Pan.

    1

    Haunter of green intricacies,
    Where the sunlight's amber laces
        Deeps of darkest violet;
    Where the ugly Satyr chases
    Shining Dryads, fair as Graces,
        Whose lithe limbs with dew are wet;
    Piper in hid mountain places,
    Where the blue-eyed Oread braces
        Winds which in her sweet cheeks set
    Of Aurora rosy traces,
    Whiles the Faun from myrtle mazes
        Watcheth with an eye of jet:
    What art thou and these dim races,
    Thou, O Pan! of many faces,
        Who art ruler yet?


    2

    Tell me, piper, have I ever
    Heard thy hollow syrinx quiver
        Trickling music in the trees?
    Where dark hazel copses shiver,
    Have I heard its dronings sever
        The warm silence, or the bees?
    Ripple murmurings, that never
    Could be born of fall or river,
        Whisperings and subtleties,
    Melodies so very clever,
    None can doubt that thou, the giver,
        Master Nature's keys.


    3

    What glad awes of storm are given
    Thy mad power, which has striven,--
        Where the craggy forests glare,--
    In wild mockery, when Heaven
    Splits with thunder wedges driven
        Red through night and rainy air!
    What art thou, whose presence, even
    While its fear the heart hath riven,
        Heals it with a prayer?

Madison Julius Cawein

Madison Julius Cawein was born on March 23, 1865, in Louisville, Kentucky and died on December 8, 1914. Known as the “Keats of Kentucky,” his poetry often focused on nature, mythology, and the lush landscapes of his home state. Throughout his lifetime, Cawein published more than 30 books of poetry. He is remembered for his vivid and descriptive style and his ability to capture the beauty of the natural world. His works provide a window into the pastoral and often mystical world of the late 19th and early 20th centuries.

Madison Julius Cawein

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The Mountain-Still

Madison Julius Cawein, Simple Poetry

English

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Moss And Fern

Where rise the brakes of bramble there,
Wrapped with the trailing rose;
Through cane where waters ramble, there
Where deep the sword-grass grows,
Who knows?
Perhaps, unseen of eyes of man,
Hides Pan.

Perhaps the creek, whose pebbles make
A foothold for the mint,
May bear, where soft its trebles make
Confession, some vague hint,
(The print,
Goat-hoofed, of one who lightly ran,)
Of Pan.

Where, in the hollow of the hills
Ferns deepen to the knees,
What sounds are those above the hills,
And now among the trees?
No breeze!
The syrinx, haply, none may scan,
Of Pan.

In woods where waters break upon
The hush like some soft word;
Where sun-shot shadows shake upon
The moss, who has not heard
No bird!
Th...

Madison Julius Cawein

Genius Loci

I


What wood-god, on this water's mossy curb,
Lost in reflections of earth's loveliness,
Did I, just now, unconsciously disturb?
I, who haphazard, wandering at a guess,
Came on this spot, wherein, with gold and flame
Of buds and blooms, the season writes its name.--
Ah, me! could I have seen him ere alarm
Of my approach aroused him from his calm!
As he, part Hamadryad and, mayhap,
Part Faun, lay here; who left the shadow warm
As wildwood rose, and filled the air with balm
Of his sweet breath as with ethereal sap.


II


Does not the moss retain some vague impress,
Green dented in, of where he lay or trod?
Do not the flow'rs, so reticent, confess
With conscious looks the contact of a god?
Does not the very water garrulou...

Madison Julius Cawein

Genius Loci

I.

What wood-god, on this water's mossy curb,
Lost in reflections of earth's loveliness,
Did I, just now, unconsciously disturb?
I who haphazard, wandering at a guess,
Came on this spot, wherein with gold and flame
Of buds and blooms the season writes its name.

Ah me! could I have seen him ere alarm
Of my approach aroused him from his calm!
As he, part Hamadryad and, mayhap,
Part Faun, lay here; who left the shadow warm
As a wood-rose, and filled the air with balm
Of his wild breath as with ethereal sap.

II.

Does not the moss retain some slight impress,
Green-dented down, of where he lay or trod?
Do not the flow'rs, so reticent, confess
With conscious looks the contact of a god?
Does not the very water garrulously
Boast t...

Madison Julius Cawein

By Wold And Wood.

        I.

Green, watery jets of light let through
The rippling foliage drenched with dew;
Bland glow-worm glamours warm and dim
Above the mystic vistas swim,
Where, 'round the fountain's oozy urn,
The limp, loose fronds of limber fern
Wave dusky tresses thin and wet,
Blue-filleted with violet.
O'er roots that writhe in snaky knots
The moss in amber cushions clots;
From wattled walls of brier and brush
The elder's misty attars gush;
And, Argus-eyed, by knoll and bank
The affluent wild rose flowers rank;
And stol'n in shadowy retreats,
In black, rich soil, your vision greets
The colder undergrowths of woods,
Damp, lushy-leaved, whose gloomier moods
Turn all the life beneath to death
And rottenness for their own breath.
May-apples ...

Madison Julius Cawein

Substratum.

Hear you r o music in the creaks
    Made by the sallow grasshopper,
Who in the hot weeds sharply breaks
    The mellow dryness with his cheer?
    Or did you by the hearthstones hear
The cricket's kind, shrill strain when frost
    Worked mysteries of silver near
Upon the casement's panes, and lost
Without the gate-post seemed a sheeted ghost?

Or through the dank, dim Springtide's night
    Green minstrels of the marshlands tune
Their hoarse lyres in the pale twilight,
    Hailing the sickle of the moon
    From flag-thronged pools that glassed her lune?
Or in the Summer, dry and loud,
    The hard cicada whirr aboon
His long lay in a poplar's cloud,
When the thin heat rose wraith-like in a shroud?

The cloud that lids the naked moon,

Madison Julius Cawein

Myth And Romance

I

When I go forth to greet the glad-faced Spring,
Just at the time of opening apple-buds,
When brooks are laughing, winds are whispering,
On babbling hillsides or in warbling woods,
There is an unseen presence that eludes:
Perhaps a dryad, in whose tresses cling
The loamy odours of old solitudes,
Who, from her beechen doorway, calls, and leads
My soul to follow; now with dimpling words
Of leaves; and now with syllables of birds;
While here and there is it her limbs that swing?
Or restless sunlight on the moss and weeds?

II

Or, haply, 'tis a Naiad now who slips,
Like some white lily, from her fountain's glass,
While from her dripping hair and breasts and hips
The moisture rains cool music on the grass.
Her have I heard and followed, ...

Madison Julius Cawein