Sketches In The Exhibition, 1805.

What various objects strike with various force,
Achilles, Hebe, and Sir Watkin's horse!
Here summer scenes, there Pentland's stormy ridge,
Lords, ladies, Noah's ark, and Cranford bridge!
Some that display the elegant design,
The lucid colours, and the flowing line;
Some that might make, alas! Walsh Porter^[1] stare,
And wonder how the devil they got there!

Lady M----ve.

How clear a strife of light and shade is spread!
The face how touched with nature's loveliest red!
The eye, how eloquent, and yet how meek!
The glow subdued, yet mantling on thy cheek!
M----ve! I mark alone thy beauteous face,
But all is nature, dignity, and grace!

Hon. Miss Mercer.--Hopner.

Oh! hide those tempting eyes, that faultless form,
Those looks with feeling and with nature warm;
The neck, the softly-swelling bosom hide,
Nor, wanton gales, blow the light vest aside;
For who, when beauties more than life excite
Silent applause, can gaze without delight!
But innocence, enchanting maid, is thine;
Thine eyes in liquid light unconscious shine;
And may thy breast no other feelings prove,
Than those of sympathy and mutual love!

William Lisle Bowles

William Lisle Bowles was an English cleric, poet, and critic who was born on 24th September 1762 and died on 7th April 1850. He is best known for his sonnets, which were highly praised by the Romantic poets. Bowles's work significantly influenced Samuel Taylor Coleridge and William Wordsworth. Besides his poetry, he wrote extensively on literary criticism and editing. Bowles spent much of his clerical career in Wiltshire and Gloucestershire.

William Lisle Bowles

A Cenotaph, - To The Memory Of Lieutenant-Colonel Isaac, Who Died At Cape St Nichola Mole, 1797.

William Lisle Bowles, Simple Poetry

The Rhine

William Lisle Bowles, Simple Poetry

The Gipsy's Tent. (From The Villager's Verse-Book.)

William Lisle Bowles, Simple Poetry

On Accidentally Meeting A Lady Now No More

William Lisle Bowles, Simple Poetry

English

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Hon. Miss Mercer. - Hopner (Sketches In The Exhibition, 1805)

Oh! hide those tempting eyes, that faultless form,
Those looks with feeling and with nature warm;
The neck, the softly-swelling bosom hide,
Nor, wanton gales, blow the light vest aside;
For who, when beauties more than life excite
Silent applause, can gaze without delight!
But innocence, enchanting maid, is thine;
Thine eyes in liquid light unconscious shine;
And may thy breast no other feelings prove,
Than those of sympathy and mutual love!

William Lisle Bowles

Lady M----ve (Sketches In The Exhibition, 1805)

How clear a strife of light and shade is spread!
The face how touched with nature's loveliest red!
The eye, how eloquent, and yet how meek!
The glow subdued, yet mantling on thy cheek!
M----ve! I mark alone thy beauteous face,
But all is nature, dignity, and grace!

William Lisle Bowles

On A Landscape By Rubens

Nay, let us gaze, ev'n till the sense is full,
Upon the rich creation, shadowed so
That not great Nature, in her loftiest pomp
Of living beauty, ever on the sight
Rose more magnificent; nor aught so fair
Hath Fancy, in her wildest, brightest mood,
Imaged of things most lovely, when the sounds
Of this cold cloudy world at distance sink,
And all alone the warm idea lives
Of what is great, or beautiful, or good,
In Nature's general plan.
So the vast scope,
O Rubens! of thy mighty mind, and such
The fervour of thy pencil, pouring wide
The still illumination, that the mind
Pauses, absorbed, and scarcely thinks what powers
Of mortal art the sweet enchantment wrought.
She sees the painter, with no human touch,
Create, embellish, animate at will,
The mi...

William Lisle Bowles

To Marion. [1]

MARION! why that pensive brow?
What disgust to life hast thou?
Change that discontented air;
Frowns become not one so fair.
'Tis not Love disturbs thy rest,
Love's a stranger to thy breast:
He, in dimpling smiles, appears,
Or mourns in sweetly timid tears;
Or bends the languid eyelid down,
But shuns the cold forbidding 'frown'.
Then resume thy former fire,
Some will love, and all admire!
While that icy aspect chills us,
Nought but cool Indiff'rence thrills us.
Would'st thou wand'ring hearts beguile,
Smile, at least, or seem to smile;
Eyes like thine were never meant
To hide their orbs in dark restraint;
Spite of all thou fain wouldst say,
Still in truant beams they play.
Thy lips - but here my modest Muse
Her impulse chaste must needs ...

George Gordon Byron

Lines Suggested By A Portrait From The Pencil Of F. Stone

Beguiled into forgetfulness of care
Due to the day's unfinished task; of pen
Or book regardless, and of that fair scene
In Nature's prodigality displayed
Before my window, oftentimes and long
I gaze upon a Portrait whose mild gleam
Of beauty never ceases to enrich
The common light; whose stillness charms the air,
Or seems to charm it, into like repose;
Whose silence, for the pleasure of the ear,
Surpasses sweetest music. There she sits
With emblematic purity attired
In a white vest, white as her marble neck
Is, and the pillar of the throat would be
But for the shadow by the drooping chin
Cast into that recess, the tender shade,
The shade and light, both there and everywhere,
And through the very atmosphere she breathes,
Broad, clear, and toned harmon...

William Wordsworth

Woman! When I Behold Thee Flippant, Vain

Woman! when I behold thee flippant, vain,
Inconstant, childish, proud, and full of fancies;
Without that modest softening that enhances
The downcast eye, repentant of the pain
That its mild light creates to heal again:
E'en then, elate, my spirit leaps, and prances,
E'en then my soul with exultation dances
For that to love, so long, I've dormant lain:
But when I see thee meek, and kind, and tender,
Heavens! how desperately do I adore
Thy winning graces; to be thy defender
I hotly burn to be a Calidore
A very Red Cross Knight a stout Leander
Might I be loved by thee like these of yore.

Light feet, dark violet eyes, and parted hair;
Soft dimpled hands, white neck, and creamy breast,
Are things on which the dazzled senses rest
Till the fond, fixed eyes...

John Keats