Music On The Thames

As I have seen when on the breast of Thames
A heavenly bevy of sweet English dames,
In some calm ev'ning of delightful May,
With music give a farewell to the day,
Or as they would, with an admired tone,
Greet Night's ascension to her ebon throne,
Rapt with their melody a thousand more
Run to be wafted from the bounding shore.

From Britannia's Pastorals.

William Browne

William Browne (1590–1645) was an English poet from Tavistock, Devon. Best known for his pastoral poetry, Browne's notable works include 'Britannia's Pastorals'. His poetry reflects the influence of Edmund Spenser and his themes often revolve around nature, rural life, and patriotic sentiments. Although his work was not widely known during his time, it has since gained recognition for its lyrical quality and depiction of English countryside traditions.

William Browne

Night

William Browne, Simple Poetry

Birds in May

William Browne, Simple Poetry

A Round

William Browne, Simple Poetry

Epitaph - In Obitum M S, X° Maij, 1614

William Browne, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

A Song

Gentle nymphs, be not refusing,
Love's neglect is time's abusing,
They and beauty are but lent you;
Take the one and keep the other;
Love keeps fresh what age doth smother;
Beauty gone you will repent you.

'Twill be said when ye have proved,
Never swains more truly loved:
Oh then fly all nice behaviour!
Pity fain would (as her duty)
Be attending still on Beauty,
Let her not be out of favour.

From Britannia's Pastorals.

William Browne

Birds in May

As (woo'd by May's delights) I have been borne
To take the kind air of a wistful morn
Near Tavy's voiceful stream (to whom I owe
More strains than from my pipe can ever flow),
Here have I heard a sweet bird never lin
To chide the river for his clam'rous din;
There seem'd another in his song to tell,
That what the fair stream did he liked well;
And going further heard another too,
All varying still in what the others do;
A little thence, a fourth with little pain
Conn'd all their lessons, and them sung again;
So numberless the songsters are that sing
In the sweet groves of the too-careless spring,
That I no sooner could the hearing lose
Of one of them, but straight another rose,
And perching deftly on a quaking spray,
Nigh tir'd herself to make her hearer ...

William Browne

June 1820

Fame tells of groves, from England far away,
Groves that inspire the Nightingale to trill
And modulate, with subtle reach of skill
Elsewhere unmatched, her ever-varying lay;
Such bold report I venture to gainsay:
For I have heard the quire of Richmond hill
Chanting, with indefatigable bill,
Strains that recalled to mind a distant day;
When, haply under shade of that same wood,
And scarcely conscious of the dashing oars
Plied steadily between those willowy shores,
The sweet-souled Poet of the Seasons stood
Listening, and listening long, in rapturous mood,
Ye heavenly Birds! to your Progenitors.

William Wordsworth

Songs In King Arthur.

Where a battle is supposed to be given behind the scenes, with drums, trumpets, and military shouts and excursions; after which, the Britons, expressing their joy for the victory, sing this song of triumph.


I.

    Come, if you dare, our trumpets sound;
    Come, if you dare, the foes rebound:
    We come, we come, we come, we come,
    Says the double, double, double beat of the thundering drum.
        Now they charge on amain,
        Now they rally again:
    The gods from above the mad labour behold,
    And pity mankind, that will perish for gold.
    The fainting Saxons quit their ground,
    Their trumpets languish in the sound:
    They fly, they fly, they fly, they fly;
    Victoria, Victoria, the bold Britons cry.
        Now the victory's wo...

John Dryden

London Voluntaries - To Charles Whibley - I - Grave

St. Margaret's bells,
Quiring their innocent, old-world canticles,
Sing in the storied air,
All rosy-and-golden, as with memories
Of woods at evensong, and sands and seas
Disconsolate for that the night is nigh.
O, the low, lingering lights!    The large last gleam
(Hark! how those brazen choristers cry and call!)
Touching these solemn ancientries, and there,
The silent River ranging tide-mark high
And the callow, grey-faced Hospital,
With the strange glimmer and glamour of a dream!
The Sabbath peace is in the slumbrous trees,
And from the wistful, the fast-widowing sky
(Hark! how those plangent comforters call and cry!)
Falls as in August plots late roseleaves fall.
The sober Sabbath stir -
Leisurely voices, desultory feet! -
Comes from the dry, dus...

William Ernest Henley

To England

Hail, thou my native soil! thou blessed plot
Whose equal all the world affordeth not!
Show me who can so many crystal rills,
Such sweet-clothed valleys or aspiring hills;
Such wood-ground, pastures, quarries, wealthy mines;
Such rocks in whom the diamond fairly shines;
And if the earth can show the like again,
Yet will she fail in her sea-ruling men.

From Britannia's Pastorals.

William Browne