Nature The Healer

When all the world has gone awry,
And I myself least favour find
With my own self, and but to die
And leave the whole sad coil behind,
Seems but the one and only way;
Should I but hear some water falling
Through woodland veils in early May,
And small bird unto small bird calling -
O then my heart is glad as they.

Lifted my load of cares, and fled
My ghosts of weakness and despair,
And, unafraid, I raise my head
And Life to do its utmost dare;
Then if in its accustomed place
One flower I should chance find blowing,
With lovely resurrected face
From Autumn's rust and Winter's snowing -
I laugh to think of my disgrace.

A simple brook, a simple flower,
A simple wood in green array, -
What, Nature, thy mysterious power
To bind and heal our mortal clay?
What mystic surgery is thine,
Whose eyes of us seem all unheeding,
That even so sad a heart as mine
Laughs at the wounds that late were bleeding? -
Yea! sadder hearts, O Power Divine.

I think we are not otherwise
Than all the children of thy knee;
For so each furred and winged one flies,
Wounded, to lay its heart on thee;
And, strangely nearer to thy breast,
Knows, and yet knows not, of thy healing,
Asking but there awhile to rest,
With wisdom beyond our revealing -
Knows and yet knows not, and is blest.

Richard Le Gallienne

Richard Le Gallienne

Richard Le Gallienne was an English author and poet born on January 20, 1866. Known for his lyrical poetry, he was a key figure in the literary circles of the fin de siècle. He contributed to the literary magazine 'The Yellow Book' and was involved with the Rhymers' Club, an influential group of London-based poets. His works often explored themes of beauty, love, and nature. His influence extended to both sides of the Atlantic, and he spent the latter part of his life in the United States, where he continued to write until his death on September 15, 1947.

Richard Le Gallienne

English

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Fragments On Nature And Life - Nature

The patient Pan,
Drunken with nectar,
Sleeps or feigns slumber,
Drowsily humming
Music to the march of time.
This poor tooting, creaking cricket,
Pan, half asleep, rolling over
His great body in the grass,
Tooting, creaking,
Feigns to sleep, sleeping never;
'T is his manner,
Well he knows his own affair,
Piling mountain chains of phlegm
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As he holds down central fires
Under Alps and Andes cold;
Haply else we could not live,
Life would be too wild an ode.



Come search the wood for flowers,--
Wild tea and wild pea,
Grapevine and succory,
Coreopsis
And liatris,
Flaunting in their bowers;
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Nature's Music.

Of many gifts bestowed on earth
    To cheer a lonely hour,
Oh is there one of equal worth
    With music's magic power?
'Twill charm each angry thought to rest,
    'Twill gloomy care dispel,
And ever we its power can test, -
    All nature breathes its spell.

There's music in the sighing tone
    Of the soft, southern breeze
That whispers thro' the flowers lone,
    And bends the stately trees,
And - in the mighty ocean's chime,
    The crested breakers roar,
The wild waves, ceaseless surge sublime,
    Breaking upon the shore.

There's music in the bulbul's note,
    Warbling its vesper lay
In some fair spot, from man remote,
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As In The Woodland I Walk

As in the woodland I walk, many a strange thing I learn -
How from the dross and the drift the beautiful things return,
And the fires quenched in October in April reburn;

How foulness grows fair with the stern lustration of sleets and snows,
And rottenness changes back to the breath and the cheek of the rose,
And how gentle the wind that seems wild to each blossom that blows;

How the lost is ever found, and the darkness the door of the light,
And how soft the caress of the hand that to shape must not fear to smite,
And how the dim pearl of the moon is drawn from the gulf of the night;

How, when the great tree falls, with its empire of rustling leaves,
The earth with a thousand hands its sunlit ruin receives,
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Lines Composed A Few Miles Above Tintern Abbey

Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur., Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
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Margery.

"Truth lights our minds as sunrise lights the world.
The heart that shuts out truth, excludes the light
That wakes the love of beauty in the soul;
And being foe to these, despises God,
The sole Dispenser of the gracious bliss
That brings us nearer the celestial gate.
They who might feed on rose-leaves of the True,
And grow in loveliness of heart and soul,
Catch at Deception's airy gossamers,
As children clutch at stars.    To some, the world
Is a bleak desert, parched with blinding sand,
With here and there a mirage, fair to view,
But insubstantial as the visions born
Of Folly and Despair.    Could we but know
How nigh we are to the true light of heaven;
In what a world of love we live and breathe;
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After A Lecture On Wordsworth

Come, spread your wings, as I spread mine,
And leave the crowded hall
For where the eyes of twilight shine
O'er evening's western wall.

These are the pleasant Berkshire hills,
Each with its leafy crown;
Hark! from their sides a thousand rills
Come singing sweetly down.

A thousand rills; they leap and shine,
Strained through the shadowy nooks,
Till, clasped in many a gathering twine,
They swell a hundred brooks.

A hundred brooks, and still they run
With ripple, shade, and gleam,
Till, clustering all their braids in one,
They flow a single stream.

A bracelet spun from mountain mist,
A silvery sash unwound,
With ox-bow curve and sinuous twist
It writhes to reach the Sound.

This is my bark, - a pygmy's ship;
B...

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