On The Death Of Smet-Smet, The Hippopotamus-Goddess - Song Of A Tribe Of The Ancient Egyptians

(The Priests within the Temple)
She was wrinkled and huge and hideous? She was our Mother.
She was lustful and lewd? but a God; we had none other.
In the day She was hidden and dumb, but at nightfall moaned in the shade;
We shuddered and gave Her Her will in the darkness; we were afraid.

(The People without)
She sent us pain,
And we bowed before Her;
She smiled again
And bade us adore Her.
She solaced our woe
And soothed our sighing;
And what shall we do
Now God is dying?

(The Priests within)
She was hungry and ate our children; how should we stay Her?
She took our young men and our maidens; ours to obey Her.
We were loathed and mocked and reviled of all nations; that was our pride.
She fed us, protected us, loved us, and killed us; now She has died.

(The People without)
She was so strong;
But death is stronger.
She ruled us long;
But Time is longer.
She solaced our woe
And soothed our sighing;
And what shall we do
Now God is dying?

Rupert Brooke

Rupert Brooke was an English poet known for his idealistic war sonnets written during World War I. He was born on August 3, 1887, in Rugby, Warwickshire, England, and died on April 23, 1915, in the Aegean Sea, on his way to Gallipoli. Brooke's most famous work, 'The Soldier,' reflects his patriotism and the romanticism of war. Despite his early death, his poetry and poignant reflections on war left a lasting legacy in English literature.

Rupert Brooke

The Treasure

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The Little Dog's Day

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Peace

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Mummia

Rupert Brooke, Simple Poetry

English

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Mummia

As those of old drank mummia
To fire their limbs of lead,
Making dead kings from Africa
Stand pandar to their bed;

Drunk on the dead, and medicined
With spiced imperial dust,
In a short night they reeled to find
Ten centuries of lust.

So I, from paint, stone, tale, and rhyme,
Stuffed love's infinity,
And sucked all lovers of all time
To rarify ecstasy.

Helen's the hair shuts out from me
Verona's livid skies;
Gypsy the lips I press; and see
Two Antonys in your eyes.

The unheard invisible lovely dead
Lie with us in this place,
And ghostly hands above my head
Close face to straining face;

Their blood is wine along our limbs;
Their whispering voices wreathe
Savage forgotten drowsy hymns
Under the nam...

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The Egyptian Tomb.

Pomp of Egypt's elder day,
Shade of the mighty passed away,
Whose giant works still frown sublime
'Mid the twilight shades of Time;
Fanes, of sculpture vast and rude,
That strew the sandy solitude,
Lo! before our startled eyes,
As at a wizard's wand, ye rise,
Glimmering larger through the gloom!
While on the secrets of the tomb,
Rapt in other times, we gaze,
The Mother Queen of ancient days,
Her mystic symbol in her hand,
Great Isis, seems herself to stand.

From mazy vaults, high-arched and dim,
Hark! heard ye not Osiris' hymn?
And saw ye not in order dread
The long procession of the dead?
Forms that the night of years concealed,
As by a flash, are here revealed;
Chiefs who sang the victor song;
Sceptred kings, - a shadowy throng...

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Matri Dilectissimae - I.M. - In The Waste Hour

In the waste hour
Between to-day and yesterday
We watched, while on my arm -
Living flesh of her flesh, bone of her bone -
Dabbled in sweat the sacred head
Lay uncomplaining, still, contemptuous, strange:
Till the dear face turned dead,
And to a sound of lamentation
The good, heroic soul with all its wealth -
Its sixty years of love and sacrifice,
Suffering and passionate faith - was reabsorbed
In the inexorable Peace,
And life was changed to us for evermore.

Was nothing left of her but tears
Like blood-drops from the heart?
Nought save remorse
For duty unfulfilled, justice undone,
And charity ignored?    Nothing but love,
Forgiveness, reconcilement, where in truth,
But for this passing
Into the unimaginable abyss
These things ha...

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Ante Aram

Before thy shrine I kneel, an unknown worshipper,
Chanting strange hymns to thee and sorrowful litanies,
Incense of dirges, prayers that are as holy myrrh.

Ah, goddess, on thy throne of tears and faint low sighs,
Weary at last to theeward come the feet that err,
And empty hearts grown tired of the world's vanities.

How fair this cool deep silence to a wanderer
Deaf with the roar of winds along the open skies!
Sweet, after sting and bitter kiss of sea-water,

The pale Lethean wine within thy chalices!
I come before thee, I, too tired wanderer,
To heed the horror of the shrine, the distant cries,

And evil whispers in the gloom, or the swift whirr
Of terrible wings, I, least of all thy votaries,
With a faint hope to see the scented darkness stir,

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Agamemnon's Tomb.

Uplift the ponderous, golden mask of death,
    And let the sun shine on him as it did
How many thousand years agone!    Beneath
    This worm-defying, uncorrupted lid,
Behold the young, heroic face, round-eyed,
Of one who in his full-flowered manhood died;
    Of nobler frame than creatures of to-day,
Swathed in fine linen cerecloths fold on fold,
With carven weapons wrought of bronze and gold,
    Accoutred like a warrior for the fray.


We gaze in awe at these huge-modeled limbs,
    Shrunk in death's narrow house, but hinting yet
Their ancient majesty; these sightless rims
    Whose living eyes the eyes of Helen met;
The speechless lips that ah! what tales might tell
Of earth's morning-tide when gods did dwell
    Amidst a generous-fashioned, god...

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Second Best

Here in the dark, O heart;
Alone with the enduring Earth, and Night,
And Silence, and the warm strange smell of clover;
Clear-visioned, though it break you; far apart
From the dead best, the dear and old delight;
Throw down your dreams of immortality,
O faithful, O foolish lover!
Here's peace for you, and surety; here the one
Wisdom, the truth! "All day the good glad sun
Showers love and labour on you, wine and song;
The greenwood laughs, the wind blows, all day long
Till night."    And night ends all things.
    Then shall be
No lamp relumed in heaven, no voices crying,
Or changing lights, or dreams and forms that hover!
(And, heart, for all your sighing,
That gladness and those tears are over, over. . . .)

And has the truth brought no new hope at ...

Rupert Brooke