On That Day

    On that day
I shall put roses on roses, and cover your grave
With multitude of white roses: and since you were brave
    One bright red ray.

    So people, passing under
The ash-trees of the valley-road, will raise
Their eyes and look at the grave on the hill, in wonder,
    Wondering mount, and put the flowers asunder

    To see whose praise
Is blazoned here so white and so bloodily red.
Then they will say: "'Tis long since she is dead,
    Who has remembered her after many days?"

    And standing there
They will consider how you went your ways
Unnoticed among them, a still queen lost in the maze
    Of this earthly affair.

    A queen, they'll say,
Has slept unnoticed on a forgotten hill.
Sleeps on unknown, unnoticed there, until
    Dawns my insurgent day.

David Herbert Richards Lawrence

David Herbert Richards Lawrence was an English writer, poet, and essayist best known for his novels 'Sons and Lovers,' 'The Rainbow,' 'Women in Love,' and 'Lady Chatterley's Lover.' His works explore themes of emotional health, vitality, spontaneity, and instinct. Lawrence's opinions and artistic works earned him many enemies and he was frequently censored. Today, he is regarded as one of the most influential writers of the 20th century.

David Herbert Richards Lawrence

Blue

David Herbert Richards Lawrence, Simple Poetry

One Woman To All Women

David Herbert Richards Lawrence, Simple Poetry

Nonentity

David Herbert Richards Lawrence, Simple Poetry

River Roses

David Herbert Richards Lawrence, Simple Poetry

English

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Two Wives

I

Into the shadow-white chamber silts the white
Flux of another dawn. The wind that all night
Long has waited restless, suddenly wafts
A whirl like snow from the plum-trees and the pear,
Till petals heaped between the window-shafts
    In a drift die there.

A nurse in white, at the dawning, flower-foamed pane
Draws down the blinds, whose shadows scarcely stain
The white rugs on the floor, nor the silent bed
That rides the room like a frozen berg, its crest
Finally ridged with the austere line of the dead
    Stretched out at rest.

Less than a year the fourfold feet had pressed
The peaceful floor, when fell the sword on their rest.
Yet soon, too soon, she had him home again
With wounds between them, and suffering like a guest
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Elegy

The sun immense and rosy
Must have sunk and become extinct
The night you closed your eyes for ever against me.

Grey days, and wan, dree dawnings
Since then, with fritter of flowers -
Day wearies me with its ostentation and fawnings.

Still, you left me the nights,
The great dark glittery window,
The bubble hemming this empty existence with lights.

Still in the vast hollow
Like a breath in a bubble spinning
Brushing the stars, goes my soul, that skims the bounds like a swallow!

I can look through
The film of the bubble night, to where you are.
Through the film I can almost touch you.

    EASTWOOD

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All Souls

They are chanting now the service of All the Dead
And the village folk outside in the burying ground
Listen - except those who strive with their dead,
Reaching out in anguish, yet unable quite to touch them:
Those villagers isolated at the grave
Where the candles burn in the daylight, and the painted wreaths
Are propped on end, there, where the mystery starts.

The naked candles burn on every grave.
On your grave, in England, the weeds grow.

But I am your naked candle burning,
And that is not your grave, in England,
The world is your grave.
And my naked body standing on your grave
Upright towards heaven is burning off to you
Its flame of life, now and always, till the end.

It is my offering to you; every day is All Souls' Day.

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The Dead And The Living One

The dead woman lay in her first night's grave,
And twilight fell from the clouds' concave,
And those she had asked to forgive forgave.

The woman passing came to a pause
By the heaped white shapes of wreath and cross,
And looked upon where the other was.

And as she mused there thus spoke she:
"Never your countenance did I see,
But you've been a good good friend to me!"

Rose a plaintive voice from the sod below:
"O woman whose accents I do not know,
What is it that makes you approve me so?"

"O dead one, ere my soldier went,
I heard him saying, with warm intent,
To his friend, when won by your blandishment:

"'I would change for that lass here and now!
And if I return I may break my vow
To my present Love, and contrive somehow

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The Cambridge Churchyard

Our ancient church! its lowly tower,
Beneath the loftier spire,
Is shadowed when the sunset hour
Clothes the tall shaft in fire;
It sinks beyond the distant eye
Long ere the glittering vane,
High wheeling in the western sky,
Has faded o'er the plain.

Like Sentinel and Nun, they keep
Their vigil on the green;
One seems to guard, and one to weep,
The dead that lie between;
And both roll out, so full and near,
Their music's mingling waves,
They shake the grass, whose pennoned spear
Leans on the narrow graves.

The stranger parts the flaunting weeds,
Whose seeds the winds have strown
So thick, beneath the line he reads,
They shade the sculptured stone;
The child unveils his clustered brow,
And ponders for a while
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Elegy

Since I lost you, my darling, the sky has come near,
And I am of it, the small sharp stars are quite near,
The white moon going among them like a white bird among snow-berries,
And the sound of her gently rustling in heaven like a bird I hear.

And I am willing to come to you now, my dear,
As a pigeon lets itself off from a cathedral dome
To be lost in the haze of the sky, I would like to come,
And be lost out of sight with you, and be gone like foam.

For I am tired, my dear, and if I could lift my feet,
My tenacious feet from off the dome of the earth
To fall like a breath within the breathing wind
Where you are lost, what rest, my love, what rest!

David Herbert Richards Lawrence