Ode On A Sermon Against Glory

Come then, tell me, sage divine,
Is it an offence to own
That our bosoms e'er incline
Toward immortal glory's throne?
For with me nor pomp, nor pleasure,
Bourbon's might, Braganza's treasure,
So can fancy's dream rejoice,
So conciliate reason's choice,
As one approving word of her impartial voice.

If to spurn at noble praise
Be the pass-port to thy heaven,
Follow thou those gloomy ways;
No such law to me was given,
Nor, I trust, shall I deplore me
Faring like my friends before me;
Nor an holier place desire
Than Timolean's arms acquire,
And Tully's curule chair, and Milton's golden lyre.

Mark Akenside

Mark Akenside was an 18th-century English poet and physician best known for his poem 'The Pleasures of Imagination,' which was first published in 1744. He was born on November 9, 1721, in Newcastle upon Tyne and received his education at the Royal Grammar School, Newcastle, and the University of Edinburgh. Akenside's work was deeply influenced by the Enlightenment and classical antiquity. He also pursued a successful medical career, becoming a fellow of the Royal College of Physicians in 1753. Akenside died on June 23, 1770.

Mark Akenside

To A Friend, Unsuccessful In Love; Ode III

Mark Akenside, Simple Poetry

On Love, To A Friend

Mark Akenside, Simple Poetry

To The Muse

Mark Akenside, Simple Poetry

To The Right Honourable Francis Earl Of Huntington

Mark Akenside, Simple Poetry

English

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On A Sermon Against Glory

Come then, tell me, sage divine,
Is it an offense to own
That our bosoms e'er incline
Toward immortal glory's throne?
For with me nor pomp, nor pleasure,
Bourbon's might, Braganza's treasure,
So can fancy's dream rejoice,
So conciliate reason's choice,
As one approving word of her impartial voice.

If to spurn at noble praise
Be the pass-port to thy heaven,
Follow thou those gloomy ways;
No such law to me was given,
Nor, I trust, shall I deplore me
Faring like my friends before me;
Nor an holier place desire
Than Timolean's arms acquire,
And Tully's curule chair, and Milton's golden lyre.

Mark Akenside

Ode V; On Love Of Praise

Of all the springs within the mind
Which prompt her steps in fortune's maze,
From none more pleasing aid we find
Than from the genuine love of praise.
Nor any partial, private end
Such reverence to the public bears;
Nor any passion, virtue's friend,
So like to virtue's self appears.
For who in glory can delight
Without delight in glorious deeds?
What man a charming voice can slight,
Who courts the echo that succeeds?

But not the echo on the voice
More, than on virtue praise, depends;
To which, of course, it's real price
The judgment of the praiser lends.
If praise then with religious awe
From the sole perfect judge be sought,
A nobler aim, a purer law
Nor priest, nor bard, nor sage hath taught.
With which in character the same
Th...

Mark Akenside

To William Hall, Esquire: With The Works Of Chaulieu

Attend to Chaulieu's wanton lyre;
While, fluent as the sky-lark sings
When first the morn allures it's wings,
The epicure his theme pursues:
And tell me if, among the choir
Whose music charms the banks of Seine,
So full, so free, so rich a strain
E'er dictated the warbling Muse.
Yet, Hall, while thy judicious ear
Admires the well-dissembled art
That can such harmony impart
To the lame pace of Gallic rhymes;
While wit from affectation clear,
Bright images, and passions true,
Recall to thy assenting view
The envied bards of nobler times;
Say, is not oft his doctrine wrong?
This priest of pleasure, who aspires
To lead us to her sacred fires,
Knows he the ritual of her shrine?
Say (her sweet influence to thy song
So may the goddess still a...

Mark Akenside

To The Author Of Memoirs Of The House of Brandenburgh

The men renown'd as chiefs of human race,
And born to lead in counsels or in arms,
Have seldom turn'd their feet from glory's chace
To dwell with books or court the Muse's charms.
Yet, to our eyes if haply time hath brought
Some genuine transcript of their calmer thought,
There still we own the wise, the great, or good;
And Cæsar there and Xenophon are seen,
As clear in spirit and sublime of mien,
As on Pharsalian plains, or by the Assyrian flood.
Say thou too, Frederic, was not this thy aim?
Thy vigils could the student's lamp ingage,
Except for this? except that future fame
Might read thy genius in the faithful page?

That if hereafter envy shall presume
With words irreverent to inscribe thy tomb,
And baser weeds upon thy palms to fling,
That hence...

Mark Akenside

Ode IV; To The Honourable Charles Townshend In The Country

I

How oft shall i survey
This humble roof, the lawn, the greenwood shade,
The vale with sheaves o'erspread,
The glassy brook, the flocks which round thee stray?
When will thy cheerful mind
Of these have utter'd all her dear esteem?
Or, tell me, dost thou deem
No more to join in glory's toilsome race,
But here content embrace
That happy leisure which thou had'st resign'd?
Alas, ye happy hours,
When books and youthful sport the soul could share,
Ere one ambitious care
Of civil life had aw'd her simpler powers;
Oft as your winged train
Revisit here my friend in white array,
Oh fail not to display
Each fairer scene where i perchance had part,
That so his generous heart
The abode of even friendship may remain.
For not imprudent of my ...

Mark Akenside

Ode I(ii); The Remonstrance Of Shakespeare

If, yet regardful of your native land,
Old Shakespeare's tongue you deign to understand,
Lo, from the blissful bowers where heaven rewards
Instructive sages and unblemish'd bards,
I come, the ancient founder of the stage,
Intent to learn, in this discerning age,
What form of wit your fancies have imbrac'd,
And whither tends your elegance of taste,
That thus at length our homely toils you spurn,
That thus to foreign scenes you proudly turn,
That from my brow the laurel wreath you claim
To crown the rivals of your country's fame.

What, though the footsteps of my devious Muse
The measur'd walks of Grecian art refuse?
Or though the frankness of my hardy style
Mock the nice touches of the critic's file?
Yet, what my age and climate held to view,
Impartia...

Mark Akenside