Prologue: In Darkness

    With my sleeping beloved huddled tranquil beside me, why do I lie awake,
    Listening to the loud clock's hurry in the darkness, and feeling my heart's fierce ache
    That beats one response to the brain's many questionings, and in solitude bears the weight
    Of all the world's evil and misery and frustration, and the senseless pressure of fate?

    Is it season of ploughing and sowing, this long vigil, that so certainly it recurs?
    In this unsought return of a pain that was ended, is it here that a song first stirs?
    Can it be that from this, when to-night's gone from memory, there will spring of a sudden, some time,
    Like a silver lily breaking from black deadly waters, the thin-blown shape of a rhyme?

John Collings Squire, Sir

John Collings Squire, also known as Sir John Squire, was an influential British poet, writer, historian, and influential literary editor of the early 20th century. He is best known for his role as editor of the London Mercury, a powerful literary journal of the time. Squire was a leading figure in the Georgian poetry movement, which sought to return English poetry to its traditional form and diction.

John Collings Squire, Sir

Lines

John Collings Squire, Sir, Simple Poetry

To A Bull-Dog

John Collings Squire, Sir, Simple Poetry

A Reasonable Protestation

John Collings Squire, Sir, Simple Poetry

Crepuscular

John Collings Squire, Sir, Simple Poetry

English

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Old Song

    My window is darkness,
    The sighs of the night die in silence;
    The lamp on my table
    Burns gravely, the walls are withdrawn;
    And beneath, in your darkness,
    You are sleeping and dreaming forgetful,
    But I think of you smiling,
    For I'm wakeful and now it is only an hour to the dawn.

    When the first throb of light comes
    I shall rise and go out to the garden,
    And walk the lawn's verdure
    Before the wet gossamer goes;
    And when you come down, sweet,
    All singing and light in the morning,
    Delight will break ambush
    With your garden's most fragrant and softest and reddest red rose.

John Collings Squire, Sir

A Day

    I. MORNING

    The village fades away
    Where I last night came,
    Where they housed me and fed me
    And never asked my name.

    The sun shines bright, my step is light,
    I, who have no abode,
    Jeer at the stuck, monotonous
    Black posts along the road.


    II. MIDDAY

    The wood is still,
    As here I sit
    My heart drinks in
    The peace of it.

    A something stirs
    I know not where,
    Some quiet spirit
    In the air.

    O tall straight stems!
    O cool deep green!
    O hand unfelt!
    O face unseen!


    III. EVENING

    The evening closes in,
    As down this last long lane
    I plod; there patter round
    First ...

John Collings Squire, Sir

Crepuscular

    No creature stirs in the wide fields.
    The rifted western heaven yields
    The dying sun's illumination.
    This is the hour of tribulation
    When, with clear sight of eve engendered,
    Day's homage to delusion rendered,
    Mute at her window sits the soul.

    Clouds and skies and lakes and seas,
    Valleys and hills and grass and trees,
    Sun, moon, and stars, all stand to her
    Limbs of one lordless challenger,
    Who, without deigning taunt or frown.
    Throws a perennial gauntlet down:
    "Come conquer me and take thy toll."

    No cowardice or fear she knows,
    But, as once more she girds, there grows
    An unresignèd hopelessness
    From memory of former stress.
    Head bent, she muses whilst he waits:

John Collings Squire, Sir

Town

    Mostly in a dull rotation
    We bear our loads and eat and drink and sleep.
    Feeling no tears, knowing no meditation,
    Too tired to think, too clogged with earth to weep.

    Dimly convinced, poor groping wretches,
    Like eyeless insects in a murky pond
    That out and out this city stretches,
    Away, away, and there is no beyond.

    No larger earth, no loftier heaven,
    No cleaner, gentler airs to breathe.    And yet,
    Even to us sometimes is given
    Visions of things we other times forget.

    Some day is done, its labour ended,
    And as we sit and brood at windows high,
    A steady wind from far descended,
    Blows off the filth that hid the deeper sky;

    There are the empty waiting spaces,
    We w...

John Collings Squire, Sir

Processes Of Thought

    I

    I find my mind as it were a deep water.

    Sometimes I play with a thought and hammer and bend it,
    Till tired and displeased with that I toss it away,
    Or absently let it slip to the yawning water:
    And down it sinks, forgotten for many a day.

    But a time comes when tide or tempest washes it
    High on the beach, and I find that shape of mine,
    Or I haul it out from the depths on some casual rope,
    Or, passing over that spot in quiet shine,

    I see, where my boat's shadow makes deep the water,
    A patch of colour, far down, from the bottom apart,
    A wavering sign like the gleam from an ancient anchor,
    Brown fixing and fleeting flakes; and I feel my heart

    Wake to a strange excitement; so that I s...

John Collings Squire, Sir

In An Orchard

    Airy and quick and wise
    In the shed light of the sun,
    You clasp with friendly eyes
    The thoughts from mine that run.

    But something breaks the link;
    I solitary stand
    By a giant gully's brink
    In some vast gloomy land.

    Sole central watcher, I
    With steadfast sadness now
    In that waste place descry
    'Neath the awful heavens how

    Your life doth dizzy drop
    A little foam of flame
    From a peak without a top
    To a pit without a name.

John Collings Squire, Sir