Rural Architecture

There's George Fisher, Charles Fleming, and Reginald Shore,
Three rosy-cheeked school-boys, the highest not more
Than the height of a counsellor's bag;
To the top ofGreat How did it please them to climb:
And there they built up, without mortar or lime,
A Man on the peak of the crag.

They built him of stones gathered up as they lay:
They built him and christened him all in one day,
An urchin both vigorous and hale;
And so without scruple they called him Ralph Jones.
Now Ralph is renowned for the length of his bones;
The Magog of Legberthwaite dale.

Just half a week after, the wind sallied forth,
And, in anger or merriment, out of the north,
Coming on with a terrible pother,
From the peak of the crag blew the giant away.
And what did these school-boys? The very next day
They went and they built up another.

Some little I've seen of blind boisterous works
By Christian disturbers more savage than Turks,
Spirits busy to do and undo:
At remembrance whereof my blood sometimes will flag;
Then, light-hearted Boys, to the top of the crag!
And I'll build up giant with you.

William Wordsworth

William Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their joint publication 'Lyrical Ballads' in 1798. Born on April 7, 1770, Wordsworth's works are noted for their emphasis on the beauty of nature, the importance of emotion, and the value of the individual. His most famous work, 'The Prelude', is considered to be his masterpiece, which is a semi-autobiographical poem that he revised throughout his life.

William Wordsworth

Ecclesiastical Sonnets - Part II. - XXVII - Imaginative Regrets

William Wordsworth, Simple Poetry

The Cottager To Her Infant

William Wordsworth, Simple Poetry

Memorials Of A Tour On The Continent, 1820 - XIX. - Effusion

William Wordsworth, Simple Poetry

Composed While The Author Was Engaged In Writing A Tract Occasioned By The Convention Of Cintra

William Wordsworth, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Written With A Pencil Upon A Stone In The Wall Of The House, On The Island At Grasmere

Rude is this Edifice, and Thou hast seen
Buildings, albeit rude, that have maintained
Proportions more harmonious, and approached
To closer fellowship with ideal grace.
But take it in good part: alas! the poor
Vitruvius of our village had no help
From the great City; never, upon leaves
Of red Morocco folio, saw displayed,
In long succession, pre-existing ghosts
Of Beauties yet unborn the rustic Lodge
Antique, and Cottage with verandah graced,
Nor lacking, for fit company, alcove,
Green-house, shell-grot, and moss-lined hermitage.
Thou see'st a homely Pile, yet to these walls
The heifer comes in the snow-storm, and here
The new-dropped lamb finds shelter from the wind.
And hither does one Poet sometimes row
His pinnace, a small vagrant barge, up-piled

William Wordsworth

Inscriptions Written With A Slate Pencil Upon A Stone, The Largest Of A Heap Lying Near A Deserted Quarry, Upon One Of The Islands At Rydal.

Stranger! this hillock of mis-shapen stones
Is not a Ruin spared or made by time,
Nor, as perchance thou rashly deem'st, the Cairn
Of some old British Chief: 'tis nothing more
Than the rude embryo of a little Dome
Or Pleasure-house, once destined to be built
Among the birch-trees of this rocky isle.
But, as it chanced, Sir William having learned
That from the shore a full-grown man might wade,
And make himself a freeman of this spot
At any hour he chose, the prudent Knight
Desisted, and the quarry and the mound
Are monuments of his unfinished task.
The block on which these lines are traced, perhaps,
Was once selected as the corner-stone
Of that intended Pile, which would have been
Some quaint odd plaything of elaborate skill,
So that, I guess, the linnet ...

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There Was A Boy

There was a Boy; ye knew him well, ye cliffs
And islands of Winander! many a time,
At evening, when the earliest stars began
To move along the edges of the hills,
Rising or setting, would he stand alone,
Beneath the trees, or by the glimmering lake;
And there, with fingers interwoven, both hands
Pressed closely palm to palm and to his mouth
Uplifted, he, as through an instrument,
Blew mimic hootings to the silent owls
That they might answer him. And they would shout
Across the watery vale, and shout again,
Responsive to his call, with quivering peals,
And long halloos, and screams, and echoes loud
Redoubled and redoubled; concourse wild
Of jocund din! And, when there came a pause
Of silence such as baffled his best skill:
Then, sometimes, in that silence,...

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At Furness Abbey

Well have yon Railway Labourers to THIS ground
Withdrawn for noontide rest. They sit, they walk
Among the Ruins, but no idle talk
Is heard; to grave demeanour all are bound;
And from one voice a Hymn with tuneful sound
Hallows once more the long-deserted Quire
And thrills the old sepulchral earth, around.
Others look up, and with fixed eyes admire
That wide-spanned arch, wondering how it was raised,
To keep, so high in air, its strength and grace:
All seem to feel the spirit of the place,
And by the general reverence God is praised:
Profane Despoilers, stand ye not reproved,
While thus these simple-hearted men are moved?

William Wordsworth

Littleholme

(To J.S. and A.W.S.)


In entering the town, where the bright river
Shrinks in its white stone bed, old thoughts return
Of how a quiet queen was nurtured here
In the pale, shadowed ruin on the height;
Of how, when the hoar town was new and clean
And had not grown a part of the gaunt fells
That peered down into it, the burghers wove
On their small, fireside looms green, famous webs
To cling on lissome, tower-dwelling ladies
Who rode the hills swaying like green saplings,
Or mask tall, hardy outlaws from pursuit
Down beechen caverns and green under-lights,
(The rude, vain looms are gone, their beams are broken;
Their webs are now not seen, but memory
Still tangles in their mesh the dews they swept
Like ruby sparks, the lights they took, the scents

Gordon Bottomley

Inscriptions Written With A Pencil Upon A Stone In The Wall Of The House (An Outhouse), On The Island At Grasmere.

Rude is this Edifice, and Thou hast seen
Buildings, albeit rude, that have maintained
Proportions more harmonious, and approached
To closer fellowship with ideal grace.
But take it in good part:, alas! the poor
Vitruvius of our village had no help
From the great City; never, upon leaves
Of red Morocco folio, saw displayed,
In long succession, pre-existing ghosts
Of Beauties yet unborn, the rustic Lodge
Antique, and Cottage with verandah graced,
Nor lacking, for fit company, alcove,
Green-house, shell-grot, and moss-lined hermitage.
Thou see'st a homely Pile, yet to these walls
The heifer comes in the snow-storm, and here
The new-dropped lamb finds shelter from the wind.
And hither does one Poet sometimes row
His pinnace, a small vagrant barge, up-piled

William Wordsworth