On The Same Subject (To A Painter)

Though I beheld at first with blank surprise
This Work, I now have gazed on it so long
I see its truth with unreluctant eyes;
O, my Beloved! I have done thee wrong,
Conscious of blessedness, but, whence it sprung,
Ever too heedless, as I now perceive:
Morn into noon did pass, noon into eve,
And the old day was welcome as the young,
As welcome and as beautiful, in sooth
More beautiful, as being a thing more holy:
Thanks to thy virtues, to the eternal youth
Of all thy goodness, never melancholy;
To thy large heart and humble mind, that cast
Into one vision, future, present, past.

William Wordsworth

William Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their joint publication 'Lyrical Ballads' in 1798. Born on April 7, 1770, Wordsworth's works are noted for their emphasis on the beauty of nature, the importance of emotion, and the value of the individual. His most famous work, 'The Prelude', is considered to be his masterpiece, which is a semi-autobiographical poem that he revised throughout his life.

William Wordsworth

Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1

William Wordsworth, Simple Poetry

Memorials Of A Tour On The Continent, 1820 - XIX. - Effusion

William Wordsworth, Simple Poetry

England, 1802 (V)

William Wordsworth, Simple Poetry

Memorials Of A Tour In Italy, 1837 - VIII. - Near Rome, In Sight Of St. Peter's

William Wordsworth, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

The Foregoing Subject Resumed

Among a grave fraternity of Monks,
For One, but surely not for One alone,
Triumphs, in that great work, the Painter's skill,
Humbling the body, to exalt the soul;
Yet representing, amid wreck and wrong
And dissolution and decay, the warm
And breathing life of flesh, as if already
Clothed with impassive majesty, and graced
With no mean earnest of a heritage
Assigned to it in future worlds. Thou, too,
With thy memorial flower, meek Portraiture!
From whose serene companionship I passed
Pursued by thoughts that haunt me still; thou also
Though but a simple object, into light
Called forth by those affections that endear
The private hearth; though keeping thy sole seat
In singleness, and little tried by time,
Creation, as it were, of yesterday
With a conge...

William Wordsworth

To A Painter

All praise the Likeness by thy skill portrayed;
But 'tis a fruitless task to paint for me,
Who, yielding not to changes Time has made,
By the habitual light of memory see
Eyes unbedimmed, see bloom that cannot fade,
And smiles that from their birth-place ne'er shall flee
Into the land where ghosts and phantoms be;
And, seeing this, own nothing in its stead.
Couldst thou go back into far-distant years,
Or share with me, fond thought! that inward eye,
Then, and then only, Painter! could thy Art
The visual powers of Nature satisfy,
Which hold, whate'er to common sight appears,
Their sovereign empire in a faithful heart.

William Wordsworth

Lines Suggested By A Portrait From The Pencil Of F. Stone

Beguiled into forgetfulness of care
Due to the day's unfinished task; of pen
Or book regardless, and of that fair scene
In Nature's prodigality displayed
Before my window, oftentimes and long
I gaze upon a Portrait whose mild gleam
Of beauty never ceases to enrich
The common light; whose stillness charms the air,
Or seems to charm it, into like repose;
Whose silence, for the pleasure of the ear,
Surpasses sweetest music. There she sits
With emblematic purity attired
In a white vest, white as her marble neck
Is, and the pillar of the throat would be
But for the shadow by the drooping chin
Cast into that recess, the tender shade,
The shade and light, both there and everywhere,
And through the very atmosphere she breathes,
Broad, clear, and toned harmon...

William Wordsworth

Upon The Sight Of A Beautiful Picture Painted By Sir G. H. Beaumont, Bart

Praised be the Art whose subtle power could stay
Yon cloud, and fix it in that glorious shape;
Nor would permit the thin smoke to escape,
Nor those bright sunbeams to forsake the day;
Which stopped that band of travellers on their way,
Ere they were lost within the shady wood;
And showed the Bark upon the glassy flood
For ever anchored in her sheltering bay.
Soul-soothing Art! whom Morning, Noontide, Even,
Do serve with all their changeful pageantry;
Thou, with ambition modest yet sublime,
Here, for the sight of mortal man, hast given
To one brief moment caught from fleeting time
The appropriate calm of blest eternity.

William Wordsworth

To The Same (John Dyer)

Enough of climbing toil! Ambition treads
Here, as 'mid busier scenes, ground steep and rough,
Or slippery even to peril! and each step,
As we for most uncertain recompence
Mount toward the empire of the fickle clouds,
Each weary step, dwarfing the world below,
Induces, for its old familiar sights,
Unacceptable feelings of contempt,
With wonder mixed that Man could e'er be tied,
In anxious bondage, to such nice array
And formal fellowship of petty things!
Oh! 'tis the 'heart' that magnifies this life,
Making a truth and beauty of her own;
And moss-grown alleys, circumscribing shades,
And gurgling rills, assist her in the work
More efficaciously than realms outspread,
As in a map, before the adventurer's gaze
Ocean and Earth contending for regard.
The ...

William Wordsworth

Lines Composed A Few Miles Above Tintern Abbey

Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur., Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, i...

William Wordsworth