Shuffle-Shoon And Amber-Locks

Shuffle-shoon and Amber-Locks
Sit together, building blocks;
Shuffle-Shoon is old and gray,
Amber-Locks a little child,
But together at their play
Age and Youth are reconciled,
And with sympathetic glee
Build their castles fair to see.

"When I grow to be a man"
(So the wee one's prattle ran),
"I shall build a castle so -
With a gateway broad and grand;
Here a pretty vine shall grow,
There a soldier guard shall stand;
And the tower shall be so high,
Folks will wonder, by and by!"

Shuffle-Shoon quoth: "Yes, I know;
Thus I builded long ago!
Here a gate and there a wall,
Here a window, there a door;
Here a steeple wondrous tall
Riseth ever more and more!
But the years have leveled low
What I builded long ago!"

So they gossip at their play,
Heedless of the fleeting day;
One speaks of the Long Ago
Where his dead hopes buried lie;
One with chubby cheeks aglow
Prattleth of the By and By;
Side by side, they build their blocks -
Shuffle-Shoon and Amber-Locks.

Eugene Field

Eugene Field was an American writer, best known for his children's poetry and humorous essays. Born in St. Louis, Missouri, he was known as the 'Poet of Childhood' due to his well-loved poems for children. After his mother's death in 1856, he was raised by a cousin in Amherst, Massachusetts. Field studied at several universities but never graduated. His most famous poems include 'Wynken, Blynken, and Nod' and 'The Duel.' Field worked as a journalist and editor in various cities, including Chicago, where he spent the last years of his life.

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English

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The wind comes whispering to me of the country green and cool--
Of redwing blackbirds chattering beside a reedy pool;
It brings me soothing fancies of the homestead on the hill,
And I hear the thrush's evening song and the robin's morning trill;
So I fall to thinking tenderly of those I used to know
Where the sassafras and snakeroot and checkerberries grow.

What has become of Ezra Marsh, who lived on Baker's hill?
And what's become of Noble Pratt, whose father kept the mill?
And what's become of Lizzie Crum and Anastasia Snell,
And of Roxie Root, who 'tended school in Boston for a spell?
They were the boys and they the girls who shared my youthful play--
They do not answer to my call! My playmates--where are they?

What has become of Levi and his little brother Joe,

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Almswomen

At Quincey's moat the squandering village ends,
And there in the almshouse dwell the dearest friends
Of all the village, two old dames that cling
As close as any trueloves in the spring.
Long, long ago they passed threescore-and-ten,
And in this doll's house lived together then;
All things they have in common, being so poor,
And their one fear, Death's shadow at the door.
Each sundown makes them mournful, each sunrise
Brings back the brightness in their failing eyes.

How happy go the rich fair-weather days
When on the roadside folk stare in amaze
At such a honeycomb of fruit and flowers
As mellows round their threshold; what long hours
They gloat upon their steepling hollyhocks,
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Nicholas Nye

Thistle and darnell and dock grew there,
    And a bush, in the corner, of may,
On the orchard wall I used to sprawl
    In the blazing heat of the day;
Half asleep and half awake,
    While the birds went twittering by,
And nobody there my lone to share
    But Nicholas Nye.

Nicholas Nye was lean and gray,
    Lame of leg and old,
More than a score of donkey's years
    He had been since he was foaled;
He munched the thistles, purple and spiked,
    Would sometimes stoop and sigh,
And turn to his head, as if he said,
    "Poor Nicholas Nye!"

Alone with his shadow he'd drowse in the meadow,
    Lazily swinging his tail,
At break of day he used to bray, -
    Not much too hearty and hale;
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Hark, hearer, hear what I do; lend a thought now, make believe
We are leafwhelmed somewhere with the hood
Of some branchy bunchy bushybowered wood,
Southern dene or Lancashire clough or Devon cleave,
That leans along the loins of hills, where a candycoloured, where a gluegold-brown
Marbled river, boisterously beautiful, between
Roots and rocks is danced and dandled, all in froth and water- blowballs, down.
We are there, when we hear a shout
That the hanging honeysuck, the dogeared hazels in the cover
Makes dither, makes hover
And the riot of a rout
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Bathing: it is summer's sovereign good.

By there comes a listless stranger: beckoned by the noise
He drops towards the river: unseen
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Little All-Aloney

Little All-Aloney's feet
Pitter-patter in the hall,
And his mother runs to meet
And to kiss her toddling sweet,
Ere perchance he fall.
He is, oh, so weak and small!
Yet what danger shall he fear
When his mother hovereth near,
And he hears her cheering call:
"All-Aloney"?

Little All-Aloney's face
It is all aglow with glee,
As around that romping-place
At a terrifying pace
Lungeth, plungeth he!
And that hero seems to be
All unconscious of our cheers -
Only one dear voice he hears
Calling reassuringly:
"All-Aloney!"

Though his legs bend with their load,
Though his feet they seem so small
That you cannot help forebode
Some disastrous episode
In that noisy hall,
Neither threatening bump nor fall
Little A...

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The Children's Hour

Between the dark and the daylight,
    When the night is beginning to lower,
Comes a pause in the day's occupations,
That is known as the Children's Hour.

I hear in the chamber above me
    The patter of little feet,
The sound of a door that is opened,
    And voices soft and sweet.

From my study I see in the lamplight,
    Descending the broad hall stair,
Grave Alice, and laughing Allegra,
    And Edith with golden hair.

A whisper, and then a silence:
    Yet I know by their merry eyes
They are plotting and planning together
    To take me by surprise.

A sudden rush from the stairway,
    A sudden raid from the hall!
By three doors left unguarded
    They enter my castle wall!

They climb up into my turret

Henry Wadsworth Longfellow