Now

Out of your whole life give but a moment!
All of your life that has gone before,
All to come after it, so you ignore,
So you make perfect the present, condense,
In a rapture of rage, for perfections endowment,
Thought and feeling and soul and sense,
Merged in a moment which gives me at last
You around me for once, you beneath me, above me,
Me, sure that despite of time future, time past,
This tick of our life-times one moment you love me!
How long such suspension may linger? Ah, Sweet,
The moment eternal, just that and no more,
When ecstasys utmost we clutch at the core
While cheeks burn, arms open, eyes shut and lips meet!

Robert Browning

Robert Browning was an English poet and playwright whose mastery of dramatic verse, especially dramatic monologues, made him one of the foremost Victorian poets. His work was initially harshly criticized, but he gained recognition later in life. He is best known for works such as "The Ring and the Book" and "Men and Women" which exhibit his deep understanding of human character and psychological insight.

Robert Browning

How It Strikes A Contemporary

Robert Browning, Simple Poetry

Porphyria's Lover

Robert Browning, Simple Poetry

Cristina

Robert Browning, Simple Poetry

Why I Am A Liberal

Robert Browning, Simple Poetry

English

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Life In A Love

Escape me?
Never
Beloved!
While I am I, and you are you,
So long as the world contains us both,
Me the loving and you the loth
While the one eludes, must the other pursue.
My life is a fault at last, I fear
It seems too much like a fate, indeed!
Though I do my best I shall scarce succeed
But what if I fail of my purpose here?
It is but to keep the nerves at strain,
To dry ones eyes and laugh at a fall,
And, baffled, get up and begin again,
So the chace takes up ones life thats all.
While, look but once from your farthest bound
At me so deep in the dust and dark,
No sooner the old hope goes to ground
Than a new one, straight to the self-same mark,
I shape me
Ever
Removed!

Robert Browning

Cristina

I.

She should never have looked at me
If she meant I should not love her!
There are plenty . . . men, you call such,
I suppose . . . she may discover
All her soul to, if she pleases,
And yet leave much as she found them:
But Im not so, and she knew it
When she fixed me, glancing round them,

II.

What? To fix me thus meant nothing?
But I cant tell . . . theres my weakness . . .
What her look said! no vile cant, sure,
About need to strew the bleakness
Of some lone shore with its pearl-seed.
That the sea feels no strange yearning
That such souls have, most to lavish
Where theres chance of least returning.

III.

Oh, were sunk enough here, God knows!
But not quite so sunk that moments,
Sure tho seld...

Robert Browning

Never The Time And The Place

Never the time and the place
And the loved one all together!
This path, how soft to pace!
This May, what magic weather!
Where is the loved one's face?
In a dream that loved one's face meets mine,
But the house is narrow, the place is bleak
Where, outside, rain and wind combine
With a furtive ear, if I strive to speak,
With a hostile eye at my flushing cheek,
With a malice that marks each word, each sign!
O enemy sly and serpentine,
Uncoil thee from the waking man!
Do I hold the Past
Thus firm and fast
Yet doubt if the Future hold I can?
This path so soft to pace shall lead
Thro' the magic of May to herself indeed!
Or narrow if needs the house must be,
Outside are the storms and strangers: we
Oh, close, safe, warm sleep I and she,
I and...

Robert Browning

Two In The Campagna

I
I wonder do you feel to-day
As I have felt since, hand in hand,
We sat down on the grass, to stray
In spirit better through the land,
This morn of Rome and May?

II
For me, I touched a thought, I know,
Has tantalized me many times,
(Like turns of thread the spiders throw
Mocking across our path) for rhymes
To catch at and let go.

III
Help me to hold it! First it left
The yellowing fennel, run to seed
There, branching from the brickworks cleft,
Some old tombs ruin: yonder weed
Took up the floating weft,

IV
Where one small orange cup amassed
Five beetles, blind and green they grope
Among the honey-meal: and last,
Everywhere on the grassy slope
I traced it. Hold it fast!

V
The champaign with ...

Robert Browning

In A Year

I.
Never any more,
While I live,
Need I hope to see his face
As before.
Once his love grown chill,
Mine may strive
Bitterly we re-embrace,
Single still.

II.
Was it something said,
Something done,
Vexed him? was it touch of hand,
Turn of head?
Strange! that very way
Love begun:
I as little understand
Loves decay.

III.
When I sewed or drew,
I recall
How he looked as if I sung,
Sweetly too.
If I spoke a word,
First of all
Up his cheek the colour sprang,
Then he heard.

IV.
Sitting by my side,
At my feet,
So he breathed but air I breathed,
Satisfied!
I, too, at loves brim
Touched the sweet:
I would die if death bequeathed
Sweet to him.

V.

Robert Browning

A Lovers Quarrel

I.

Oh, what a dawn of day!
How the March sun feels like May!
All is blue again
After last nights rain,
And the South dries the hawthorn-spray.
Only, my Loves away!
Id as lief that the blue were grey,

II.

Runnels, which rillets swell,
Must be dancing down the dell,
With a foaming head
On the beryl bed
Paven smooth as a hermits cell;
Each with a tale to tell,
Could my Love but attend as well.

III.

Dearest, three months ago!
When we lived blocked-up with snow,
When the wind would edge
In and in his wedge,
In, as far as the point could go,
Not to our ingle, though,
Where we loved each the other so!

IV.

Laughs with so little cause!
We devised games out of straws.
We...

Robert Browning