On A Cannon

Begotten, and born, and dying with noise,
The terror of women, and pleasure of boys,
Like the fiction of poets concerning the wind,
I'm chiefly unruly when strongest confined.
For silver and gold I don't trouble my head,
But all I delight in is pieces of lead;
Except when I trade with a ship or a town,
Why then I make pieces of iron go down.
One property more I would have you remark,
No lady was ever more fond of a spark;
The moment I get one, my soul's all a-fire,
And I roar out my joy, and in transport expire.

Jonathan Swift

Jonathan Swift was an Anglo-Irish satirist, essayist, political pamphleteer, poet and cleric who became Dean of St Patrick's Cathedral, Dublin. Swift is remembered for works such as "A Tale of a Tub" (1704), "An Argument Against Abolishing Christianity" (1712), and "Gulliver's Travels" (1726). Swift originally published all of his works under pseudonyms—such as Lemuel Gulliver, Isaac Bickerstaff, Drapier's Letters as MB Drapier—and works were sometimes attributed to Anonymous.

Jonathan Swift

Verses Written On A Window, At The Deanery House, St. Patrick's

Jonathan Swift, Simple Poetry

The Progress Of Beauty. 1719[1]

Jonathan Swift, Simple Poetry

To A Friend Who Had Been Much Abused In Many Inveterate Libels

Jonathan Swift, Simple Poetry

Ode To Doctor William Sancroft[1] Late Lord Bishop Of Canterbury

Jonathan Swift, Simple Poetry

English

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On A Corkscrew

Though I, alas! a prisoner be,
My trade is prisoners to set free.
No slave his lord's commands obeys
With such insinuating ways.
My genius piercing, sharp, and bright,
Wherein the men of wit delight.
The clergy keep me for their ease,
And turn and wind me as they please.
A new and wondrous art I show
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In at each mouth the spirits pass,
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And still, the more I show my art,
The more they open every heart.
    A greater chemist none than I
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Jonathan Swift

An Echo

Never sleeping, still awake,
Pleasing most when most I speak;
The delight of old and young,
Though I speak without a tongue.
Nought but one thing can confound me,
Many voices joining round me;
Then I fret, and rave, and gabble,
Like the labourers of Babel.
Now I am a dog, or cow,
I can bark, or I can low;
I can bleat, or I can sing,
Like the warblers of the spring.
Let the lovesick bard complain,
And I mourn the cruel pain;
Let the happy swain rejoice,
And I join my helping voice:
Both are welcome, grief or joy,
I with either sport and toy.
Though a lady, I am stout,
Drums and trumpets bring me out:
Then I clash, and roar, and rattle,
Join in all the din of battle.
Jove, with all his loudest thunder,
When I'm vext, can't keep...

Jonathan Swift

On A Shadow In A Glass

By something form'd, I nothing am,
Yet everything that you can name;
In no place have I ever been,
Yet everywhere I may be seen;
In all things false, yet always true,
I'm still the same - but ever new.
Lifeless, life's perfect form I wear,
Can show a nose, eye, tongue, or ear,
Yet neither smell, see, taste, or hear.
All shapes and features I can boast,
No flesh, no bones, no blood - no ghost:
All colours, without paint, put on,
And change like the cameleon.
Swiftly I come, and enter there,
Where not a chink lets in the air;
Like thought, I'm in a moment gone,
Nor can I ever be alone:
All things on earth I imitate
Faster than nature can create;
Sometimes imperial robes I wear,
Anon in beggar's rags appear;
A giant now, and straight an e...

Jonathan Swift

On A Pen.

In youth exalted high in air,
Or bathing in the waters fair,
Nature to form me took delight,
And clad my body all in white.
My person tall, and slender waist,
On either side with fringes graced;
Till me that tyrant man espied,
And dragg'd me from my mother's side:
No wonder now I look so thin;
The tyrant stript me to the skin:
My skin he flay'd, my hair he cropt:
At head and foot my body lopt:
And then, with heart more hard than stone,
He pick'd my marrow from the bone.
To vex me more, he took a freak
To slit my tongue and make me speak:
But, that which wonderful appears,
I speak to eyes, and not to ears.
He oft employs me in disguise,
And makes me tell a thousand lies:
To me he chiefly gives in trust
To please his malice or his lust.<...

Jonathan Swift

Bettesworth's Exultation

Upon Hearing That His Name Would Be Transmitted To Posterity In Dr. Swift's Works.
By William Dunkin


Well! now, since the heat of my passion's abated,
That the Dean hath lampoon'd me, my mind is elated: -
Lampoon'd did I call it? - No - what was it then?
What was it? - 'Twas fame to be lash'd by his pen:
For had he not pointed me out, I had slept till
E'en doomsday, a poor insignificant reptile;
Half lawyer, half actor, pert, dull, and inglorious,
Obscure, and unheard of - but now I'm notorious:
Fame has but two gates, a white and a black one;
The worst they can say is, I got in at the back one:
If the end be obtain'd 'tis equal what portal
I enter, since I'm to be render'd immortal:
So clysters applied to the anus, 'tis said,
By skilful physicians, giv...

Jonathan Swift

On A Candle

TO LADY CARTERET

Of all inhabitants on earth,
To man alone I owe my birth,
And yet the cow, the sheep, the bee,
Are all my parents more than he:
I, a virtue, strange and rare,
Make the fairest look more fair,
And myself, which yet is rarer,
Growing old, grow still the fairer.
Like sots, alone I'm dull enough,
When dosed with smoke, and smear'd with snuff;
But, in the midst of mirth and wine,
I with double lustre shine.
Emblem of the Fair am I,
Polish'd neck, and radiant eye;
In my eye my greatest grace,
Emblem of the Cyclops' race;
Metals I like them subdue,
Slave like them to Vulcan too;
Emblem of a monarch old,
Wise, and glorious to behold;
Wasted he appears, and pale,
Watching for the public weal:
Emblem of the bashf...

Jonathan Swift