Odes Of Anacreon - Ode XVI.

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Thou, whose soft and rosy hues
Mimic form and soul infuse,
Best of painters, come portray
The lovely maid that's far away.
Far away, my soul! thou art,
But I've thy beauties all by heart.
Paint her jetty ringlets playing,
Silky locks, like tendrils straying;^[2]
And, if painting hath the skill
To make the spicy balm distil,
Let every little lock exhale
A sigh of perfume on the gale.
Where her tresses' curly flow
Darkles o'er the brow of snow,
Let her forehead beam to light,
Burnished as the ivory bright.
Let her eyebrows smoothly rise
In jetty arches o'er her eyes,
Each, a crescent gently gliding,
Just commingling, just dividing.

But, hast thou any sparkles warm,
The lightning of her eyes to form?
Let them effuse the azure rays,
That in Minerva's glances blaze,
Mixt with the liquid light that lies
In Cytherea's languid eyes.
O'er her nose and cheek be shed
Flushing white and softened red;
Mingling tints, as when there glows
In snowy milk the bashful rose.
Then her lip, so rich in blisses,
Sweet petitioner for kisses,
Rosy nest, where lurks Persuasion,
Mutely courting Love's invasion.
Next, beneath the velvet chin,
Whose dimple hides a Love within,
Mould her neck with grace descending,
In a heaven of beauty ending;
While countless charms, above, below,
Sport and flutter round its snow.
Now let a floating, lucid veil,
Shadow her form, but not conceal;^[3]
A charm may peep, a hue may beam
And leave the rest to Fancy's dream.
Enough--'tis she! 'tis all I seek;
It glows, it lives, it soon will speak!

Thomas Moore

Thomas Moore was an Irish poet, singer, and songwriter, celebrated for his Irish Melodies, which are now considered a staple of Irish cultural heritage. Born on May 28, 1779, in Dublin, Ireland, Moore gained fame for his lyrical songs, many of which were set to traditional Irish tunes. Not only a poet, but he was also a staunch advocate of Irish nationalism, often incorporating themes of national identity and resistance into his work. Moore's influential collection 'Irish Melodies' became popular in both Ireland and Britain and helped to define the literary output of the era. He passed away on February 25, 1852, but his legacy in Irish literature and music endures.

Thomas Moore

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English

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Odes Of Anacreon - Ode LXVI.

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To thee, the Queen of nymphs divine,
Fairest of all that fairest shine;
To thee, who rulest with darts of fire
This world of mortals, young Desire!
And oh! thou nuptial Power, to thee
Who bearest of life the guardian key,
Breathing my soul in fervent praise,
And weaving wild my votive lays,
For thee, O Queen! I wake the lyre,
For thee, thou blushing young Desire,
And oh! for thee, thou nuptial Power,
Come, and illume this genial hour.

    Look on thy bride, too happy boy,
And while thy lambent glance of joy
Plays over all her blushing charms,
Delay not, snatch her to thine arms,
Before the lovely, trembling prey,
Like a young birdling, wing away!
Turn, Stratocles, too happy youth,
Dear to the Queen of amorou...

Thomas Moore

Odes Of Anacreon - Ode XXII.

The Phrygian rock, that braves the storm,
Was once a weeping matron's form;^[1]
And Progne, hapless, frantic maid,
Is now a swallow in the shade.
Oh! that a mirror's form were mine,
That I might catch that smile divine;
And like my own fond fancy be,
Reflecting thee, and only thee;
Or could I be the robe which holds
That graceful form within its folds;
Or, turned into a fountain, lave
Thy beauties in my circling wave.
Would I were perfume for thy hair,
To breathe my soul in fragrance there;
Or, better still, the zone, that lies
Close to thy breast, and feels its sighs!^[2]
Or even those envious pearls that show
So faintly round that neck of snow--
Yes, I would be a happy gem,
Like them to hang, to fade like them.
What mo...

Thomas Moore

Odes Of Anacreon - Ode LVII.

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Whose was the artist hand that spread
Upon this disk the ocean's bed?
And, in a flight of fancy, high
As aught on earthly wing can fly,
Depicted thus, in semblance warm,
The Queen of Love's voluptuous form
Floating along the silvery sea
In beauty's naked majesty!
Oh! he hath given the enamoured sight
A witching banquet of delight,
Where, gleaming through the waters clear,
Glimpses of undreamt charms appear,
And all that mystery loves to screen,
Fancy, like Faith, adores unseen.^[2]

Light as a leaf, that on the breeze
Of summer skims the glassy seas,
She floats along the ocean's breast,
Which undulates in sleepy rest;
While stealing on, she gently pillows
Her bosom on the heaving billows.
Her b...

Thomas Moore

Odes Of Anacreon - Ode I.

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I saw the smiling bard of pleasure,
The minstrel of the Teian measure;
'Twas in a vision of the night,
He beamed upon my wondering sight.
I heard his voice, and warmly prest
The dear enthusiast to my breast.
His tresses wore a silvery dye,
But beauty sparkled in his eye;
Sparkled in his eyes of fire,
Through the mist of soft desire.
His lip exhaled, when'er he sighed,
The fragrance of the racy tide;
And, as with weak and reeling feet
He came my cordial kiss to meet,
An infant, of the Cyprian band,
Guided him on with tender hand.
Quick from his glowing brows he drew
His braid, of many a wanton hue;
I took the wreath, whose inmost twine
Breathed of him and blushed with wine.
I hung it o'er my thoughtless brow,<...

Thomas Moore

Odes Of Anacreon - Ode LXXV.

Spirit of Love, whose locks unrolled,
Stream on the breeze like floating gold;
Come, within a fragrant cloud
Blushing with light, thy votary shroud;
And, on those wings that sparkling play,
Waft, oh, waft me hence away!
Love! my soul is full of thee,
Alive to all thy luxury.
But she, the nymph for whom I glow
The lovely Lesbian mocks my woe;
Smiles at the chill and hoary hues
That time upon my forehead strews.
Alas! I fear she keeps her charms,
In store for younger, happier arms!

Thomas Moore

To The Marchioness Dowager Of Donegall.

FROM BERMUDA, JANUARY, 1804.


Lady! where'er you roam, whatever land
Woos the bright touches of that artist hand;
Whether you sketch the valley's golden meads,
Where mazy Linth his lingering current leads;^[1]
Enamored catch the mellow hues that sleep,
At eve, on Meillerie's immortal steep;
Or musing o'er the Lake, at day's decline,
Mark the last shadow on that holy shrine,^[2]
Where, many a night, the shade of Tell complains
Of Gallia's triumph and Helvetia's chains;
Oh! lay the pencil for a moment by,
Turn from the canvas that creative eye,
And let its splendor, like the morning ray
Upon a shepherd's harp, illume my lay.

Yet, Lady, no--for song so rude as mine,
Chase not the wonders of your art divine;
Still, radiant...

Thomas Moore