On Eastnor Knoll

Silent are the woods, and the dim green boughs are
Hushed in the twilight: yonder, in the path through
The apple orchard, is a tired plough-boy
Calling the cows home.

A bright white star blinks, the pale moon rounds, but
Still the red, lurid wreckage of the sunset
Smoulders in smoky fire, and burns on
The misty hill-tops.

Ghostly it grows, and darker, the burning
Fades into smoke, and now the gusty oaks are
A silent army of phantoms thronging
A land of shadows.

John Masefield

John Masefield was an English poet and writer, who served as the UK's Poet Laureate from 1930 until his death in 1967. Known for his poems reflecting the sea and the English countryside, he was one of the most popular and respected poets of his time. His most famous works include 'Sea-Fever' and 'Cargoes'. Masefield was also an accomplished novelist and playwright. His storytelling skills transcended genres, earning him a lasting place in English literary history.

John Masefield

Captain Stratton's Fancy

John Masefield, Simple Poetry

Trade Winds

John Masefield, Simple Poetry

An Epilogue

John Masefield, Simple Poetry

English

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Night Is On The Downland

Night is on the downland, on the lonely moorland,
On the hills where the wind goes over sheep-bitten turf,
Where the bent grass beats upon the unplowed poorland
And the pine-woods roar like the surf.

Here the Roman lived on the wind-barren lonely,
Dark now and haunted by the moorland fowl;
None comes here now but the peewit only,
And moth-like death in the owl.

Beauty was here in on this beetle-droning downland;
The thought of a Caesar in the purple came
From the palace by the Tiber in the Roman townland
To this wind-swept hill with no name.

Lonely Beauty came here and was here in sadness,
Brave as a thought on the frontier of the mind,
In the camp of the wild upon the march of madness,
The bright-eyed Queen of the Blind.

Now where Beau...

John Masefield

Twilight.

The setting Sun withdraws his yellow light,
A gloomy staining shadows over all,
While the brown beetle, trumpeter of Night,
Proclaims his entrance with a droning call.
How pleasant now, where slanting hazels fall
Thick, o'er the woodland stile, to muse and lean;
To pluck a woodbine from the shade withal,
And take short snatches o'er the moisten'd scene;
While deep and deeper shadows intervene,
And leave fond Fancy moulding to her will
The cots, and groves, and trees so dimly seen,
That die away more undiscerned still;
Bringing a sooty curtain o'er the sight,
And calmness in the bosom still as night.

John Clare

After Sunset

The vast and solemn company of clouds
Around the Sun's death, lit, incarnadined,
Cool into ashy wan; as Night enshrouds
The level pasture, creeping up behind
Through voiceless vales, o'er lawn and purpled hill
And hazd mead, her mystery to fulfil.
Cows low from far-off farms; the loitering wind
Sighs in the hedge, you hear it if you will,
Tho' all the wood, alive atop with wings
Lifting and sinking through the leafy nooks,
Seethes with the clamour of a thousand rooks.
Now every sound at length is hush'd away.
These few are sacred moments. One more Day
Drops in the shadowy gulf of bygone things.

William Allingham

Winter Nightfall

    The old yellow stucco
    Of the time of the Regent
    Is flaking and peeling:
    The rows of square windows
    In the straight yellow building
    Are empty and still;
    And the dusty dark evergreens
    Guarding the wicket
    Are draped with wet cobwebs,
    And above this poor wilderness
    Toneless and sombre
    Is the flat of the hill.

    They said that a colonel
    Who long ago died here
    Was the last one to live here:
    An old retired colonel,
    Some Fraser or Murray,
    I don't know his name;
    Death came here and summoned him,
    And the shells of him vanished
    Beyond all speculation;
    And silence resumed here,
    Silence and emptiness,
    And nobody came.

    Was it ...

John Collings Squire, Sir

Recollections After An Evening Walk.

Just as the even-bell rang, we set out
To wander the fields and the meadows about;
And the first thing we mark'd that was lovely to view,
Was the sun hung on nothing, just bidding adieu:
He seem'd like a ball of pure gold in the west,
In a cloud like a mountain blue, dropping to rest;
The skies all around him were ting'd with his rays,
And the trees at a distance seem'd all on a blaze,
Till, lower and lower, he sank from our sight,
And the blue mist came creeping with silence and night.
The woodman then ceas'd with his hatchet to hack,
And bent away home with his kid on his back;
The mower too lapt up his scythe from our sight,
And put on his jacket, and bid us good-night;
The thresher once lumping, we heard him no more,
He left his barn-dust, and had shut up his d...

John Clare

Kent In War

The pebbly brook is cold to-night,
Its water soft as air,
A clear, cold, crystal-bodied wind
Shadowless and bare,
Leaping and running in this world
Where dark-horned cattle stare:

Where dark-horned cattle stare, hoof-firm
On the dark pavements of the sky,
And trees are mummies swathed in sleep
And small dark hills crowd wearily;
Soft multitudes of snow-grey clouds
Without a sound march by.

Down at the bottom of the road
I smell the woody damp
Of that cold spirit in the grass,
And leave my hill-top camp -
Its long gun pointing in the sky -
And take the Moon for lamp.

I stop beside the bright cold glint
Of that thin spirit in the grass,
So gay it is, so innocent!
I watch its sparkling footsteps pass
Lightly from sm...

W.J. Turner