On a Pen of Thomas Starr King

This is the reed the dead musician dropped,
With tuneful magic in its sheath still hidden;
The prompt allegro of its music stopped,
Its melodies unbidden.

But who shall finish the unfinished strain,
Or wake the instrument to awe and wonder,
And bid the slender barrel breathe again,
An organ-pipe of thunder!

His pen! what humbler memories cling about
Its golden curves! what shapes and laughing graces
Slipped from its point, when his full heart went out
In smiles and courtly phrases?

The truth, half jesting, half in earnest flung;
The word of cheer, with recognition in it;
The note of alms, whose golden speech outrung
The golden gift within it.

But all in vain the enchanters wand we wave:
No stroke of ours recalls his magic vision:
The incantation that its power gave
Sleeps with the dead magician.

Bret Harte

Bret Harte was an American author and poet, renowned for his works about pioneering life in California. Born on August 25, 1836, he gained national fame with his short stories and poetry depicting life in the early mining camps. His most famous works include 'The Luck of Roaring Camp' and 'The Outcasts of Poker Flat.' Harte's writings played a crucial role in shaping the Western genre in American literature. He passed away on May 5, 1902.

Bret Harte

Relieving Guard

Bret Harte, Simple Poetry

Crotalus

Bret Harte, Simple Poetry

Our Privilege

Bret Harte, Simple Poetry

Grandmother Tenterden

Bret Harte, Simple Poetry

English

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Verses To The Poet Crabbe's Inkstand.

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(WRITTEN MAY, 1832.)


All, as he left it!--even the pen,
    So lately at that mind's command,
Carelessly lying, as if then
    Just fallen from his gifted hand.

Have we then lost him? scarce an hour,
    A little hour, seems to have past,
Since Life and Inspiration's power
    Around that relic breathed their last.

Ah, powerless now--like talisman
    Found in some vanished wizard's halls,
Whose mighty charm with him began,
    Whose charm with him extinguisht falls.

Yet, tho', alas! the gifts that shone
    Around that pen's exploring track,
Be now, with its great master, gone,
    Nor living hand can call them back;

Who does not feel, while thus his eyes
    Rest on the enchanter's broke...

Thomas Moore

The Iron Pen

Made from a fetter of Bonnivard, the Prisoner of Chillon; the handle of wood from the Frigate Constitution, and bound with a circlet of gold, inset with three precious stones from Siberia, Ceylon, and Maine.

I thought this Pen would arise
From the casket where it lies--
    Of itself would arise and write
My thanks and my surprise.

When you gave it me under the pines,
I dreamed these gems from the mines
    Of Siberia, Ceylon, and Maine
Would glimmer as thoughts in the lines;

That this iron link from the chain
Of Bonnivard might retain
    Some verse of the Poet who sang
Of the prisoner and his pain;

That this wood from the frigate's mast
Might write me a rhyme at last,
    As it used to write on the sky
The song of the sea and the blas...

Henry Wadsworth Longfellow

The Harp Of The Minstrel

The harp of the minstrel has never a tone
    As sad as the song in his bosom to-night,
For the magical touch of his fingers alone
    Can not waken the echoes that breathe it aright;
But oh! as the smile of the moon may impart
    A sorrow to one in an alien clime,
Let the light of the melody fall on the heart,
    And cadence his grief into musical rhyme.

The faces have faded, the eyes have grown dim
    That once were his passionate love and his pride;
And alas! all the smiles that once blossomed for him
    Have fallen away as the flowers have died.
The hands that entwined him the laureate's wreath
    And crowned him with fame in the long, long ago,
Like the laurels are withered and folded beneath
    The grass and the stubble - the frost and the snow.

James Whitcomb Riley

My Gentle Harp.

My gentle harp, once more I waken
    The sweetness of thy slumbering strain;
In tears our last farewell was taken,
    And now in tears we meet again.
No light of joy hath o'er thee broken,
    But, like those Harps whose heavenly skill
Of slavery, dark as thine, hath spoken,
    Thou hang'st upon the willows still.

And yet, since last thy chord resounded,
    An hour of peace and triumph came,
And many an ardent bosom bounded
    With hopes--that now art turned to shame.
Yet even then, while Peace was singing
    Her halcyon song o'er land and sea,
Tho' joy and hope to others bringing,
    She only brought new tears to thee.

Then, who can ask for notes of pleasure,
    My drooping Harp, from chords like thine?
Alas, the lark's gay morni...

Thomas Moore

On William Francis Bartlett

O poor Romancer thou whose printed page,
Filled with rude speech and ruder forms of strife,
Was given to heroes in whose vulgar rage
No trace appears of gentler ways and life!

Thou who wast wont of commoner clay to build
Some rough Achilles or some Ajax tall;
Thou whose free brush too oft was wont to gild
Some single virtue till it dazzled all;

What right hast thou beside this laureled bier
Whereon all manhood lies whereon the wreath
Of Harvard rests, the civic crown, and here
The starry flag, and sword and jeweled sheath?

Seest thou these hatchments? Knowest thou this blood
Nourished the heroes of Colonial days
Sent to the dim and savage-haunted wood
Those sad-eyed Puritans with hymns of praise?

Look round thee! Everywhere is classic g...

Bret Harte

A Worn-Out Pencil.

Welladay!
Here I lay
You at rest - all worn away,
    O my pencil, to the tip
    Of our old companionship!

Memory
Sighs to see
What you are, and used to be,
    Looking backward to the time
    When you wrote your earliest rhyme! -

When I sat
Filing at
Your first point, and dreaming that
    Your initial song should be
    Worthy of posterity.

With regret
I forget
If the song be living yet,
    Yet remember, vaguely now,
    It was honest, anyhow.

You have brought
Me a thought -
Truer yet was never taught, -
    That the silent song is best,
    And the unsung worthiest.

So if I,
When I die,
May as uncomplainingly
    Drop aside as now you do,
    Write of me, as I ...

James Whitcomb Riley