Pauline Barrett

    Almost the shell of a woman after the surgeon's knife
    And almost a year to creep back into strength,
    Till the dawn of our wedding decennial
    Found me my seeming self again.
    We walked the forest together,
    By a path of soundless moss and turf.
    But I could not look in your eyes,
    And you could not look in my eyes,
    For such sorrow was ours - the beginning of gray in your hair.
    And I but a shell of myself.
    And what did we talk of? - sky and water,
    Anything, 'most, to hide our thoughts.
    And then your gift of wild roses,
    Set on the table to grace our dinner.
    Poor heart, how bravely you struggled
    To imagine and live a remembered rapture!
    Then my spirit drooped as the night came on,
    And you left me alone in my room for a while,
    As you did when I was a bride, poor heart.
    And I looked in the mirror and something said:
    "One should be all dead when one is half-dead - "
    Nor ever mock life, nor ever cheat love."
    And I did it looking there in the mirror -
    Dear, have you ever understood?

Edgar Lee Masters

Edgar Lee Masters was an American poet, biographer, and dramatist. Born in Kansas and raised in Illinois, Masters is best known for his collection of poems entitled "Spoon River Anthology" (1915), which is a series of epitaphs of residents of the fictional small town of Spoon River. His works reflect the everyday lives and frustrations of middle America. Masters also practiced law and wrote biographies for historical figures such as Abraham Lincoln and Mark Twain.

Edgar Lee Masters

Tennessee Claflin Shope

Edgar Lee Masters, Simple Poetry

Father Whimsett

Edgar Lee Masters, Simple Poetry

Louise Smith

Edgar Lee Masters, Simple Poetry

W. Lloyd Garrison Standard

Edgar Lee Masters, Simple Poetry

English

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    With our hearts like drifting suns, had we but walked,
    As often before, the April fields till star - light
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    Where the brook turns! Had we but passed from wooing
    Like notes of music that run together, into winning,
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Edgar Lee Masters

Portrait Of A Woman

    The pathos in your face is like a peace,
    It is like resignation or a grace
    Which smiles at the surcease
    Of hope. But there is in your face
    The shadow of pain, and there is a trace
    Of memory of pain.

    I look at you again and again,
    And hide my looks lest your quick eye perceives
    My search for your despair.
    I look at your pale hands, I look at your hair;
    And I watch you use your hands, I watch the flare
    Of thought in your eyes like light that interweaves
    A flutter of color running under leaves,
    Such anguished dreams in your eyes!
    And I listen to you speak
    Words like crystals breaking with a tinkle,
    Or a star's twinkle.
    Sometimes as we talk you rise
    And leave the room, and ...

Edgar Lee Masters

So We Grew Together

        Reading over your letters I find you wrote me
    "My dear boy," or at times "dear boy," and the envelope
    Said "master" - all as I had been your very son,
    And not the orphan whom you adopted.
    Well, you were father to me! And I can recall
    The things you did for me or gave me:
    One time we rode in a box car to Springfield
    To see the greatest show on earth;
    And one time you gave me redtop boots,
    And one time a watch, and one time a gun.
    Well, I grew to gawkiness with a voice
    Like a rooster trying to crow in August
    Hatched in April, we'll say.
    And you went about wrapped up in silence
    With eyes aflame, and I heard little rumors
    Of what they were doing to you, and how
    They wronged you - and we were p...

Edgar Lee Masters

In The Cage

    The sounds of mid-night trickle into the roar
    Of morning over the water growing blue.
    At ten o'clock the August sunbeams pour
    A blinding flood on Michigan Avenue.

    But yet the half-drawn shades of bottle green
    Leave the recesses of the room
    With misty auras drawn around their gloom
    Where things lie undistinguished, scarcely seen.

    You, standing between the window and the bed
    Are edged with rainbow colors. And I lie
    Drowsy with quizzical half-open eye
    Musing upon the contour of your head,
    Watching you comb your hair,
    Clothed in a corset waist and skirt of silk,
    Tied with white braid above your slender hips
    Which reaches to your knees and makes your bare
    And delicate legs by contrast w...

Edgar Lee Masters

The Letter

What does one gain by living? What by dying
Is lost worth having? What the daily things
Lived through together make them worth the while
For their sakes or for life's? Where's the denying
Of souls through separation? There's your smile!
And your hands' touch! And the long day that brings
Half uttered nothings of delight! But then
Now that I see you not, and shall again
Touch you no more - memory can possess
Your soul's essential self, and none the less
You live with me. I therefore write to you
This letter just as if you were away
Upon a journey, or a holiday;
And so I'll put down everything that's new
In this secluded village, since you left. ...
Now let me think! Well, then, as I remember,
After ten days the lilacs burst in bloom.
We had spring all at o...

Edgar Lee Masters

Two Wives

I

Into the shadow-white chamber silts the white
Flux of another dawn. The wind that all night
Long has waited restless, suddenly wafts
A whirl like snow from the plum-trees and the pear,
Till petals heaped between the window-shafts
    In a drift die there.

A nurse in white, at the dawning, flower-foamed pane
Draws down the blinds, whose shadows scarcely stain
The white rugs on the floor, nor the silent bed
That rides the room like a frozen berg, its crest
Finally ridged with the austere line of the dead
    Stretched out at rest.

Less than a year the fourfold feet had pressed
The peaceful floor, when fell the sword on their rest.
Yet soon, too soon, she had him home again
With wounds between them, and suffering like a guest
That will no...

David Herbert Richards Lawrence