On A Pompeiian Bust Called "Sappho."

Oh no, not this! This is a Roman face,
Superb, composed, with such a matron grace
As that of great Cornelia, never thee.
Young princess of an ancient poetry!

Nor do I wish thy beauty from its grave;
Rather, one bird across the purple wave,
Or the mere sight of that Aegean sea.
Shall tell thy mortal loveliness to me!

Or I will find some slender, broken plinth.
And mark it thine with wild blue hyacinth,
While some far fruit, upon triumphant bough.
Shall say how unattainable wert thou!

Margaret Steele Anderson

Margaret Steele Anderson was an American poet and author, born on October 8, 1867. She is known for her lyrical and expressive poetry, which often explores themes of nature, emotion, and personal reflection. Anderson's works include several published collections of poetry and prose that garnered critical acclaim during her lifetime. Though not as widely recognized today, her contributions to American literature remain significant. She passed away on October 7, 1921.

Margaret Steele Anderson

Agostino Di Duccio.

Margaret Steele Anderson, Simple Poetry

The Church.

Margaret Steele Anderson, Simple Poetry

The Lesser Beauty.

Margaret Steele Anderson, Simple Poetry

The Victor.

Margaret Steele Anderson, Simple Poetry

English

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Sappho. A Monodrama.

Argument.

To leap from the promontory of LEUCADIA was believed by the Greeks to be a remedy for hopeless love, if the self-devoted victim escaped with life. Artemisia lost her life in the dangerous experiment: and Sappho is said thus to have perished, in attempting to cure her passion for Phaon.


SAPPHO

(Scene the promontory of Leucadia.)

This is the spot:--'tis here Tradition says
That hopeless Love from this high towering rock
Leaps headlong to Oblivion or to Death.
Oh 'tis a giddy height! my dizzy head
Swims at the precipice--'tis death to fall!

Lie still, thou coward heart! this is no time
To shake with thy strong throbs the frame convuls'd.
To die,--to be at rest--oh pleasant thought!
Perchance to leap and live; the soul all still,
And...

Robert Southey

Zophiel. Ode

Thou who wert born of Psyche and of Love
And fondly nurst on Poesy's warm breast
                    Painting, oh, power adored!
                    My country's sons have poured
To thee their orisons; and thou hast blest
Their votive sighs, nor vainly have they strove.

Thou who art wont to soothe the varied pain
That ceaseless throbs at absent lover's heart,
                    Who first bestowed thine aid
                    On the young Rhodian maid [FN#19]
When doomed, from him whose love was life, to part,
From a lone bard accept an humble heartfelt strain.


[FN#19]    I do not positively recollect whether the incident, here described is supposed to have transpired at Rhodes, Corinth, or some other place, and have not, at present, the means for ascertaining....

Maria Gowen Brooks

Lines Written To A Translator Of Greek Poetry.

A wild spring upland all this charmed page,
Where, in the early dawn, the maenads rage,
Mad, chaste, and lovely! This, a darker spot
Where lone Antigone bewails her lot.
Death for her spouse, her bridal-bed the tomb.
And this, again, is some rich palace-room.
Where Phsedra pines: "0 woodlands! 0, the sea!"
Or some sweet walk of Sappho, beauteously
Built o'er with rose, with bloom of purple grapes!
They are all here, the ancient Attic shapes
Of passion, beauty, terror, love, and shame;
Proud shadows, you do summon them by name:
Achaean princes, Helen, the young god.
Fair Dionysus, CEdipus, who trod
Such ways of doom! Aye, these and more than these
You call across the ages and the seas!
And each one, answering, doth dream he lists
To the great voices of old...

Margaret Steele Anderson

Sappho

She lay among the myrtles on the cliff;
Above her glared the noon; beneath, the sea.
Upon the white horizon Atho's peak
Weltered in burning haze; all airs were dead;
The cicale slept among the tamarisk's hair;
The birds sat dumb and drooping.    Far below
The lazy sea-weed glistened in the sun;
The lazy sea-fowl dried their steaming wings;
The lazy swell crept whispering up the ledge,
And sank again.    Great Pan was laid to rest;
And Mother Earth watched by him as he slept,
And hushed her myriad children for a while.
She lay among the myrtles on the cliff;
And sighed for sleep, for sleep that would not hear,
But left her tossing still; for night and day
A mighty hunger yearned within her heart,
Till all her veins ran fever; and her cheek,
Her long thin h...

Charles Kingsley

Sappho To Phaon. From The Fifteenth Of Ovid's Epistles. - Translations And Imitations.

Say, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The lute neglected and the lyric Muse;
Love taught my tears in sadder notes to flow,
And tuned my heart to elegies of woe,
I burn, I burn, as when through ripen'd corn
By driving winds the spreading flames are borne!
Phaon to Ætna's scorching fields retires,
While I consume with more than Ætna's fires!
No more my soul a charm in music finds;
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please;
Love enters there, and I'm my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of m...

Alexander Pope

Sappho To Phaon (Ovid Heroid XV)

Say, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The Lute neglected, and the Lyric muse;
Love taught my tears in adder notes to flow,
And tun'd my heart to Elegies of woe,
I burn, I burn, as when thro' ripen'd corn
By driving winds the spreading flames are borne!
Phaon to Aetna's scorching fields retires,
While I consume with more than Aetna's fires!
No more my soul a charm in music finds,
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please,
Love enters there, and I'm my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of m...

Alexander Pope