Old Ireland

Far hence, amid an isle of wondrous beauty,
Crouching over a grave, an ancient, sorrowful mother,
Once a queen - now lean and tatter'd, seated on the ground,
Her old white hair drooping dishevel'd round her shoulders;
At her feet fallen an unused royal harp,
Long silent - she too long silent - mourning her shrouded hope and heir;
Of all the earth her heart most full of sorrow, because most full of love.

Yet a word, ancient mother;
You need crouch there no longer on the cold ground, with forehead between your knees;
O you need not sit there, veil'd in your old white hair, so dishevel'd;
For know you, the one you mourn is not in that grave;
It was an illusion - the heir, the son you love, was not really dead;
The Lord is not dead - he is risen again, young and strong, in another country;
Even while you wept there by your fallen harp, by the grave,
What you wept for, was translated, pass'd from the grave,
The winds favor'd, and the sea sail'd it,
And now with rosy and new blood,
Moves to-day in a new country.

Walt Whitman

Walt Whitman was an American poet, essayist, and journalist, often considered one of the most influential poets in the American canon. His work broke the boundaries of poetic form and is known for its free verse style. Whitman’s most famous collection, 'Leaves of Grass', celebrates democracy, nature, love, and friendship. He had a significant impact on later literary traditions and is often referred to as the father of free verse.

Walt Whitman

What Think You I Take My Pen In Hand?

Walt Whitman, Simple Poetry

Sparkles From The Wheel

Walt Whitman, Simple Poetry

Others May Praise What They Like

Walt Whitman, Simple Poetry

Carol Of Occupations

Walt Whitman, Simple Poetry

English

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Come Up From The Fields, Father

Come up from the fields, father, here's a letter from our Pete;
And come to the front door, mother--here's a letter from thy dear son.

Lo, 'tis autumn;
Lo, where the trees, deeper green, yellower and redder,
Cool and sweeten Ohio's villages, with leaves fluttering in the moderate wind;
Where apples ripe in the orchards hang, and grapes on the trellis'd vines;
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Above all, lo, the sky, so calm, so transparent after the rain, and with wondrous clouds;
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Down in the fields all prospers well;
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As At Thy Portals Also Death

AS at thy portals also death,
Entering thy sovereign, dim, illimitable grounds,
To memories of my mother, to the divine blending, maternity,
To her, buried and gone, yet buried not, gone not from me,
(I see again the calm benignant face fresh and beautiful still,
I sit by the form in the coffin,
I kiss and kiss convulsively again the sweet old lips, the cheeks, the closed eyes in the coffin;)
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I grave a monumental line, before I go, amid these songs,
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Pensive On Her Dead Gazing, I Heard The Mother Of All

Pensive, on her dead gazing, I heard the Mother of All,
Desperate, on the torn bodies, on the forms covering the battle-fields gazing;
(As the last gun ceased but the scent of the powder-smoke linger'd;)
As she call'd to her earth with mournful voice while she stalk'd:
Absorb them well, O my earth, she cried I charge you, lose not my sons! lose not an atom;
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And all you essences of soil and growth and you, my rivers' depths;
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Lucy Hooper

They tell me, Lucy, thou art dead,
That all of thee we loved and cherished
Has with thy summer roses perished;
And left, as its young beauty fled,
An ashen memory in its stead,
The twilight of a parted day
Whose fading light is cold and vain,
The heart's faint echo of a strain
Of low, sweet music passed away.
That true and loving heart, that gift
Of a mind, earnest, clear, profound,
Bestowing, with a glad unthrift,
Its sunny light on all around,
Affinities which only could
Cleave to the pure, the true, and good;
And sympathies which found no rest,
Save with the loveliest and best.
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The Cambridge Churchyard

Our ancient church! its lowly tower,
Beneath the loftier spire,
Is shadowed when the sunset hour
Clothes the tall shaft in fire;
It sinks beyond the distant eye
Long ere the glittering vane,
High wheeling in the western sky,
Has faded o'er the plain.

Like Sentinel and Nun, they keep
Their vigil on the green;
One seems to guard, and one to weep,
The dead that lie between;
And both roll out, so full and near,
Their music's mingling waves,
They shake the grass, whose pennoned spear
Leans on the narrow graves.

The stranger parts the flaunting weeds,
Whose seeds the winds have strown
So thick, beneath the line he reads,
They shade the sculptured stone;
The child unveils his clustered brow,
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Memorials Of A Tour In Scotland, 1803 II. At The Grave Of Burns, 1803

SEVEN YEARS AFTER HIS DEATH

I shiver, Spirit fierce and bold,
At thought of what I now behold:
As vapours breathed from dungeons cold,
Strike pleasure dead,
So sadness comes from out the mould
Where Burns is laid.

And have I then thy bones so near,
And thou forbidden to appear?
As if it were thyself that's here
I shrink with pain;
And both my wishes and my fear
Alike are vain.

Off weight, nor press on weight! away
Dark thoughts! they came, but not to stay;
With chastened feelings would I pay
The tribute due
To him, and aught that hides his clay
From mortal view.

Fresh as the flower, whose modest worth
He sang, his genius "glinted" forth,
Rose like a star that touching earth,
For so it seems,
Doth glori...

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