy gold at the hand of fay or elf:
Anything more than the truth would have seemed too weak
To the earnest love that laid the swale in rows,
Not without feeble-pointed spikes of flowers
(Pale orchises), and scared a bright green snake.
The fact is the sweetest dream that labour knows.
My long scythe whispered and left the hay to make.

Robert Lee Frost

Robert Lee Frost was an American poet renowned for his depictions of rural New England life, his realistic verse portraying ordinary people in everyday situations. Frost's work frequently employed themes from the natural world and championed common speech. He received four Pulitzer Prizes for Poetry and was a much-honored poet of his era. Some of his most famous works include 'The Road Not Taken,' 'Stopping by Woods on a Snowy Evening,' and 'Mending Wall.'

Robert Lee Frost

A Line-Storm Song

Robert Lee Frost, Simple Poetry

The Thatch

Robert Lee Frost, Simple Poetry

Canis Major

Robert Lee Frost, Simple Poetry

Bereft

Robert Lee Frost, Simple Poetry

English

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The Tuft Of Flowers

I went to turn the grass once after one
Who mowed it in the dew before the sun.

The dew was gone that made his blade so keen
Before I came to view the leveled scene.

I looked for him behind an isle of trees;
I listened for his whetstone on the breeze.

But he had gone his way, the grass all mown,
And I must be, as he had been, alone,

`As all must be,' I said within my heart,
`Whether they work together or apart.'

But as I said it, swift there passed me by
On noiseless wing a 'wildered butterfly,

Seeking with memories grown dim o'er night
Some resting flower of yesterday's delight.

And once I marked his flight go round and round,
As where some flower lay withering on the ground.

And then he flew as far as eye could...

Robert Lee Frost

The Code

There were three in the meadow by the brook
Gathering up windrows, piling cocks of hay,
With an eye always lifted toward the west
Where an irregular sun-bordered cloud
Darkly advanced with a perpetual dagger
Flickering across its bosom. Suddenly
One helper, thrusting pitchfork in the ground,
Marched himself off the field and home. One stayed.
The town-bred farmer failed to understand.
"What is there wrong?"
"Something you just now said."
"What did I say?"
"About our taking pains."
"To cock the hay?, because it's going to shower?
I said that more than half an hour ago.
I said it to myself as much as you."
"You didn't know. But James is one big fool.
He thought you meant to find fault with his work.
That's what the average farmer would have meant.

Robert Lee Frost

The Grindstone

Having a wheel and four legs of its own
Has never availed the cumbersome grindstone
To get it anywhere that I can see.
These hands have helped it go, and even race;
Not all the motion, though, they ever lent,
Not all tke miles it may have thought it went,
Have got it one step from the starting place.
It stands beside the same old apple tree.
The shadow of the apple tree is thin
Upon it now its feet as fast in snow.
All other farm machinery's gone in,
And some of it on no more legs and wheel
Than the grindstone can boast to stand or go.
(I'm thinking chiefly of the wheelbarrow.)
For months it hasn't known the taste of steel
Washed down with rusty water in a tin..
But standing outdoors hungry, in the cold,
Except in towns at night is not a sin.
And>...

Robert Lee Frost

After Apple Picking

My long two-pointed ladder's sticking through a tree
Toward heaven still.
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples; I am drowsing off.
I cannot shake the shimmer from my sight
I got from looking through a pane of glass
I skimmed this morning from the water-trough,
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and reappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep ...

Robert Lee Frost

Waiting, A Field at Dusk

What things for dream there are when spectre-like,
Moving among tall haycocks lightly piled,
I enter alone upon the stubble field,
From which the laborers' voices late have died,
And in the antiphony of afterglow
And rising full moon, sit me down
Upon the full moon's side of the first haycock
And lose myself amid so many alike.
I dream upon the opposing lights of the hour,
Preventing shadow until the moon prevail;
I dream upon the night-hawks peopling heaven,
Each circling each with vague unearthly cry,
Or plunging headlong with fierce twang afar;
And on the bat's mute antics, who would seem
Dimly to have made out my secret place,
Only to lose it when he pirouettes,
And seek it endlessly with purblind haste;
On the last swallow's sweep; and on the rasp

Robert Lee Frost

The Last Mowing

There's a place called Far-away Meadow
We never shall mow in again,
Or such is the talk at the farmhouse:
The meadow is finished with men.
Then now is the chance for the flowers
That can't stand mowers and plowers.
It must be now, through, in season
Before the not mowing brings trees on,
Before trees, seeing the opening,
March into a shadowy claim.
The trees are all I'm afraid of,
That flowers can't bloom in the shade of;
It's no more men I'm afraid of;
The meadow is done with the tame.
The place for the moment is ours
For you, oh tumultuous flowers,
To go to waste and go wild in,
All shapes and colors of flowers,
I needn't call you by name.

Robert Lee Frost