Rhymes On The Road. Extract V. Padua.

Fancy and Reality.--Rain-drops and Lakes.--Plan of a Story.--Where to place the Scene of it.--In some unknown Region.--Psalmanazar's Imposture with respect to the Island of Formosa.


The more I've viewed this world the more I've found,
    That, filled as 'tis with scenes and creatures rare.
Fancy commands within her own bright round
    A world of scenes and creatures far more fair.
Nor is it that her power can call up there
    A single charm, that's not from Nature won,
No more than rainbows in their pride can wear
    A single hue unborrowed from the sun--
But 'tis the mental medium it shines thro'
That lends to Beauty all its charm and hue;
As the same light that o'er the level lake
    One dull monotony of lustre flings,
Will, entering in the rounded raindrop, make
    Colors as gay as those on Peris' wings!

    And such, I deem, the difference between real,
Existing Beauty and that form ideal
Which she assumes when seen by poets' eyes,
Like sunshine in the drop--with all those dyes
Which Fancy's variegating prism supples.

I have a story of two lovers, filled
    With all the pure romance, the blissful sadness,
And the sad, doubtful bliss that ever thrilled
    Two young and longing hearts in that sweet madness.
But where to choose the region of my vision
    In this wide, vulgar world--what real spot
Can be found out sufficiently Elysian
    For two such perfect lovers I know not.
Oh for some fair FORMOSA, such as he,
The young Jew fabled of, in the Indian Sea,
By nothing but its name of Beauty known,
And which Queen Fancy might make all her own,
Her fairy kingdom--take its people, lands,
And tenements into her own bright hands,
And make at least one earthly corner fit
For Love to live in, pure and exquisite!

Thomas Moore

Thomas Moore was an Irish poet, singer, and songwriter, celebrated for his Irish Melodies, which are now considered a staple of Irish cultural heritage. Born on May 28, 1779, in Dublin, Ireland, Moore gained fame for his lyrical songs, many of which were set to traditional Irish tunes. Not only a poet, but he was also a staunch advocate of Irish nationalism, often incorporating themes of national identity and resistance into his work. Moore's influential collection 'Irish Melodies' became popular in both Ireland and Britain and helped to define the literary output of the era. He passed away on February 25, 1852, but his legacy in Irish literature and music endures.

Thomas Moore

Odes Of Anacreon - Ode XXXVI.

Thomas Moore, Simple Poetry

Odes Of Anacreon - Ode XXIV.

Thomas Moore, Simple Poetry

Odes Of Anacreon - Ode XXIX.

Thomas Moore, Simple Poetry

Love And Hymen.

Thomas Moore, Simple Poetry

English

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Fancy.

The more I've viewed this world, the more I've found,
That filled as 'tis with scenes and creatures rare,
Fancy commands within her own bright round
    A world of scenes and creatures far more fair.
Nor is it that her power can call up there
    A single charm, that's not from Nature won,--
No more than rainbows in their pride can wear
    A single tint unborrowed from the sun;
But 'tis the mental medium; it shines thro',
That lends to Beauty all its charm and hue;
As the same light that o'er the level lake
    One dull monotony of lustre flings,
Will, entering in the rounded raindrop, make
Colors as gay as those on angels' wings!

Thomas Moore

Rhymes On The Road. Extract VIII. Venice.

Female Beauty at Venice.--No longer what it was in the time of Titian.-- His mistress.--Various Forms in which he has painted her.--Venus.--Divine and profane Love.--La Fragilita d'Amore--Paul Veronese.--His Women.-- Marriage of Cana.--Character of Italian Beauty.--Raphael's Fornarina.-- Modesty.


Thy brave, thy learned have passed away:
Thy beautiful!--ah, where are they?
The forms, the faces that once shone,
    Models of grace, in Titian's eye,
Where are they now, while flowers live on
    In ruined places, why, oh! why
    Must Beauty thus with Glory die?
That maid whose lips would still have moved,
    Could art have breathed a spirit through them;
Whose varying charms her artist loved
    More fondly every time he drew them,
(So oft beneath his touch they ...

Thomas Moore

Rhymes On The Road. Extract XI. Florence.

No--'tis not the region where Love's to be found--
    They have bosoms that sigh, they have glances that rove,
They have language a Sappho's own lip might resound,
    When she warbled her best--but they've nothing like Love.

Nor is't that pure sentiment only they want,
    Which Heaven for the mild and the tranquil hath made--
Calm, wedded affection, that home-rooted plant
    Which sweetens seclusion and smiles in the shade;

That feeling which, after long years have gone by,
    Remains like a portrait we've sat for in youth,
Where, even tho' the flush of the colors may fly,
    The features still live in their first smiling truth;

That union where all that in Woman is kind,
    With all that in Man most ennoblingly towers,
Grow wreathed into...

Thomas Moore

To The Marchioness Dowager Of Donegall.

FROM BERMUDA, JANUARY, 1804.


Lady! where'er you roam, whatever land
Woos the bright touches of that artist hand;
Whether you sketch the valley's golden meads,
Where mazy Linth his lingering current leads;^[1]
Enamored catch the mellow hues that sleep,
At eve, on Meillerie's immortal steep;
Or musing o'er the Lake, at day's decline,
Mark the last shadow on that holy shrine,^[2]
Where, many a night, the shade of Tell complains
Of Gallia's triumph and Helvetia's chains;
Oh! lay the pencil for a moment by,
Turn from the canvas that creative eye,
And let its splendor, like the morning ray
Upon a shepherd's harp, illume my lay.

Yet, Lady, no--for song so rude as mine,
Chase not the wonders of your art divine;
Still, radiant...

Thomas Moore

To Joseph Atkinson, Esq.

FROM BERMUDA.^[1]


"The daylight is gone--but, before we depart,
"One cup shall go round to the friend of my heart,
"The kindest, the dearest--oh! judge by the tear
"I now shed while I name him, how kind and how dear."

    'Twas thus in the shade of the Calabash-Tree,
With a few, who could feel and remember like me,
The charm that, to sweeten my goblet, I threw
Was a sigh to the past and a blessing on you.

    Oh! say, is it thus, in the mirth-bringing hour,
When friends are assembled, when wit, in full flower,
Shoots forth from the lip, under Bacchus's dew,
In blossoms of thought ever springing and new--
Do you sometimes remember, and hallow the brim
Of your cup with a sigh, as you crown it to him
Who is lonely and sad in these val...

Thomas Moore

Love And Fancy.

            "Whenever, amid bow'rs of myrtle,
                Love, summer-tressed and vernal-eyed,
            At morn or eve is seen to wander,
                A dark-haired girl is at his side."
            De La Hogue.

One morn, just as day in the far east was breaking,
    Young Love, who all night had been roving about,
A charming siesta was quietly taking,
    His strength, by his rambles, completely worn out.

Round his brow a wreath, woven of every flower
    That springs from the hillside, or valley, was bound;
In his hand was a rose he had stol'n from some bower,
    While his bow and his quiver lay near on the ground.

Wild Fancy just came from her kingdom of dreams,
    The breath of the opening day to enjoy,
And to catch the warm kiss ...

George W. Sands