Prototypes

Whether it be that we in letters trace
The pure exactness of a wood bird's strain,
And name it song; or with the brush attain
The high perfection of a wildflower's face;
Or mold in difficult marble all the grace
We know as man; or from the wind and rain
Catch elemental rapture of refrain
And mark in music to due time and place:
The aim of Art is Nature; to unfold
Her truth and beauty to the souls of men
In close suggestions; in whose forms is cast
Nothing so new but 'tis long eons old;
Nothing so old but 'tis as young as when
The mind conceived it in the ages past.

Madison Julius Cawein

Madison Julius Cawein was born on March 23, 1865, in Louisville, Kentucky and died on December 8, 1914. Known as the “Keats of Kentucky,” his poetry often focused on nature, mythology, and the lush landscapes of his home state. Throughout his lifetime, Cawein published more than 30 books of poetry. He is remembered for his vivid and descriptive style and his ability to capture the beauty of the natural world. His works provide a window into the pastoral and often mystical world of the late 19th and early 20th centuries.

Madison Julius Cawein

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Madison Julius Cawein, Simple Poetry

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Madison Julius Cawein, Simple Poetry

Prologue (Kentucky Poems)

Madison Julius Cawein, Simple Poetry

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Prototypes

Whether it be that we in letters trace
The pure exactness of a wood bird's strain,
And name it song; or with the brush attain
The high perfection of a wildflower's face;
Or mold in difficult marble all the grace
We know as man; or from the wind and rain
Catch elemental rapture of refrain
And mark in music to due time and place:
The aim of Art is Nature; to unfold
Her truth and beauty to the souls of men
In close suggestions; in whose forms is cast
Nothing so new but 'tis long eons old;
Nothing so old but 'tis as young as when
The mind conceived it in the ages past.

Madison Julius Cawein

Imperfection

Not as the eye hath seen, shall we behold
Romance and beauty, when we've passed away;
That robed the dull facts of the intimate day
In life's wild raiment of unusual gold:
Not as the ear hath heard, shall we be told,
Hereafter, myth and legend once that lay
Warm at the heart of Nature, clothing clay
In attribute of no material mold.
These were imperfect of necessity,
That wrought thro' imperfection for far ends
Of perfectness, As calm philosophy,
Teaching a child, from his high heav'n descends
To Earth's familiar things; informingly
Vesting his thoughts with that it comprehends.

Madison Julius Cawein

Prologue

There is a poetry that speaks
Through common things: the grasshopper,
That in the hot weeds creaks and creaks,
Says all of summer to my ear:
And in the cricket's cry I hear
The fireside speak, and feel the frost
Work mysteries of silver near
On country casements, while, deep lost
In snow, the gatepost seems a sheeted ghost.

And other things give rare delight:
Those guttural harps the green-frogs tune,
Those minstrels of the falling night,
That hail the sickle of the moon
From grassy pools that glass her lune:
Or, all of August in its loud
Dry cry, the locust's call at noon,
That tells of heat and never a cloud
To veil the pitiless sun as with a shroud.

The rain, whose cloud dark-lids the moon,
The great white eyeball of the night,

Madison Julius Cawein

Prologue

What loveliness the years contrive
To rob us of! what exquisite
Beliefs, in which thought chanced to hit
On truths that with the world survive!
Dream-truths, that still attend their flocks
On the high hills of heart and mind,
Peopling the streams, the woods and rocks
With Beauty running like the wind.
They are not dead; but year by year
Still hold us through the inner eye
Of thought, and so can never die
As long as there's one heart to hear
Nature addressing words of love,
(As once she spoke to Rome and Greece,)
Unto the soul, whose faith shall prove
The dream will last though all else cease.

Madison Julius Cawein

Genius Loci

I.

What wood-god, on this water's mossy curb,
Lost in reflections of earth's loveliness,
Did I, just now, unconsciously disturb?
I who haphazard, wandering at a guess,
Came on this spot, wherein with gold and flame
Of buds and blooms the season writes its name.

Ah me! could I have seen him ere alarm
Of my approach aroused him from his calm!
As he, part Hamadryad and, mayhap,
Part Faun, lay here; who left the shadow warm
As a wood-rose, and filled the air with balm
Of his wild breath as with ethereal sap.

II.

Does not the moss retain some slight impress,
Green-dented down, of where he lay or trod?
Do not the flow'rs, so reticent, confess
With conscious looks the contact of a god?
Does not the very water garrulously
Boast t...

Madison Julius Cawein

Genius Loci

I


What wood-god, on this water's mossy curb,
Lost in reflections of earth's loveliness,
Did I, just now, unconsciously disturb?
I, who haphazard, wandering at a guess,
Came on this spot, wherein, with gold and flame
Of buds and blooms, the season writes its name.--
Ah, me! could I have seen him ere alarm
Of my approach aroused him from his calm!
As he, part Hamadryad and, mayhap,
Part Faun, lay here; who left the shadow warm
As wildwood rose, and filled the air with balm
Of his sweet breath as with ethereal sap.


II


Does not the moss retain some vague impress,
Green dented in, of where he lay or trod?
Do not the flow'rs, so reticent, confess
With conscious looks the contact of a god?
Does not the very water garrulou...

Madison Julius Cawein