Sonnet LXVI.

Sì tosto come avvien che l' arco scocchi.

HE CALLS THE EYES OF LAURA FOES, BECAUSE THEY KEEP HIM IN LIFE ONLY TO TORMENT HIM.


    Instantly a good archer draws his bow
Small skill it needs, e'en from afar, to see
Which shaft, less fortunate, despised may be,
Which to its destined sign will certain go:
Lady, e'en thus of your bright eyes the blow,
You surely felt pass straight and deep in me,
Searching my life, whence--such is fate's decree--
Eternal tears my stricken heart overflow;
And well I know e'en then your pity said:
Fond wretch! to misery whom passion leads,
Be this the point at once to strike him dead.
But seeing now how sorrow sorrow breeds,
All that my cruel foes against me plot,
For my worse pain, and for my death is not.

MACGREGOR.

Francesco Petrarca

Francesco Petrarca, commonly known as Petrarch, was an Italian scholar, poet, and early humanist during the Renaissance. He is often called the "Father of Humanism" and is best known for his Italian poetry, notably the Canzoniere, a collection of poems addressed to his idealized beloved Laura. Petrarch's works have influenced countless writers and helped shape the modern Italian language.

Francesco Petrarca

Sonnet CXIII.

Francesco Petrarca, Simple Poetry

Sonnet CXCIX.

Francesco Petrarca, Simple Poetry

To Laura In Death. Sonnet I.

Francesco Petrarca, Simple Poetry

Sonnet CXV.

Francesco Petrarca, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Sonnet CLXX.

Lasso, ch' i' ardo, ed altri non mel crede!

POSTERITY WILL ACCORD TO HIM THE PITY WHICH LAURA REFUSES.


    Alas, with ardour past belief I glow!
None doubt this truth, except one only fair,
Who all excels, for whom alone I care;
She plainly sees, yet disbelieves my woe.
O rich in charms, but poor in faith! canst thou
Look in these eyes, nor read my whole heart there?
Were I not fated by my baleful star,
For me from pity's fount might favour flow.
My flame, of which thou tak'st so little heed,
And thy high praises pour'd through all my song,
O'er many a breast may future influence spread:
These, my sweet fair, so warns prophetic thought,
Closed thy bright eye, and mute thy poet's tongue,
E'en after death shall still with sparks be fraught.

Francesco Petrarca

Sonnet XXX.

Orso, e' non furon mai fiumi nè stagni.

HE COMPLAINS OF THE VEIL AND HAND OF LAURA, THAT THEY DEPRIVE HIM OF THE SIGHT OF HER EYES.


    Orso, my friend, was never stream, nor lake,
Nor sea in whose broad lap all rivers fall,
Nor shadow of high hill, or wood, or wall,
Nor heaven-obscuring clouds which torrents make,
Nor other obstacles my grief so wake,
Whatever most that lovely face may pall,
As hiding the bright eyes which me enthrall,
That veil which bids my heart "Now burn or break,"
And, whether by humility or pride,
Their glance, extinguishing mine every joy,
Conducts me prematurely to my tomb:
Also my soul by one fair hand is tried,
Cunning and careful ever to annoy,
'Gainst my poor eyes a rock that has become.

MACGREGOR.

Francesco Petrarca

Sonnet LXIII.

Occhi, piangete; accompagnate il core.

DIALOGUE BETWEEN THE POET AND HIS EYES.


    Playne ye, myne eyes, accompanye my harte,
For, by your fault, lo, here is death at hand!
Ye brought hym first into this bitter band,
And of his harme as yett ye felt no part;
But now ye shall: Lo! here beginnes your smart.
Wett shall you be, ye shall it not withstand
With weepinge teares that shall make dymm your sight,
And mystic clowdes shall hang still in your light.
Blame but yourselves that kyndlyd have this brand,
With suche desyre to strayne that past your might;
But, since by you the hart hath caught his harme,
His flamèd heat shall sometyme make you warme.

HARRINGTON.


P.    Weep, wretched eyes, accompany the heart
     ...

Francesco Petrarca

Sonnet II.

Per far una leggiadra sua vendetta.

HOW HE BECAME THE VICTIM OF LOVE.


    For many a crime at once to make me smart,
And a delicious vengeance to obtain,
Love secretly took up his bow again,
As one who acts the cunning coward's part;
My courage had retired within my heart,
There to defend the pass bright eyes might gain;
When his dread archery was pour'd amain
Where blunted erst had fallen every dart.
Scared at the sudden brisk attack, I found
Nor time, nor vigour to repel the foe
With weapons suited to the direful need;
No kind protection of rough rising ground,
Where from defeat I might securely speed,
Which fain I would e'en now, but ah, no method know!

NOTT.


    One sweet and signal vengeance to obtain
T...

Francesco Petrarca

Sonnet VI.

Sì traviato è 'l folle mio desio.

OF HIS FOOLISH PASSION FOR LAURA.


    So wayward now my will, and so unwise,
To follow her who turns from me in flight,
And, from love's fetters free herself and light,
Before my slow and shackled motion flies,
That less it lists, the more my sighs and cries
Would point where passes the safe path and right,
Nor aught avails to check or to excite,
For Love's own nature curb and spur defies.
Thus, when perforce the bridle he has won,
And helpless at his mercy I remain,
Against my will he speeds me to mine end
'Neath yon cold laurel, whose false boughs upon
Hangs the harsh fruit, which, tasted, spreads the pain
I sought to stay, and mars where it should mend.

MACGREGOR.


    My tamel...

Francesco Petrarca

Sonnet CCIII.

L' alto signor, dinanzi a cui non vale.

HIS SORROW FOR THE ILLNESS OF LAURA INCREASES, NOT LESSENS, HIS FLAME.


    The sovereign Lord, 'gainst whom of no avail
Concealment, or resistance is, or flight,
My mind had kindled to a new delight
By his own amorous and ardent ail:
Though his first blow, transfixing my best mail
Were mortal sure, to push his triumph quite
He took a shaft of sorrow in his right,
So my soft heart on both sides to assail.
A burning wound the one shed fire and flame,
The other tears, which ever grief distils,
Through eyes for your weak health that are as rills.
But no relief from either fountain came
My bosom's conflagration to abate,
Nay, passion grew by very pity great.

MACGREGOR.

Francesco Petrarca