O Nightingale! Thou Surely Art

O Nightingale! thou surely art
A creature of a "fiery heart":
These notes of thine, they pierce and pierce;
Tumultuous harmony and fierce!
Thou sing'st as if the God of wine
Had helped thee to a Valentine;
A song in mockery and despite
Of shades, and dews, and silent night;
And steady bliss, and all the loves
Now sleeping in these peaceful groves.
I heard a Stock-dove sing or say
His homely tale, this very day;
His voice was buried among trees,
Yet to be come at by the breeze:
He did not cease; but cooed, and cooed;
And somewhat pensively he wooed:
He sang of love, with quiet blending,
Slow to begin, and never ending;
Of serious faith, and inward glee;
That was the song, the song for me!

William Wordsworth

William Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their joint publication 'Lyrical Ballads' in 1798. Born on April 7, 1770, Wordsworth's works are noted for their emphasis on the beauty of nature, the importance of emotion, and the value of the individual. His most famous work, 'The Prelude', is considered to be his masterpiece, which is a semi-autobiographical poem that he revised throughout his life.

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English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

To The Nightingale

Sweet bird, that sing'st away the early hours
Of winters past or coming, void of care,
Well pleased with delights which present are,
(Fair seasons, budding sprays, sweet-smelling flowers)
To rocks, to springs, to rills, from leafy bowers
Thou thy Creator's goodness dost declare,
And what dear gifts on thee He did not spare:
A stain to human sense in sin that lours,
What soul can be so sick which by thy songs
(Attired in sweetness) sweetly is not driven
Quite to forget earth's turmoils, spites, and wrongs,
And lift a reverend eye and thought to heaven?
Sweet artless songster, thou my mind dost raise
To airs of spheres, yes, and to angels' lays.

William Henry Drummond

By The Side Of Rydal Mere

The linnet's warble, sinking towards a close,
Hints to the thrush 'tis time for their repose;
The shrill-voiced thrush is heedless, and again
The monitor revives his own sweet strain;
But both will soon be mastered, and the copse
Be left as silent as the mountain-tops,
Ere some commanding star dismiss to rest
The throng of rooks, that now, from twig or nest,
(After a steady flight on home-bound wings,
And a last game of mazy hoverings
Around their ancient grove) with cawing noise
Disturb the liquid music's equipoise.

O Nightingale! Who ever heard thy song
Might here be moved, till Fancy grows so strong
That listening sense is pardonably cheated
Where wood or stream by thee was never greeted.
Surely, from fairest spots of favoured lands,
Were not som...

William Wordsworth

The Nightingale

No cloud, no relique of the sunken day
Distinguishes the West, no long thin slip
Of sullen light, no obscure trembling hues.
Come, we will rest on this old mossy bridge!
You see the glimmer of the stream beneath,
But hear no murmuring: it flows silently.
O'er its soft bed of verdure. All is still.
A balmy night! and though the stars be dim,
Yet let us think upon the vernal showers
That gladden the green earth, and we shall find
A pleasure in the dimness of the stars.
And hark! the Nightingale begins its song,
'Most musical, most melancholy' bird!
A melancholy bird? Oh! idle thought!
In Nature there is nothing melancholy.
But some night-wandering man whose heart was pierced
With the remembrance of a grievous wrong,
Or slow distemper, or neglected love,

Samuel Taylor Coleridge

On Hearing The Nightingale

Thanks for thy song, sweet Bird! thanks for thy song!
O! 'twas delightful; how have I been lost
As in a blissful dream! how has my soul
Been wafted in a sea of melody!
Scarce yet am I awake, yet scarce myself:
Still with the enchanting music's dying breath
The air is kept in motion, and conveys
Sweet whispers to the finely-listening ear;
Or is it but an echo from the cell
Of memory that deludes my doating sense?
Ah! now 'tis gone; Silence resumes her sway,
And o'er my hearing spreads her subtile web;
But she resumes it, changed, methinks, in nature,
More soft, more amiable, as if inform'd
With the departed soul of harmony.

Thanks for thy song, sweet Bird! it well deserves
All my heart's gratitude; for it has still'd
Its anxious throbbings, and remov...

Thomas Oldham

To The Nightingale.

How passing sad!    Listen, it sings again!
    Art thou a spirit, that amongst the boughs,
The livelong day dost chaunt that wond'rous strain
    Making wan Dian stoop her silver brows
Out of the clouds to hear thee?    Who shall say,
Thou lone one! that thy melody is gay,
Let him come listen now to that one note,
    That thou art pouring o'er and o'er again
Through the sweet echoes of thy mellow throat,
    With such a sobbing sound of deep, deep pain,
I prithee cease thy song! for from my heart
Thou hast made memory's bitter waters start,
    And filled my weary eyes with the soul's rain.

Frances Anne Kemble

A Morning Exercise

Fancy, who leads the pastimes of the glad,
Full oft is pleased a wayward dart to throw;
Sending sad shadows after things not sad,
Peopling the harmless fields with signs of woe:
Beneath her sway, a simple forest cry
Becomes an echo of man's misery.

Blithe ravens croak of death; and when the owl
Tries his two voices for a favourite strain
'Tu-whit, Tu-whoo!' the unsuspecting fowl
Forebodes mishap or seems but to complain;
Fancy, intent to harass and annoy,
Can thus pervert the evidence of joy.

Through border wilds where naked Indians stray,
Myriads of notes attest her subtle skill;
A feathered task-master cries, "Work away!"
And, in thy iteration, "Whip poor will!"
Is heard the spirit of a toil-worn slave,
Lashed out of life, not quiet in the g...

William Wordsworth