On The Edge Of The Wilderness.

Puellae.

Whence comest thou, and whither goest thou?
Abide! abide! longer the shadows grow;
What hopest thou the dark to thee will show?

Abide! abide! for we are happy here.

Amans.

Why should I name the land across the sea
Wherein I first took hold on misery?
Why should I name the land that flees from me?

Let me depart, since ye are happy here.

Puellae.

What wilt thou do within the desert place
Whereto thou turnest now thy careful face?
Stay but a while to tell us of thy case.

Abide! abide! for we are happy here.

Amans.

What, nigh the journey's end shall I abide,
When in the waste mine own love wanders wide,
When from all men for me she still doth hide?

Let me depart, since ye are happy here.

Puellae.

Nay, nay; but rather she forgetteth thee,
To sit upon the shore of some warm sea,
Or in green gardens where sweet fountains be.

Abide! abide! for we are happy here.

Amans.

Will ye then keep me from the wilderness,
Where I at least, alone with my distress,
The quiet land of changing dreams may bless?

Let me depart, since ye are happy here.

Puellae.

Forget the false forgetter and be wise,
And 'mid these clinging hands and loving eyes,
Dream, not in vain, thou knowest paradise.

Abide! abide! for we are happy here.

Amans.

Ah! with your sweet eyes shorten not the day,
Nor let your gentle hands my journey stay!
Perchance love is not wholly cast away.

Let me depart, since ye are happy here.

Puellae.

Pluck love away as thou wouldst pluck a thorn
From out thy flesh; for why shouldst thou be born
To bear a life so wasted and forlorn?

Abide! abide! for we are happy here.

Amans.

Yea, why then was I born, since hope is pain,
And life a lingering death, and faith but vain,
And love the loss of all I seemed to gain?

Let me depart, since ye are happy here.

Puellae.

Dost thou believe that this shall ever be,
That in our land no face thou e'er shalt see,
No voice thou e'er shalt hear to gladden thee?

Abide! abide! for we are happy here.

Amans.

No longer do I know of good or bad,
I have forgotten that I once was glad;
I do but chase a dream that I have had.

Let me depart, since ye are happy here.

Puellae.

Stay! take one image for thy dreamful night;
Come, look at her, who in the world's despite
Weeps for delaying love and lost delight.

Abide! abide! for we are happy here.

Amans.

Mock me not till to-morrow.    Mock the dead,
They will not heed it, or turn round the head,
To note who faithless are, and who are wed.

Let me depart, since ye are happy here.

Puellae.

We mock thee not.    Hast thou not heard of those
Whose faithful love the loved heart holds so close,
That death must wait till one word lets it loose?

Abide! abide! for we are happy here.

Amans.

I hear you not: the wind from off the waste
Sighs like a song that bids me make good haste
The wave of sweet forgetfulness to taste.

Let me depart, since ye are happy here.

Puellae.

Come back! like such a singer is the wind,
As to a sad tune sings fair words and kind,
That he with happy tears all eyes may blind!

Abide! abide! for we are happy here.

Amans.

Did I not hear her sweet voice cry from far,
That o'er the lonely waste fair fields there are,
Fair days that know not any change or care?

Let me depart, since ye are happy here.

Puellae.

Oh, no! not far thou heardest her, but nigh;
Nigh, 'twixt the waste's edge and the darkling sky.
Turn back again, too soon it is to die.

Abide! a little while be happy here.

Amans.

How with the lapse of lone years could I strive,
And can I die now that thou biddest live?
What joy this space 'twixt birth and death can give.

Can we depart, who are so happy here?

William Morris

William Morris was a British textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major influence on the development of the Pre-Raphaelite Brotherhood. Morris is recognized for his contributions to the revival of traditional British textile arts and methods of production. He was also a founding member of the Socialist League and played a significant role in the early Socialist movement in England. His works reflect his political views and his passion for medievalism and craftsmanship.

William Morris

Drawing Near The Light.

William Morris, Simple Poetry

Sir Galahad, A Christmas Mystery

William Morris, Simple Poetry

The Chapel In Lyoness

William Morris, Simple Poetry

The Raven And The King's Daughter.

William Morris, Simple Poetry

English

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The Half Of Life Gone.

The days have slain the days,
and the seasons have gone by
And brought me the summer again;
and here on the grass I lie
As erst I lay and was glad
ere I meddled with right and with wrong.
Wide lies the mead as of old,
and the river is creeping along
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Of The Three Seekers.

There met three knights on the woodland way,
And the first was clad in silk array:
The second was dight in iron and steel,
But the third was rags from head to heel.
"Lo, now is the year and the day come round
When we must tell what we have found."
The first said: "I have found a king
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The second said: "I have found a knight
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The Ranger

Robert Rawlin! Frosts were falling
When the ranger's horn was calling
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Gone the winter's sleet and snowing,
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Come the sounds of flight and fray.
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Some are living, some are lying
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The Two Sides Of The River

The Youths.

O Winter, O white winter, wert thou gone
No more within the wilds were I alone
Leaping with bent bow over stock and stone!

No more alone my love the lamp should burn,
Watching the weary spindle twist and turn,
Or o'er the web hold back her tears and yearn:
O winter, O white winter, wert thou gone!

The Maidens.

Sweet thoughts fly swiftlier than the drifting snow,
And with the twisting threads sweet longings grow,
And o'er the web sweet pictures come and go,
For no white winter are we long alone.

The Youths.

O stream so changed, what hast thou done to me,
That I thy glittering ford no more can see
Wreathing with white her fair feet lovingly?

See, in the rain she stands, and, looking ...

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Monody, Written At Matlock.

Matlock! amid thy hoary-hanging views,
Thy glens that smile sequestered, and thy nooks
Which yon forsaken crag all dark o'erlooks;
Once more I court the long neglected Muse,
As erst when by the mossy brink and falls
Of solitary Wainsbeck, or the side
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I strayed a pensive boy. Since then, the thralls
That wait life's upland road have chilled her breast,
And much, as much they might, her wing depressed.
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The New Sirens - A Palinode

In the cedar shadow sleeping,
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I, who in your train at morning
Strolld and sang with joyful mind,
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Heard the hoarse boughs labour in the wind.

Who are they, O pensive Graces,
For I dreamd they wore your forms
Who on shores and sea-washd places
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Troop across the flushing sands.
To all reefs and narrows wending,
With blown tresses, and with beckoning hands

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