Nightfall

The times are nightfall, look, their light grows less;
The times are winter, watch, a world undone:
They waste, they wither worse; they as they run
Or bring more or more blazon man's distress.
And I not help. Nor word now of success:
All is from wreck, here, there, to rescue one -
Work which to see scarce so much as begun
Makes welcome death, does dear forgetfulness.

Or what is else? There is your world within.
There rid the dragons, root out there the sin.
Your will is law in that small commonweal . . .

Gerard Manley Hopkins

Gerard Manley Hopkins was an English poet and Jesuit priest, whose posthumous fame placed him among the leading Victorian poets. His experimental explorations in prosody and his use of imagery established him as a daring innovator in a period of largely traditional verse. Hopkins' work had cutting-edge sensibilities that prefigured the modernist style, though his poems were first published only in 1918, long after his death.

Gerard Manley Hopkins

Ash-boughs

Gerard Manley Hopkins, Simple Poetry

The Lantern out of Doors

Gerard Manley Hopkins, Simple Poetry

To his Watch

Gerard Manley Hopkins, Simple Poetry

The Silver Jubilee: To James First Bishop of Shrewsbury on the 25th Year of his Episcopate July 28. 1876

Gerard Manley Hopkins, Simple Poetry

English

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Nightfall

The last light fails - that shallow pool of day!
The coursers of the dark stamp down to drink,
Arch their wild necks, lift their wild heads and neigh;
Their drivers, gathering at the water-brink,
With eyes ashine from out their clustering hair,
Utter their hollow speech, or gaze afar,
Rapt in irradiant reverie, to where
Languishes, lost in light, the evening star.

Come the wood-nymphs to dance within the glooms,
Calling these charioteers with timbrels' din;
Ashen with twilight the dark forest looms
O'er the nocturnal beasts that prowl within
"O glory of beauty which the world makes fair!"
Pant they their serenading on the air.

Sound the loud hooves, and all abroad the sky
The lusty charioteers their stations take;
Planet to planet do the sweet Love...

Walter De La Mare

The Starlight Night

Look at the stars! look, look up at the skies!
O look at all the fire-folk sitting in the air!
The bright boroughs, the circle-citadels there!
Down in dim woods the diamond delves! the elves'-eyes!
The grey lawns cold where gold, where quickgold lies!
Wind-beat whitebeam! airy abeles set on a flare!
Flake-doves sent floating forth at a farmyard scare! -
Ah well! it is all a purchase, all is a prize.

Buy then! bid then! - What? - Prayer, patience, alms, vows.
Look, look: a May-mess, like on orchard boughs!
Look! March-bloom, like on mealed-with-yellow sallows!
These are indeed the barn; withindoors house
The shocks. This piece-bright paling shuts the spouse
Christ home, Christ and his mother and all his hallows.

Gerard Manley Hopkins

To his Watch

Mortal my mate, bearing my rock-a-heart
Warm beat with cold beat company, shall I
Earlier or you fail at our force, and lie
The ruins of, rifled, once a world of art?
The telling time our task is; time's some part,
Not all, but we were framed to fail and die -
One spell and well that one. There, ah thereby
Is comfort's carol of all or woe's worst smart.

Field-flown the departed day no morning brings
Saying 'This was yours' with her, but new one, worse.
And then that last and shortest . . .

Gerard Manley Hopkins

Spelt from Sibyl's Leaves

Earnest, earthless, equal, attuneable, | vaulty, voluminous, . . stupendous
Evening strains to be tíme's vást, | womb-of-all, home-of-all, hearse-of-all night.
Her fond yellow hornlight wound to the west, | her wild hollow hoarlight hung to the height
Waste; her earliest stars, earl-stars, | stárs principal, overbend us,
Fíre-féaturing heaven. For earth | her being has unbound, her dapple is at an end, as- tray or aswarm, all throughther, in throngs; | self ín self steepèd and pashed - qúite
Disremembering, dísmembering | àll now. Heart, you round me right
With: Óur évening is over us; óur night | whélms, whélms, ánd will end us.
Only the beak-leaved boughs dragonish | damask the tool-smooth bleak light; black,
Ever so black on it. Óur tale, óur oracle! | Lét life, wáned, ah lét life wind
Off h...

Gerard Manley Hopkins

The shepherd's brow

The shepherd's brow fronting forked lightning, owns
The horror and the havoc and the glory
Of it. Angels fall, they are towers, from heaven - a story
Of just, majestical, and giant groans.
But man - we, scaffold of score brittle bones;
Who breathe, from groundlong babyhood to hoary
Age gasp; whose breath is our memento mori -
What bass is our viol for tragic tones?
He! Hand to mouth he lives, and voids with shame;
And, blazoned in however bold the name,
Man Jack the man is, just; his mate a hussy.
And I that die these deaths, that feed this flame,
That ... in smooth spoons spy life's masque mirrored: tame
My tempests there, my fire and fever fussy.

Gerard Manley Hopkins

Inversnaid

This darksome burn, horseback brown,
His rollrock highroad roaring down,
In coop and in comb the fleece of his foam
Flutes and low to the lake falls home.

A windpuff-bonnet of fáawn-fróth
Turns and twindles over the broth
Of a pool so pitchblack, féll-frówning,
It rounds and rounds Despair to drowning.

Degged with dew, dappled with dew
Are the groins of the braes that the brook treads through,
Wiry heathpacks, flitches of fern,
And the beadbonny ash that sits over the burn.

What would the world be, once bereft
Of wet and of wildness? Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.

Gerard Manley Hopkins