Night Fishing At Antibes

    A beach back of bric à brac,
    wine goblet of sky ... .
    the horizon beginning
    somewhere between Nod &
    nigh unto forever with
    only the sigh of a Casuarina pine
    or sea-grape to force a smile.

    It was entering into twilight
    - our minds were sailing ships,
    mere vagaries upon the waves,
    mine more a clippership
    on the Frisco to China run.

    Soirèe intimée,
    apèrtif, digestif?
    A bottle of rum
    with Eleuthera for a name
    - the prettiest coves
    have steadfast winds
    dark about portside.

    Silvery light of stars,
    the stars like black hansom cabs
    with livried footmen before
    shark-toothed clouds,
    a shark-faced moon,
    the sight of a shark breaking water,
    lemon-white its gullet with the
    Big Dipper stuck in a shark tooth.

    Diamondhead or Copperback?
    Carpetbaggers ... the moon's silver tea-set
    giving birth to wonderment
    flooding in affection
    a Raouel Dufy lithograph,
    some decrepit Neapolitan fisherman
    zoning his epic life
    to human proportions.

Paul Cameron Brown

Paul Cameron Brown is a Canadian poet known for his extensive work in both poetry and art criticism. Born in western Canada, Brown has had a prolific career in writing, often intertwining themes of human experience and nature. His works have been showcased in various literary magazines and anthologies. With a style that is both reflective and evocative, he has gained recognition not only in Canada but also internationally.

Paul Cameron Brown

Highgate

Paul Cameron Brown, Simple Poetry

Fishing Nets

Paul Cameron Brown, Simple Poetry

Twinkling Of An Eye

Paul Cameron Brown, Simple Poetry

The Pelly, The Powder And The Snake

Paul Cameron Brown, Simple Poetry

English

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Tide Charts

    To create dream -
    the pearl thru wine effect,
    oil and vinegar viscidity
    of giant salad leaves
    basking on the
    broken picnic table
    like so many lemurs
    taken to a
    Malagasy forest.

    Liverwurst on rye,
    cuff-links drag
    the hard, mica table;
    so, why be afraid
    'cause spume from waves
    glows upward
    in so many trails of
    grey-laden smoke?

    This island looks like a loaf,
    a dot or mole on inviting cheeks,
    to me; so wary, invariably, of land
    (and perhaps the Sand Man)
    amongst all those wandering eyes,
    especially the sea-scape,
    curl of snake
    illuminated
    in a sudden, tropic shower.

    See the sudden bandanna ...

Paul Cameron Brown

Picaroon

Scouting the sun
thin clouds threadbare vests
barely to cover the horizon.
the heat or the day, canine,
a hot tongue's intensily
splashing yr face.

The docks are quiet,
prawn trawlers unloading gear
gar fish at the surface of the water
echoing little fins like
tiny waves green
into the shallows.

Bubbles anchor the lagoon    -
changing rivulets into sand
stone walls numbered in shards of glass
trade universal currency
but, beware, the proprietor
cobblestones up to his door,
a candle in the window-stoop,
a creeking gate opened as an afterthought.

Come the picaroon.
Spanish adventurer
lesser known rogue, thief
a smile like piano keys
huevos sent back.

I've seen the parfumerie
the snake pit,...

Paul Cameron Brown

Offerings (A Movement In Four Parts)

The night is folly without the moon,
trees blank space against a frontal sky
where lattice work from a bled fish reveals
skeletal markings will not administer
the red jack of hearts to a mistress sea.

Most fickle, the ways of a cockroach
(I don't recommend them) to offerings
of white linen, cold squares atop
a stone diamonded floor.

Palaver shacks drone in ghostly light
communicating some message about eel runs
up the black river, the equivalent brush
of tombstones against dark nightsoil.

Tiny bars open as cubicles.
proverbial flashes of the coming evening,
haciendas to count every blessing.

The road to such places
snarls a dusty pleasure
and will heat thin blood
to boil in the daylight hours.

II

Swe...

Paul Cameron Brown

The Gingham Dream Utterance

    As I watch the clouds assemble, steam-ship fashion, with funnels to
    alert passersby, I realize the Romanovs tore silk & riches from
    every bazaar leaving the bright spot of this evening studded with emerald marks.
    A dot in the ocean is a spark upon which minnows play, their silver
    bellies upturned to imitate the moon's white shawl.

    I am wanting in the delights of the reef narrowly hauled from
    rambunctious depths, the tiniest splashes of green, yellow, blue darting in an upturned fish's tail.
    An octopus rock commands squadrons of fingerlings while the eisel
    fish decorates a steeper, coral garden.

    Jet black sand crowns the lagoon volcanic ages' past the innocence
    of this spurting palm while mounds of pitch dark ants deposit slivers o...

Paul Cameron Brown

Night Sky

I can call a lake a kettle
a splendid, ivory comb a snare    -
tiny feet cataclysms off a mountain.
the night sky my ariel home.

Nothing matters with my heart at my ribs
a collarbone of doubt
inching into my anatomy
Everest-wide.
surging canals into my throat.

I am a pianist plying my trade
playing to waves    -
the wharf and pier
passionate onlookers
entranced with joy.
sailors wearing blond caps
in stout approval
their tall ships wavy as decorative pins.
smashed bottles accumulated days at sea
lapping the dock.

Paul Cameron Brown

Cuando-Cubango

    1

    Moths, if they dream dusk,
    sport esurient hip-flasks on their wings -
    gangster rum-runners better to sully dark,
    traverse caravans of colour
    amid silk-routes
    to dazzle Prester John,
    cork unscrew the unicorn horn askew.

    2
    Compte de la Mothe
    escadrilles/flotillas
    D'Entrecasteaux
    with Bougainville discovering
    well, Bougainvillaea and I,
    latter day la Perouse,
    cunningly amuck on coral
    adoration and wine,
    (red as scarlet leaves)
    chenille, frangipanni and the Marquis house colours
    of the flame-bitten tropics.

    3
    Let me scandalize why.
    Watch the sea churn
    to white bubbles then coat
    your nostril with brine
...

Paul Cameron Brown