Sonnet XLVII. On Mr. Sargent's Dramatic Poem, The Mine[1].

With lyre Orphean, see a Bard explore
    The central caverns of the mornless Night,
    Where never Muse perform'd harmonious rite
    Till now! - and lo! upon the sparry floor,
Advance, to welcome him, each Sister Power,
    Petra, stern Queen, Fossilia, cold and bright,
    And call their Gnomes, to marshal in his sight
    The gelid incrust, and the veined ore,
And flashing gem. - Then, while his songs pourtray
    The mystic virtues gold and gems acquire,
    With every charm that mineral scenes display,
Th' imperial Sisters praise the daring Lyre,
    And grateful hail its new and powerful lay,
    That seats them high amid the Muses' Choir.

1: Petra, and Fossilia, are Personifications of the first and last division of the Fossil Kingdom. The Author of this beautiful Poem supposes the Gnomes to be Spirits of the Mine, performing the behests of Petra and Fossilia, as the Sylphs, Gnomes, Salamanders, &c. appear as Handmaids of the Nymph of Botany in that exquisite sport of Imagination, THE BOTANIC GARDEN.

Anna Seward

Anna Seward was an English Romantic poet often called the 'Swan of Lichfield'. She was known for both her poetry and her extensive letter writing, which provided insight into 18th-century literary life. Seward was a steadfast critic of the neoclassicism that dominated much of the contemporary poetry scene, favoring a Romantic approach that sought to capture emotion and natural beauty. Her works often revolved around themes of love, loss, and nature. She was also a close friend of writers such as Erasmus Darwin and Samuel Johnson.

Anna Seward

Sonnet I.

Anna Seward, Simple Poetry

Sonnet XI.

Anna Seward, Simple Poetry

Sonnet LVI. To A Timid Young Lady, Distressed By The Attentions Of An Amiable, And Accepted Lover.

Anna Seward, Simple Poetry

Odes From Horace. - To Mæcenas. Book The First, Ode The First.

Anna Seward, Simple Poetry

English

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Odes From Horace. - To Mæcenas. Book The First, Ode The First.

I.

Mæcenas, from Etrurian Princes sprung,
    For whom my golden lyre I strung,
Friend, Patron, Guardian of its rising song,
    O mark the Youth, that towers along,
    With triumph in his air;
    Proud of Olympic dust, that soils
    His burning cheek and tangled hair!
Mark how he spreads the palm, that crown'd his toils!
    Each look the throbbing hope reveals
    That his fleet steeds and kindling wheels,
Swept round the skilfully-avoided goal,
Shall with illustrious Chiefs his echo'd name enrol.


II.

    Who the civic crown obtains,
    Or bears into his granaries large
The plenteous tribute of the Libyan Plains;
Or he, who watches still a rural charge,
    O'er his own fields directs the plough,
    Sees his own fr...

Anna Seward

Odes From Horace. - To Melpomene. Book The Fourth, Ode The Third.

Not he, O MUSE! whom thy auspicious eyes
    In his primeval hour beheld,
Shall victor in the Isthmian Contest rise;
    Nor o'er the long-resounding field
Impetuous steeds his kindling wheels shall roll,
Gay in th' Olympic Race, and foremost at the goal.

Nor in the Capitol, triumphant shown,
    The victor-laurel on his brow,
For Cities storm'd, and vaunting Kings o'erthrown; -
    But Tibur's streams, that warbling flow,
And groves of fragrant gloom, resound his strains,
Whose sweet Æolian grace high celebration gains.

Now that his name, her noblest Bards among,
    Th' imperial City loudly hails,
That proud distinction guards his rising song,
    When Envy's carping tongue assails;
In sullen silence now she hears his praise,
Nor sheds her c...

Anna Seward

Odes From Horace. - [1]To Telephus. Book The Third, Ode The Nineteenth.

The number of the vanish'd years
    That mark each famous Grecian reign,
This night, my Telephus, appears
    Thy solemn pleasure to explain;

Or else assiduously to dwell,
    In conscious eloquence elate,
On those who conquer'd, those who fell
    At sacred Troy's devoted gate.

But at what price the cask, so rare,
    Of luscious chian may be ours,
Who shall the tepid baths prepare,
    And who shall strew the blooming flowers;

Beneath what roof we next salute,
    And when shall smile these gloomy skies,
Thy wondrous eloquence is mute,
    Nor here may graver topics rise. -

Fill a bright bumper, - to the Moon!
    She's new! - auspicious be her birth!
One to the Midnight! - 't is our noon
    Of jocund thought, and fes...

Anna Seward

Epistle To Elizabeth Countesse Of Rutland

Madame,

VVhil'st that, for which all vertue now is sold,
And almost every vice, almightie gold,
That which, to boote with hell, is thought worth heaven,
And for it, life, conscience, yea soules are given,
Toyles, by grave custome, up and downe the Court,
To every squire, or groome, that will report
Well, or ill, only, all the following yeere,
Just to the waight their this dayes-presents beare;
While it makes huishers serviceable men,
And some one apteth to be trusted, then,
Though never after; whiles it gaynes the voyce
Of some grand peere, whose ayre-doth make rejoyce
The foole that gave it; who will want, and weepe,
When his proud patrons favours are asleepe;
While thus it buyes great grace, and hunts poore fame;
Runs betweene man, and man, 'tweene, da...

Ben Jonson

On Lyric Poetry

I

Once more I join the Thespian choir,
And taste the inspiring fount again:
O parent of the Grecian lyre,
Admit me to thy powerful strain
And lo, with ease my step invades
The pathless vale and opening shades,
Till now I spy her verdant seat;
And now at large I drink the sound,
While these her offspring, listening round,
By turns her melody repeat.
I see Anacreon smile and sing,
His silver tresses breathe perfume;
His cheek displays a second spring
Of roses taught by wine to bloom.
Away, deceitful cares, away,
And let me listen to his lay;
Let me the wanton pomp injoy,
While in smooth dance the light-wing'd Hours
Lead round his lyre it's patron powers,
Kind laughter and convivial joy.
Broke from the fetters of his native land,

Mark Akenside

And Must I Sing?

And must I sing? what subject shall I chuse?
Or whose great name in Poets heaven use?
For the more countenance to my active Muse?


Hercules? alas his bones are yet sore,
With his old earthly labours. T'exact more,
Of his dull god-head, were sinne. Ile implore


Phoebus? No. tend thy cart still. Envious day
Shall not give out, that I have made thee stay,
And foundred thy hot teame, to tune my lay.


Nor will I begge of thee, Lord of the vine,
To raise my spirits with thy conjuring wine,
In the greene circle of thy Ivie twine.


Pallas, nor thee I call on, mankind maid,
That, at thy birth, mad'st the poore Smith affraid,
Who, with his axe, thy fathers mid-wife plaid.


Goe, crampe dull Mars, light Venus, when he snor...

Ben Jonson