O Mors! Quam Amara Est Memoria Tua Homini Pacem Habenti In Substantiis Suis

Exceeding sorrow
Consumeth my sad heart!
Because to-morrow
We must depart,
Now is exceeding sorrow
All my part!

Give over playing,
Cast thy viol away:
Merely laying
Thine head my way:
Prithee, give over playing,
Grave or gay.

Be no word spoken;
Weep nothing: let a pale
Silence, unbroken
Silence prevail!
Prithee, be no word spoken,
Lest I fail!

Forget to-morrow!
Weep nothing: only lay
In silent sorrow
Thine head my way:
Let us forget to-morrow,
This one day!


Ah, dans ces mornes séjours
Les jamais sont les toujours

Ernest Christopher Dowson

Ernest Christopher Dowson, a notable English poet of the late 19th century, was associated with the Decadent movement. Renowned for his melancholic and evocative verse, he significantly influenced 20th-century literature. Despite struggling with poverty and alcoholism, Dowson's work, including the famous phrase "days of wine and roses," endures. He faced immense personal tragedies, losing both parents within a year, which plunged him into deeper despair. Dowson's legacy persists through his deeply moving poetry that captures the fragility of life and love.

Ernest Christopher Dowson

To His Mistress

Ernest Christopher Dowson, Simple Poetry

To William Theodore Peters On His Renaissance Cloak

Ernest Christopher Dowson, Simple Poetry

Villanelle Of Sunset

Ernest Christopher Dowson, Simple Poetry

Villanelle Of Marguerite's

Ernest Christopher Dowson, Simple Poetry

English

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After Paul Verlaine

I

Il pleut doucement sur la ville.--RIMBAUD

Tears fall within mine heart,
As rain upon the town:
Whence does this languor start,
Possessing all mine heart?

O sweet fall of the rain
Upon the earth and roofs!
Unto an heart in pain,
O music of the rain!

Tears that have no reason
Fall in my sorry heart:
What! there was no treason?
This grief hath no reason.

Nay! the more desolate,
Because, I know not why,
(Neither for love nor hate)
Mine heart is desolate.


II

COLLOQUE SENTIMENTAL

Into the lonely park all frozen fast,
Awhile ago there were two forms who passed.

Lo, are their lips fallen and their eyes dead,
Hardly shall a man hear the words they said.

In...

Ernest Christopher Dowson

Dum Nos Fata Sinunt, Oculos Satiemus Amore.

Dum nos fata sinunt, oculos satiemus Amore.--PROPERTIUS

Cease smiling, Dear! a little while be sad,
Here in the silence, under the wan moon;
Sweet are thine eyes, but how can I be glad,
Knowing they change so soon?

For Love's sake, Dear, be silent! Cover me
In the deep darkness of thy falling hair:
Fear is upon me and the memory
Of what is all men's share.

O could this moment be perpetuate!
Must we grow old, and leaden-eyed and gray,
And taste no more the wild and passionate
Love sorrows of to-day?

Grown old, and faded, Sweet! and past desire,
Let memory die, lest there be too much ruth,
Remembering the old, extinguished fire
Of our divine, lost youth.

O red pomegranate of thy perfect mouth!
My lips' life-fruitage...

Ernest Christopher Dowson

Mourning.

("Charle! ô mon fils!")

[March, 1871.]


Charles, Charles, my son! hast thou, then, quitted me?
Must all fade, naught endure?
Hast vanished in that radiance, clear for thee,
But still for us obscure?

My sunset lingers, boy, thy morn declines!
Sweet mutual love we've known;
For man, alas! plans, dreams, and smiling twines
With others' souls his own.

He cries, "This has no end!" pursues his way:
He soon is downward bound:
He lives, he suffers; in his grasp one day
Mere dust and ashes found.

I've wandered twenty years, in distant lands,
With sore heart forced to stay:
Why fell the blow Fate only understands!
God took my home away.

To-day one daughter and one son remain
Of all my goodly show:
Welln...

Victor-Marie Hugo

Exile

By the sad waters of separation
Where we have wandered by divers ways,
I have but the shadow and imitation
Of the old memorial days.

In music I have no consolation,
No roses are pale enough for me;
The sound of the waters of separation
Surpasseth roses and melody.

By the sad waters of separation
Dimly I hear from an hidden place
The sigh of mine ancient adoration:
Hardly can I remember your face.

If you be dead, no proclamation
Sprang to me over the waste, gray sea:
Living, the waters of separation
Sever for ever your soul from me.

No man knoweth our desolation;
Memory pales of the old delight;
While the sad waters of separation
Bear us on to the ultimate night.

Ernest Christopher Dowson

Venite Descendamus

Let be at last; give over words and sighing,
Vainly were all things said:
Better at last to find a place for lying,
Only dead.

Silence were best, with songs and sighing over;
Now be the music mute;
Now let the dead, red leaves of autumn cover
A vain lute.

Silence is best: for ever and for ever,
We will go down and sleep,
Somewhere beyond her ken, where she need never
Come to weep.

Let be at last: colder she grows and colder;
Sleep and the night were best;
Lying at last where we cannot behold her,
We may rest.

Ernest Christopher Dowson

In Tempore Senectutis

When I am old,
And sadly steal apart,
Into the dark and cold,
Friend of my heart!
Remember, if you can,
Not him who lingers, but that other man,
Who loved and sang, and had a beating heart,--
When I am old!

When I am old,
And all Love's ancient fire
Be tremulous and cold:
My soul's desire!
Remember, if you may,
Nothing of you and me but yesterday,
When heart on heart we bid the years conspire
To make us old.

When I am old,
And every star above
Be pitiless and cold:
My life's one love!
Forbid me not to go:
Remember nought of us but long ago,
And not at last, how love and pity strove
When I grew old!

Ernest Christopher Dowson