Proem. To Myth And Romance

There is no rhyme that is half so sweet
As the song of the wind in the rippling wheat;
There is no metre that's half so fine
As the lilt of the brook under rock and vine;
And the loveliest lyric I ever heard
Was the wildwood strain of a forest bird.--
If the wind and the brook and the bird would teach
My heart their beautiful parts of speech.
And the natural art that they say these with,
My soul would sing of beauty and myth
In a rhyme and a metre that none before
Have sung in their love, or dreamed in their lore,
And the world would be richer one poet the more.

Madison Julius Cawein

Madison Julius Cawein was born on March 23, 1865, in Louisville, Kentucky and died on December 8, 1914. Known as the “Keats of Kentucky,” his poetry often focused on nature, mythology, and the lush landscapes of his home state. Throughout his lifetime, Cawein published more than 30 books of poetry. He is remembered for his vivid and descriptive style and his ability to capture the beauty of the natural world. His works provide a window into the pastoral and often mystical world of the late 19th and early 20th centuries.

Madison Julius Cawein

November

Madison Julius Cawein, Simple Poetry

Wood Notes

Madison Julius Cawein, Simple Poetry

A Song For Labor.

Madison Julius Cawein, Simple Poetry

The Whippoorwill

Madison Julius Cawein, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Preludes

I.

There is no rhyme that is half so sweet
As the song of the wind in the rippling wheat;
There is no metre that's half so fine
As the lilt of the brook under rock and vine;
And the loveliest lyric I ever heard
Was the wildwood strain of a forest bird.
If the wind and the brook and the bird would teach
My heart their beautiful parts of speech,
And the natural art that they say these with,
My soul would sing of beauty and myth
In a rhyme and metre that none before
Have sung in their love, or dreamed in their lore,
And the world would be richer one poet the more.

II.

A thought to lift me up to those
Sweet wildflowers of the pensive woods;
The lofty, lowly attitudes
Of bluet and of bramble-rose:
To lift me where my mind may reach<...

Madison Julius Cawein

Preludes

I

There is no rhyme that is half so sweet
As the song of the wind in the rippling wheat;
There is no metre that's half so fine
As the lilt of the brook under rock and vine;
And the loveliest lyric I ever heard
Was the wildwood strain of a forest bird. -
If the wind and the brook and the bird would teach
My heart their beautiful parts of speech,
And the natural art that they say these with,
My soul would sing of beauty and myth
In a rhyme and metre that none before
Have sung in their love, or dreamed in their lore,
And the world would be richer one poet the more.

II

A thought to lift me up to those
Sweet wildflowers of the pensive woods;
The lofty, lowly attitudes
Of bluet and of bramble-rose:
To lift me where my mind may reach<...

Madison Julius Cawein

Proem.

Oh, for a soul that fulfills
music like that of a bird!
thrilling with rapture the hills,
heedless if any one heard.

Or, like the flower that blooms
lone in the midst of the trees,
filling the woods with perfumes,
careless if any one sees.

Or, like the wandering wind,
over the meadows that swings,
bringing wild sweets to mankind,
knowing not that which it brings.

Oh, for a way to impart!.
beauty, no matter how hard!
like unto nature, whose art
never once dreams of reward.

Madison Julius Cawein

Myth And Romance

I

When I go forth to greet the glad-faced Spring,
Just at the time of opening apple-buds,
When brooks are laughing, winds are whispering,
On babbling hillsides or in warbling woods,
There is an unseen presence that eludes:
Perhaps a dryad, in whose tresses cling
The loamy odours of old solitudes,
Who, from her beechen doorway, calls, and leads
My soul to follow; now with dimpling words
Of leaves; and now with syllables of birds;
While here and there is it her limbs that swing?
Or restless sunlight on the moss and weeds?

II

Or, haply, 'tis a Naiad now who slips,
Like some white lily, from her fountain's glass,
While from her dripping hair and breasts and hips
The moisture rains cool music on the grass.
Her have I heard and followed, ...

Madison Julius Cawein

Myth And Romance

I


When I go forth to greet the glad-faced Spring,
Just at the time of opening apple-buds,
When brooks are laughing, winds are whispering,
On babbling hillsides or in warbling woods,
There is an unseen presence that eludes:--
Perhaps a Dryad, in whose tresses cling
The loamy odors of old solitudes,
Who, from her beechen doorway, calls; and leads
My soul to follow; now with dimpling words
Of leaves; and now with syllables of birds;
While here and there--is it her limbs that swing?
Or restless sunlight on the moss and weeds?


II


Or, haply, 't is a Naiad now who slips,
Like some white lily, from her fountain's glass,
While from her dripping hair and breasts and hips,
The moisture rains cool music on the grass.
Her have ...

Madison Julius Cawein

The Wind Of Summer

From the hills and far away
All the long, warm summer day
Comes the wind and seems to say:

"Come, oh, come! and let us go
Where the meadows bend and blow,
Waving with the white-tops' snow.

"'Neath the hyssop-colored sky
'Mid the meadows we will lie
Watching the white clouds roll by;

"While your hair my hands shall press
With a cooling tenderness
Till your grief grows less and less.

"Come, oh, come! and let us roam
Where the rock-cut waters comb
Flowing crystal into foam.

"' Under trees whose trunks are brown,
On the banks that violets crown,
We will watch the fish flash down;

"While your ear my voice shall soothe
With a whisper soft and smooth
Till your care shall wax uncouth.

"Come! where fore...

Madison Julius Cawein