Sonnet XLIX. On The Use Of New And Old Words In Poetry.

While with false pride, and narrow jealousy,
    Numbers reject each new expression, won,
    Perchance, from language richer than our own,
    O! with glad welcome may the POET see
Extension's golden vantage! the decree
    Each way exclusive, scorn, and re-enthrone
    The obsolete, if strength, or grace of tone
    Or imagery await it, with a free,
And liberal daring! - For the Critic Train,
    Whose eyes severe our verbal stores review,
    Let the firm Bard require that they explain
Their cause of censure; then in balance true
    Weigh it; but smile at the objections vain
    Of sickly Spirits, hating for they do[1]!

1: The particle for is used in the same sense with because, by Shakespear, and Beaumont and Fletcher.

"But she, and I, were Creatures innocent,
Lov'd for we did."    BEA. and FLE. TWO NOBLE KINSMEN.

    " - - Nor must you think
I will your serious and great business scant
For she is with me."    OTHELLO.

"They're jealous for they're jealous."    OTHELLO.

Anna Seward

Anna Seward was an English Romantic poet often called the 'Swan of Lichfield'. She was known for both her poetry and her extensive letter writing, which provided insight into 18th-century literary life. Seward was a steadfast critic of the neoclassicism that dominated much of the contemporary poetry scene, favoring a Romantic approach that sought to capture emotion and natural beauty. Her works often revolved around themes of love, loss, and nature. She was also a close friend of writers such as Erasmus Darwin and Samuel Johnson.

Anna Seward

Sonnet LXXX.

Anna Seward, Simple Poetry

Sonnet LXIII. To Colebrooke Dale.

Anna Seward, Simple Poetry

Sonnet XXXIV.

Anna Seward, Simple Poetry

Sonnet XXVIII.

Anna Seward, Simple Poetry

English

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Sonnet XXI.

Proud of our lyric Galaxy, I hear
    Of faded Genius with supreme disdain;
    As when we see the Miser bend insane
    O'er his full coffers, and in accents drear
Deplore imagin'd want; - and thus appear
    To me those moody Censors, who complain,
    As [1]Shaftsbury plain'd in a now boasted reign,
    That "POESY had left our darken'd sphere."
Whence may the present stupid dream be traced
    That now she shines not as in days foregone?
    Perchance neglected, often shine in waste
Her LIGHTS, from number into confluence run,
    More than when thinly in th' horizon placed
    Each Orb shone separate, and appear'd a Sun.

1: Of the Poets, who were cotemporary with Lord Shaftsbury, Dryden, Cowley, Pope, Prior, Congreve, Gay, Addison, &c. in th...

Anna Seward

The Sonnet II

Scorn not the Sonnet; Critic, you have frownd,
Mindless of its just honours; with this key
Shakespeare unlockd his heart; the melody
Of this small lute gave ease to Petrarchs wound;
A thousand times this pipe did Tasso sound;
With it Camöens soothd an exiles grief;
The Sonnet glitterd a gay myrtle leaf
Amid the cypress with which Dante crownd
His visionary brow: a glow-worm lamp,
It cheerd mild Spenser, calld from Faery-land
To struggle through dark ways; and when a damp
Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strains, alas, too few!

William Wordsworth

A Dialogue To The Memory Of Mr. Alexander Pope.

"Non injussa cano."
Virg.


POET. I sing of POPE--

FRIEND. What, POPE, the Twitnam Bard,
Whom Dennis, Cibber, Tibbald push'd so hard!
POPE of the Dunciad! POPE who dar'd to woo,
And then to libel, Wortley-Montagu!
POPE of the Ham-walks story--

P. Scandals all!
Scandals that now I care not to recall.
Surely a little, in two hundred Years,
One may neglect Contemporary Sneers:--
Surely Allowance for the Man may make
That had all Grub-street yelping in his Wake!
And who (I ask you) has been never Mean,
When urged by Envy, Anger or the Spleen?
No: I prefer to look on POPE as one
Not rightly happy till his Life was done;
Whose whole Career, romance it as you please,
Was (what he call'd it) but a "long Disease:"
Think of his ...

Henry Austin Dobson

Scorn Not The Sonnet

Scorn not the Sonnet; Critic, you have frowned,
Mindless of its just honours; with this key
Shakespeare unlocked his heart; the melody
Of this small lute gave ease to Petrarch's wound;
A thousand times this pipe did Tasso sound;
With it Camöens soothed an exile's grief;
The Sonnet glittered a gay myrtle leaf
Amid the cypress with which Dante crowned
His visionary brow: a glow-worm lamp,
It cheered mild Spenser, called from Faery-land
To struggle through dark ways; and, when a damp
Fell round the path of Milton, in his hand
The Thing became a trumpet; whence he blew
Soul-animating strainsalas, too few!

William Wordsworth

Sonnet LXV. To The Same.

Marcellus, since the ardors of my strain
    To thy young eyes and kindling fancy, gleam
    With somewhat of the vivid hues, that stream
    From Poesy's bright orb, each envious stain
Shed by dull Critics, venal, vex'd and vain,
    Seems recompens'd at full; - and so wou'd seem
    Did not maturer Sons of Phoebus deem
    My verse Aonian. - Thou, in time, shalt gain,
Like them, amid the letter'd World, that sway
    Which makes encomium fame; - so thou adorn,
    Extend, refine and dignify thy lay,
And Indolence, and Syren Pleasure scorn;
    Then, at high noon, thy Genius shall display
    The splendors promis'd in its shining morn.

Anna Seward

Epistle To Elizabeth Countesse Of Rutland

Madame,

VVhil'st that, for which all vertue now is sold,
And almost every vice, almightie gold,
That which, to boote with hell, is thought worth heaven,
And for it, life, conscience, yea soules are given,
Toyles, by grave custome, up and downe the Court,
To every squire, or groome, that will report
Well, or ill, only, all the following yeere,
Just to the waight their this dayes-presents beare;
While it makes huishers serviceable men,
And some one apteth to be trusted, then,
Though never after; whiles it gaynes the voyce
Of some grand peere, whose ayre-doth make rejoyce
The foole that gave it; who will want, and weepe,
When his proud patrons favours are asleepe;
While thus it buyes great grace, and hunts poore fame;
Runs betweene man, and man, 'tweene, da...

Ben Jonson