Night In the City

The sluggish clouds hang low upon the town,
And from yon lamp in chilled and sodden rays
The feeble light gropes through the heavy mist
And dies, extinguished in the stagnant maze.

From moisty eaves the drops fall slowly down
To strike with leaden sound the walk below,
And in dark, murky pools upon the street
The water stands, as lacking life to flow.

With hopeless brain, oppressed and sad at heart,
Toil's careworn slave turns out his flickering light
And treads in dreams his dulling round again,
Where weary day succeeds to dismal night.

Ellis Parker Butler

Ellis Parker Butler was an American author, humorist, and poet, best known for his short story 'Pigs Is Pigs.' Born on December 5, 1869, in Muscatine, Iowa, Butler became a prolific writer, contributing to numerous magazines and books over his career. He is remembered for his wit and humor, which marked his work. Butler passed away on September 13, 1937.

Ellis Parker Butler

Why I Went To The Foot

Ellis Parker Butler, Simple Poetry

Good - Better - Best

Ellis Parker Butler, Simple Poetry

Cupid Caught Napping

Ellis Parker Butler, Simple Poetry

English

Suggested Poems

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The House Of Dust: Part 03: 01: As Evening Falls

As evening falls,
And the yellow lights leap one by one
Along high walls;
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep, who lies and dreams
Of vague desires, and memories, and half-forgotten pain . . .
Along dark veins, like lights the quick dreams run,
Flash, are extinguished, flash again,
To mingle and glow at last in the enormous brain
And die away . . .
As evening falls,
A dream dissolves these insubstantial walls,
A myriad secretly gliding lights lie bare . . .
The lovers rise, the harlot combs her hair,
The dead mans face grows blue in the dizzy lamplight,
The watchman climbs the stair . . .
The bank defaulter leers at a chaos of figures,
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Embankment At Night, Before The War

Outcasts.

The night rain, dripping unseen,
Comes endlessly kissing my face and my hands.

The river, slipping between
Lamps, is rayed with golden bands
Half way down its heaving sides;
Revealed where it hides.

Under the bridge
Great electric cars
Sing through, and each with a floor-light racing along at its side.
Far off, oh, midge after midge
Drifts over the gulf that bars
The night with silence, crossing the lamp-touched tide.

At Charing Cross, here, beneath the bridge
Sleep in a row the outcasts,
Packed in a line with their heads against the wall.
Their feet, in a broken ridge
Stretch out on the way, and a lout casts
A look as he stands on the edge of this naked stall.

Beasts that sleep will cover
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Night In New York

Haunted by unknown feet -
Ways of the midnight hour!
Strangely you murmur below me,
Strange is your half-silent power.
Places of life and of death,
Numbered and named as streets,
What, through your channels of stone,
Is the tide that unweariedly beats?
A whisper, a sigh-laden breath,
Is all that I hear of its flowing.
Footsteps of stranger and foe -
Footsteps of friends, could we meet -
Alike to me in my sorrow;
Alike to a life left alone.
Yet swift as my heart they throb,
They fall thick as tears on the stone:
My spirit perchance may borrow
New strength from their eager tone.

Still ever that slip and slide
Of the feet that shuffle or glide,
And linger or haste through the populous waste
Of the shadowy, dim-lit square!
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Night In The Old Home

When the wasting embers redden the chimney-breast,
And Life's bare pathway looms like a desert track to me,
And from hall and parlour the living have gone to their rest,
My perished people who housed them here come back to me.

They come and seat them around in their mouldy places,
Now and then bending towards me a glance of wistfulness,
A strange upbraiding smile upon all their faces,
And in the bearing of each a passive tristfulness.

"Do you uphold me, lingering and languishing here,
A pale late plant of your once strong stock?" I say to them;
"A thinker of crooked thoughts upon Life in the sere,
And on That which consigns men to night after showing the day to them?"

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London Voluntaries - To Charles Whibley - II - Andante Con Moto

Forth from the dust and din,
The crush, the heat, the many-spotted glare,
The odour and sense of life and lust aflare,
The wrangle and jangle of unrests,
Let us take horse, Dear Heart, take horse and win -
As from swart August to the green lap of May -
To quietness and the fresh and fragrant breasts
Of the still, delicious night, not yet aware
In any of her innumerable nests
Of that first sudden plash of dawn,
Clear, sapphirine, luminous, large,
Which tells that soon the flowing springs of day
In deep and ever deeper eddies drawn
Forward and up, in wider and wider way,
Shall float the sands, and brim the shores,
On this our lith of the World, as round it roars
And spins into the outlook of the Sun
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...

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The House Of Dust: Part 04: 07: The Sun Goes Down In A Cold Pale Flare Of Light

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces,
I will hear them whisper, invisible in their veins. . . . 
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,

Conrad Aiken