Sonnet: In Time Of Revolt

The Thing must End. I am no boy! I am
No BOY! I being twenty-one. Uncle, you make
A great mistake, a very great mistake,
In chiding me for letting slip a "Damn!"
What's more, you called me "Mother's one ewe lamb,"
Bade me "refrain from swearing, for her sake,
Till I'm grown up" . . . By God! I think you take
Too much upon you, Uncle William!

You say I am your brother's only son.
I know it. And, "What of it?" I reply.
My heart's resolved. Something must be done.
So shall I curb, so baffle, so suppress
This too avuncular officiousness,
Intolerable consanguinity.

Rupert Brooke

Rupert Brooke was an English poet known for his idealistic war sonnets written during World War I. He was born on August 3, 1887, in Rugby, Warwickshire, England, and died on April 23, 1915, in the Aegean Sea, on his way to Gallipoli. Brooke's most famous work, 'The Soldier,' reflects his patriotism and the romanticism of war. Despite his early death, his poetry and poignant reflections on war left a lasting legacy in English literature.

Rupert Brooke

Mutability

Rupert Brooke, Simple Poetry

The Beginning

Rupert Brooke, Simple Poetry

A Memory (From A Sonnet-Sequence)

Rupert Brooke, Simple Poetry

Wagner

Rupert Brooke, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Sonnet Reversed

Hand trembling towards hand; the amazing lights
Of heart and eye. They stood on supreme heights.

Ah, the delirious weeks of honeymoon!
Soon they returned, and after strange adventures,
Settled at Balham by the end of June,
Their money was in Can. Pacs. B. Debentures,
And in Antofagastas. Still he went
Cityward daily; still she did abide
At home. And both were really quite content
With work and social pleasures. Then they died.
They left three children (beside George, who drank);
The eldest Jane, who married Mr. Bell,
William, the head-clerk in the County Bank,
And Henry, a stock-broker, doing well.

Rupert Brooke

Sonnet (Suggested By Some Of The Proceedings Of The Society For Psychical Research)

Not with vain tears, when we're beyond the sun,
We'll beat on the substantial doors, nor tread
Those dusty high-roads of the aimless dead
Plaintive for Earth; but rather turn and run
Down some close-covered by-way of the air,
Some low sweet alley between wind and wind,
Stoop under faint gleams, thread the shadows, find
Some whispering ghost-forgotten nook, and there

Spend in pure converse our eternal day;
Think each in each, immediately wise;
Learn all we lacked before; hear, know, and say
What this tumultuous body now denies;
And feel, who have laid our groping hands away;
And see, no longer blinded by our eyes.

Rupert Brooke

The One Before The Last

I dreamt I was in love again
With the One Before the Last,
And smiled to greet the pleasant pain
Of that innocent young past.

But I jumped to feel how sharp had been
The pain when it did live,
How the faded dreams of Nineteen-ten
Were Hell in Nineteen-five.

The boy's woe was as keen and clear,
The boy's love just as true,
And the One Before the Last, my dear,
Hurt quite as much as you.

* * * * *

Sickly I pondered how the lover
Wrongs the unanswering tomb,
And sentimentalizes over
What earned a better doom.

Gently he tombs the poor dim last time,
Strews pinkish dust above,
And sighs, "The dear dead boyish pastime!
But THIS, ah, God! is Love!"

Better oblivion hide dead true loves,
Better the night...

Rupert Brooke

The Sonnet II

Scorn not the Sonnet; Critic, you have frownd,
Mindless of its just honours; with this key
Shakespeare unlockd his heart; the melody
Of this small lute gave ease to Petrarchs wound;
A thousand times this pipe did Tasso sound;
With it Camöens soothd an exiles grief;
The Sonnet glitterd a gay myrtle leaf
Amid the cypress with which Dante crownd
His visionary brow: a glow-worm lamp,
It cheerd mild Spenser, calld from Faery-land
To struggle through dark ways; and when a damp
Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strains, alas, too few!

William Wordsworth

A Letter To A Live Poet

Sir, since the last Elizabethan died,
Or, rather, that more Paradisal muse,
Blind with much light, passed to the light more glorious
Or deeper blindness, no man's hand, as thine,
Has, on the world's most noblest chord of song,
Struck certain magic strains. Ears satiate
With the clamorous, timorous whisperings of to-day,
Thrilled to perceive once more the spacious voice
And serene utterance of old. We heard
    With rapturous breath half-held, as a dreamer dreams
Who dares not know it dreaming, lest he wake
The odorous, amorous style of poetry,
The melancholy knocking of those lines,
The long, low soughing of pentameters,
    Or the sharp of rhyme as a bird's cry
And the innumerable truant polysyllables
Multitudinously twittering like a bee.
Fulfilled our ...

Rupert Brooke

The Beginning

Some day I shall rise and leave my friends
And seek you again through the world's far ends,
You whom I found so fair
(Touch of your hands and smell of your hair!),
My only god in the days that were.
My eager feet shall find you again,
Though the sullen years and the mark of pain
Have changed you wholly; for I shall know
(How could I forget having loved you so?),
In the sad half-light of evening,
The face that was all my sunrising.
So then at the ends of the earth I'll stand
And hold you fiercely by either hand,
And seeing your age and ashen hair
I'll curse the thing that once you were,
Because it is changed and pale and old
(Lips that were scarlet, hair that was gold!),
And I loved you before you were old and wise,
When the flame of youth was strong ...

Rupert Brooke