My Jolly Friend's Secret

Ah, friend of mine, how goes it
    Since you've taken you a mate? -
Your smile, though, plainly shows it
    Is a very happy state!
Dan Cupid's necromancy!
    You must sit you down and dine,
And lubricate your fancy
    With a glass or two of wine.

And as you have "deserted,"
    As my other chums have done,
While I laugh alone diverted,
    As you drop off one by one - -
And I've remained unwedded,
    Till - you see - look here - that I'm,
In a manner, "snatched bald-headed"
    By the sportive hand of Time!

I'm an "old 'un!" yes, but wrinkles
    Are not so plenty, quite,
As to cover up the twinkles
    Of the boy - ain't I right?
Yet there are ghosts of kisses
    Under this mustache of mine
My mem'ry only misses
    When I drown 'em out with wine.

From acknowledgment so ample,
    You would hardly take me for
What I am - a perfect sample
    Of a "jolly bachelor";
Not a bachelor has being
    When he laughs at married life
But his heart and soul's agreeing
    That he ought to have a wife!

Ah, ha! old chum, this claret,
    Like Fatima, holds the key
Of the old Blue-Beardish garret
    Of my hidden mystery!
Did you say you'd like to listen?
    Ah, my boy! the "Sad No More!"
And the tear-drops that will glisten -
    Turn the catch upon the door,

And sit you down beside me
    And put yourself at ease -
I'll trouble you to slide me
    That wine decanter, please;
The path is kind o' mazy
    Where my fancies have to go,
And my heart gets sort o' lazy
    On the journey - don't you know?

Let me see - when I was twenty -
    It's a lordly age, my boy,
When a fellow's money's plenty,
    And the leisure to enjoy -

And a girl - with hair as golden
    As - that; and lips - well - quite
As red as this I'm holdin'
    Between you and the light?

And eyes and a complexion -
    Ah, heavens! - le'-me-see -
Well, - just in this connection, -
    Did you lock that door for me?
Did I start in recitation
    My past life to recall?
Well, that's an indication
    I am purty tight - that's all!

James Whitcomb Riley

James Whitcomb Riley was an American writer, poet, and best-selling author. He was known as the "Hoosier Poet" and the "Children's Poet" for his dialect works and children's poetry respectively. Over his career, Riley authored approximately 1,000 poems, including "Little Orphant Annie" and "The Raggedy Man". His influence extended into the 20th century, and his works continued to be celebrated for their nostalgic and rural themes.

James Whitcomb Riley

Some Scattering Remarks Of Bub's.

James Whitcomb Riley, Simple Poetry

A Masque Of The Seasons

James Whitcomb Riley, Simple Poetry

Her Waiting Face

James Whitcomb Riley, Simple Poetry

Beautiful Hands.

James Whitcomb Riley, Simple Poetry

English

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An Old Sweetheart Of Mine

As one who cons at evening o'er an album all alone,
And muses on the faces of the friends that he has known,
So I turn the leaves of fancy till, in shadowy design,
I find the smiling features of an old sweetheart of mine.

The lamplight seems to glimmer with a flicker of surprise,
As I turn it low to rest me of the dazzle in my eyes,
And light my pipe in silence, save a sigh that seems to yoke
Its fate with my tobacco and to vanish with the smoke.

'Tis a fragrant retrospection - for the loving thoughts that start
Into being are like perfume from the blossom of the heart;
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Though I hear, beneath my study, like a fluttering of wings,
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An Old Sweetheart Of Mine

An old sweetheart of mine! - Is this her presence here with me,
Or but a vain creation of a lover's memory?
A fair, illusive vision that would vanish into air
Dared I even touch the silence with the whisper of a prayer?

Nay, let me then believe in all the blended false and true -
The semblance of the OLD love and the substance of the NEW, -
The THEN of changeless sunny days - the NOW of shower and shine -
But Love forever smiling - as that old sweetheart of mine.

This ever-restful sense of HOME, though shouts ring in the hall. -
The easy chair - the old book-shelves and prints along the wall;
The rare HABANAS in their box, or gaunt church-warden-stem
That often wags, above the jar, derisively at them.

As one who cons at evening o'er an album, all alone,
And...

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Sweet-Knot And Galamus

AN OLD SWEETHEART.



As one who cons at evening o'er an album all alone,
And muses on the faces of the friends that he has known,
So I turn the leaves of fancy till, in shadowy design,
I find the smiling features of an old sweetheart of mine.

The lamplight seems to glimmer with a flicker of surprise,
As I turn it low to rest me of the dazzle in my eyes,
And light my pipe in silence, save a sigh that seems to yoke
Its fate with my tobacco and to vanish with the smoke.

'Tis a fragrant retrospection - for the loving thoughts that start
Into being are like perfumes from the blossom of the heart;
And to dream the old dreams over is a luxury divine -
When my truant fancy wanders with that old sweeheart of mine.

Though I hear, beneath my study, lik...

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An Old Sweetheart of Mine

        The ordered intermingling
            of the real and the dream,--
        The mill above the river,
            and the mist above the stream;
        The life of ceaseless labor,
            brave with song and cheery call--
        The radiant skies of evening,
            with its rainbow o'er us all.


        AN OLD SWEETHEART OF MINE!--Is this
            her presence here with me,
        Or but a vain creation of
            a lover's memory?

        A fair, illusive vision
            that would vanish into air
        Dared I even touch the silence
            with the whisper of a prayer?

        Nay, let me then believe in all
            the blended false a...

James Whitcomb Riley

Floretty's Musical Contribution

All seemed delighted, though the elders more,
Of course, than were the children. - Thus, before
Much interchange of mirthful compliment,
The story-teller said his stories "went"
(Like a bad candle) best when they went out, -
And that some sprightly music, dashed about,
Would wholly quench his "glimmer," and inspire
Far brighter lights.

    And, answering this desire,
The flutist opened, in a rapturous strain
Of rippling notes - a perfect April-rain
Of melody that drenched the senses through; -
Then - gentler - gentler - as the dusk sheds dew,
It fell, by velvety, staccatoed halts,
Swooning away in old "Von Weber's Waltz."
Then the young ladies sang "Isle of the Sea" -
In ebb and flow and wave so billowy, -
Only with quave...

James Whitcomb Riley