Prologue To Thomson's 'Sophonisba.'[59]

When Learning, after the long Gothic night,
Fair, o'er the western world, renew'd its light,
With arts arising, Sophonisba rose;
The tragic Muse, returning, wept her woes.
With her th' Italian scene first learn'd to glow,
And the first tears for her were taught to flow:
Her charms the Gallic Muses next inspired;
Corneille himself saw, wonder'd, and was fired.

What foreign theatres with pride have shown,
Britain, by juster title, makes her own.
When freedom is the cause, 'tis hers to fight,
And hers, when freedom is the theme, to write.
For this a British author bids again
The heroine rise, to grace the British scene:
Here, as in life, she breathes her genuine flame,
She asks, What bosom has not felt the same?
Asks of the British youth--is silence there?
She dares to ask it of the British fair.
To-night our homespun author would be true,
At once to nature, history, and you.
Well pleased to give our neighbours due applause,
He owns their learning, but disdains their laws;
Not to his patient touch, or happy flame,
'Tis to his British heart he trusts for fame.
If France excel him in one freeborn thought,
The man, as well as poet, is in fault.
Nature! informer of the poet's art,
Whose force alone can raise or melt the heart,
Thou art his guide; each passion, every line,
Whate'er he draws to please, must all be thine.
Be thou his judge: in every candid breast
Thy silent whisper is the sacred test.

Alexander Pope

Alexander Pope was an English poet, best known for his satirical verse, including 'The Rape of the Lock' and 'The Dunciad'. He is the second-most frequently quoted writer in The Oxford Dictionary of Quotations after Shakespeare. Pope was one of the greatest English poets and the foremost poet of the early 18th century. He also translated Homer. Despite suffering from numerous health problems, Pope made a significant impact on English literature and is remembered for his sharp wit and mastery of the heroic couplet.

Alexander Pope

Prologue To Mr Addison's 'Cato.'

Alexander Pope, Simple Poetry

Roxana, Or The Drawing-Room. An Eclogue.

Alexander Pope, Simple Poetry

Imitations Of English Poets. Earl Of Rochester: On Silence.

Alexander Pope, Simple Poetry

You Know Where You Did Despise

Alexander Pope, Simple Poetry

English

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Prologue To Mr Addison's Tragedy Of Cato.

To wake the soul by tender strokes of art,
To raise the genius, and to mend the heart;
To make mankind, in conscious virtue bold,
Live o'er each scene, and be what they behold:
For this the tragic Muse first trod the stage,
Commanding tears to stream through every age;
Tyrants no more their savage nature kept,
And foes to virtue wonder'd how they wept.
Our author shuns by vulgar springs to move
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In pitying love, we but our weakness show,
And wild ambition well deserves its woe.
Here tears shall flow from a more generous cause,
Such tears as patriots shed for dying laws:
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And calls forth Roman drops from British eyes.
Virtue confess'd in human shape he draws,
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Prologue, To Public Readings At A Young Gentlemen's Academy.

Once more we venture here, to prove our worth,
And ask indulgence kind, to tempt us forth:
Seek not perfection from our essays green,
That, in man's noblest works, has never been,
Nor is, nor e'er will be; a work exempt
From fault to form, as well might man attempt
T'explore the vast infinity of space,
Or fix mechanic boundaries to grace.
Hard is the finish'd Speaker's task; what then
Must be our danger, to pursue the pen
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Where joy extatic smiles, or sorrow mourns?
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Prologue To Mr Addison's 'Cato.'

To wake the soul by tender strokes of art,
To raise the genius, and to mend the heart;
To make mankind, in conscious virtue bold,
Live o'er each scene, and be what they behold:
For this the tragic Muse first trod the stage,
Commanding tears to stream through every age;
Tyrants no more their savage nature kept,
And foes to virtue wonder'd how they wept.
Our author shuns by vulgar springs to move
The hero's glory, or the virgin's love;
In pitying love, we but our weakness show,
And wild ambition well deserves its woe.
Here tears shall flow from a more generous cause,
Such tears as patriots shed for dying laws:
He bids your breasts with ancient ardour rise,
And calls forth Roman drops from British eyes.
Virtue confess'd in human shape he draws,
What Plato th...

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To My Friend Mr Motteux,[1] On His Tragedy Called "Beauty In Distress."

    'Tis hard, my friend, to write in such an age,
    As damns, not only poets, but the stage.
    That sacred art, by Heaven itself infused,
    Which Moses, David, Solomon have used,
    Is now to be no more: the Muses' foes
    Would sink their Maker's praises into prose.
    Were they content to prune the lavish vine
    Of straggling branches, and improve the wine,
    Who but a madman would his thoughts defend?
    All would submit; for all but fools will mend.
    But when to common sense they give the lie,
    And turn distorted words to blasphemy,
    They give the scandal; and the wise discern,
    Their glosses teach an age, too apt to learn.
    What I have loosely, or profanely, writ,
    Let them to fires, their due desert, commit:
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Ode I(ii); The Remonstrance Of Shakespeare

If, yet regardful of your native land,
Old Shakespeare's tongue you deign to understand,
Lo, from the blissful bowers where heaven rewards
Instructive sages and unblemish'd bards,
I come, the ancient founder of the stage,
Intent to learn, in this discerning age,
What form of wit your fancies have imbrac'd,
And whither tends your elegance of taste,
That thus at length our homely toils you spurn,
That thus to foreign scenes you proudly turn,
That from my brow the laurel wreath you claim
To crown the rivals of your country's fame.

What, though the footsteps of my devious Muse
The measur'd walks of Grecian art refuse?
Or though the frankness of my hardy style
Mock the nice touches of the critic's file?
Yet, what my age and climate held to view,
Impartia...

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To The Memory Of My Beloved Author, Mr. William Shakespeare

To draw no envy, Shakespeare, on thy name,
Am I thus ample to thy book and fame;
While I confess thy writings to be such
As neither man nor muse can praise too much;
'Tis true, and all men's suffrage. But these ways
Were not the paths I meant unto thy praise;
For seeliest ignorance on these may light,
Which, when it sounds at best, but echoes right;
Or blind affection, which doth ne'er advance
The truth, but gropes, and urgeth all by chance;
Or crafty malice might pretend this praise,
And think to ruin, where it seem'd to raise.
These are, as some infamous bawd or whore
Should praise a matron; what could hurt her more?
But thou art proof against them, and indeed,
Above th' ill fortune of them, or the need.
I therefore will begin. Soul of the age!
The appl...

Ben Jonson