Silver Coins

    Seen the whores in doorsteps,
    slack, crouched as packing crates
    behind their quiet wardrobe lamps,
    inset like a skeleton's crown
    there to bend our will,
    provide passageways to power and suggestion;
    the winding entrance to rouged
    light flickering with powdered flesh
    yellow of gold,
    then black to ivory
    a frightful circus in a palace of turn
    within the grate of execution.

Paul Cameron Brown

Paul Cameron Brown is a Canadian poet known for his extensive work in both poetry and art criticism. Born in western Canada, Brown has had a prolific career in writing, often intertwining themes of human experience and nature. His works have been showcased in various literary magazines and anthologies. With a style that is both reflective and evocative, he has gained recognition not only in Canada but also internationally.

Paul Cameron Brown

Oracabessa

Paul Cameron Brown, Simple Poetry

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Paul Cameron Brown, Simple Poetry

Hewanorra

Paul Cameron Brown, Simple Poetry

The Assignation (Pons Asinorum)

Paul Cameron Brown, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

At The Red Throat

    In youth, Death was
    a puny boy possessing but
    wormy hands & fleshless fingers
    as in Witch Hazel
    or Scrooge's Future Ghost
    - that insipid Evil One
    Hansel so easily outwitted
    in a gingerbread house.

    Time brought increased notoriety.
    Saucy times with a soupçon of respect
    for the artful dodger.
    Givens change, an armful of
    orange lilies, limp & loathsome,
    on a tombstone door
    before trumpets of rain.

    Graven images. Lifeless stone.
    Death became stone.
    Stone empty. The maggot emptiness
    burrowing into chiselled easel and
    the stone-cutter's savage magic.
    Just a bitty stone
    to herald a passing.

    Night-jars.
    Old straw-...

Paul Cameron Brown

White China Plates I

    1
    The moon hummed like a refrigerator,
    light thru shadows
    - the solitude of dusk closing in;
    black scars visible across
    the moon's face shaped like
    mountainous hands, all
    silent, the occasional leaf rustling.

    2
    My fork at plate's edge listening,
    listening to the haunting one eye
    on the staircase wall white
    as the numb light outside palest night.
    Caught off-guard, the musty settee
    and armchair acting as hallucinogen
    to the nostril, the calendar of events
    playing ghostly tag with sheer curtains
    hovering, shroud-like, on the family Bible
    big and brown as the Lord's foot stool.

    3
    The unravelling tale slowly much as
    thick yarn with a kitten

Paul Cameron Brown

Turncoat

    Sitting in the spendthrift dark
    lilting pennies away,
    deciphering fate ... .
    The bed, a warm reach past
    the pillow
    like personal mortality in the
    incest breath of life.

    Warm stuff of dreams -
    the calender with its days mesh &
    march like soldiers
    dearly departed
    (cindered and bludgeoned)
    or the old sea-faring chest
    where all men are sailors
    past light's corner.

    Sturdy trudgeons,
    clock bursts thru the room
    mindful of time and aching,
    decaying things.

    Hallow's Eve in movements of the curtains -
    a remembered Rembrandt,
    self-portrait of the old man
    standing alone in a clammy room,
    idling the seconds, with drab

Paul Cameron Brown

Offerings (A Movement In Four Parts)

The night is folly without the moon,
trees blank space against a frontal sky
where lattice work from a bled fish reveals
skeletal markings will not administer
the red jack of hearts to a mistress sea.

Most fickle, the ways of a cockroach
(I don't recommend them) to offerings
of white linen, cold squares atop
a stone diamonded floor.

Palaver shacks drone in ghostly light
communicating some message about eel runs
up the black river, the equivalent brush
of tombstones against dark nightsoil.

Tiny bars open as cubicles.
proverbial flashes of the coming evening,
haciendas to count every blessing.

The road to such places
snarls a dusty pleasure
and will heat thin blood
to boil in the daylight hours.

II

Swe...

Paul Cameron Brown

Airbrush

    Iced coffee,
    wedge of toast -
    the sun poking thru
    cranberry glass
    delights exquisite Duchess of Berry,
    her decanters & an hourglass.

    Halo-hello in your fingertips
    I said,
    to a cadaver of light
    boldly striking a tuning fork
    to ring an engagement
    of gold flecks
    by your bed.

    Limoges vase
    for lace and pretty underthings
    for outside the stream
    steals my interest,
    wearing tumbledown silk pyjamas
    and a peek-a-boo smile that points
    thru reed curtains.

    A rustle from her chemise
    and sun parasol parts green boudoir
    draping shiny, black rock.

    The muddle of this earth-time puzzle,
    brief flutter to the eyelid...

Paul Cameron Brown

Swords And Roses

    Some lives have themes.
    Goldfish that stubbornly die;
    compatability only with distant lovers
    - flowers (but no sweet-breads)
    that wilt to the touch.

    Waiting. Charcoal-grey cat
    agreeably on a green linoleum table
    with light basking in....
    a tad playful,
    paws up,
    (classic boxer stance)
    but no one notices.
    Others oblique in their transparency,
    are unmindful of even the empty closet
    and greeting cards that smile hello.

    In the dark
    this room shimmers below
    life-raft status;
    chairs are buoys
    bobbing under waves
    of congealed fright.
    In the morning
    the first pigeons
    rifle over rooftops,
    mad flutterings like your eyes

Paul Cameron Brown