Sand Dunes

Sea waves are green and wet,
But up from where they die,
Rise others vaster yet,
And those are brown and dry.

They are the sea made land
To come at the fisher town,
And bury in solid sand
The men she could not drown.

She may know cove and cape,
But she does not know mankind
If by any change of shape,
She hopes to cut off mind.

Men left her a ship to sink:
They can leave her a hut as well;
And be but more free to think
For the one more cast-off shell.

Robert Lee Frost

Robert Lee Frost was an American poet renowned for his depictions of rural New England life, his realistic verse portraying ordinary people in everyday situations. Frost's work frequently employed themes from the natural world and championed common speech. He received four Pulitzer Prizes for Poetry and was a much-honored poet of his era. Some of his most famous works include 'The Road Not Taken,' 'Stopping by Woods on a Snowy Evening,' and 'Mending Wall.'

Robert Lee Frost

In A Poem

Robert Lee Frost, Simple Poetry

Flower Gathering

Robert Lee Frost, Simple Poetry

The Birthplace

Robert Lee Frost, Simple Poetry

Stars

Robert Lee Frost, Simple Poetry

English

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Neither Out Far Nor In Deep

The people along the sand
All turn and look one way.
They turn their back on the land.
They look at the sea all day.

As long as it takes to pass
A ship keeps raising its hull;
The wetter ground like glass
Reflects a standing gull

The land may vary more;
But wherever the truth may be,
The water comes ashore,
And the people look at the sea.

They cannot look out far.
They cannot look in deep.
Btu when was that ever a bar
To any watch they keep?

Robert Lee Frost

Once By The Pacific

The shattered water made a misty din.
Great waves looked over others coming in,
And thought of doing something to the shore
That water never did to land before.
The clouds were low and hairy in the skies,
Like locks blown forward in the gleam of eyes.
You could not tell, and yet it looked as if
The shore was lucky in being backed by cliff,
The cliff in being backed by continent;
It looked as if a night of dark intent
Was coming, and not only a night, an age.
Someone had better be prepared for rage.
There would be more than ocean-water broken
Before God's last *Put out the Light* was spoken.

Robert Lee Frost

The Flower Boat

The Fisherman's swapping a yarn for a yarn
Under the hand of the village barber,
And here in the angle of house and barn
His deep-sea dory has found a harbor.

At anchor she rides the sunny sod
As full to the gunnel with flowers a-growing
As ever she turned her home with cod
From Georges Bank when winds were blowing.

And I know from that Elysian freight
She will brave but once more the Atlantic weather,
When dory and fisherman sail by fate
To seek for the Happy Isles together.

Robert Lee Frost

A Cliff Dwelling

There sandy seems the golden sky
And golden seems the sandy plain.
No habitation meets the eye
Unless in the horizon rim,
Some halfway up the limestone wall,
That spot of black is not a stain
Or shadow, but a cavern hole,
Where someone used to climb and crawl
To rest from his besetting fears.
I see the callus on his soul
The disappearing last of him
And of his race starvation slim,
Oh years ago - ten thousand years.

Robert Lee Frost

The Black Cottage

We chanced in passing by that afternoon
To catch it in a sort of special picture
Among tar-banded ancient cherry trees,
Set well back from the road in rank lodged grass,
The little cottage we were speaking of,
A front with just a door between two windows,
Fresh painted by the shower a velvet black.
We paused, the minister and I, to look.
He made as if to hold it at arm's length
Or put the leaves aside that framed it in.
"Pretty," he said. "Come in. No one will care."
The path was a vague parting in the grass
That led us to a weathered window-sill.
We pressed our faces to the pane. "You see," he said,
"Everything's as she left it when she died.
Her sons won't sell the house or the things in it.
They say they mean to come and summer here
Where they were boy...

Robert Lee Frost

The Dunes

Far as the eye can see, in domes and spires,
Buttress and curve, ruins of shifting sand,
In whose wild making wind and sea took hand,
The white dunes stretch. The wind, that never tires,
Striving for strange effects that he admires,
Changes their form from time to time; the land
Forever passive to his mad demand,
And to the sea's, who with the wind conspires.
Here, as on towers of desolate cities, bay
And wire-grass grow, wherein no insect cries,
Only a bird, the swallow of the sea,
That homes in sand. I hear it far away
Crying or is it some lost soul that flies,
Above the land, ailing unceasingly?

Madison Julius Cawein