Sonnets on English Dramatic Poets (1590-1650): John Ford

Hew hard the marble from the mountains heart
Where hardest night holds fast in iron gloom
Gems brighter than an April dawn in bloom,
That his Memnoniah likeness thence may start
Revealed, whose hand with high funereal art
Carved night, and chiselled shadow: be the tomb
That speaks him famous graven with signs of doom
Intrenched inevitably in lines athwart,
As on some thunder-blasted Titans brow
His record of rebellion. Not the day
Shall strike forth music from so stern a chord,
Touching this marble: darkness, none knows how,
And stars impenetrable of midnight, may.
So locms the likeness of thy soul, John Ford.

Algernon Charles Swinburne

Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. Born on April 5, 1837, in London, he became known for his innovative versification and erotic content. Swinburne was a central figure in the aesthetic and decadent movements. His major works include 'Poems and Ballads' and 'Atalanta in Calydon.' He died on April 10, 1909, in Putney, London. Swinburne's legacy is marked by his lyrical mastery and controversial themes, influencing countless poets thereafter.

Algernon Charles Swinburne

In Harbour

Algernon Charles Swinburne, Simple Poetry

Sonnets on English Dramatic Poets (1590-1650): John Webster

Algernon Charles Swinburne, Simple Poetry

Grace Darling

Algernon Charles Swinburne, Simple Poetry

Past Days

Algernon Charles Swinburne, Simple Poetry

English

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Sonnets on English Dramatic Poets (1590-1650): Anonymous Plays

Ye too, dim watchfires of some darkling hour,
Whose fame forlorn time saves not nor proclaims
For ever, but forgetfulness defames
And darkness and the shadow of death devour,
Lift up ye too your light, put forth your power,
Let the far twilight feel your soft small flames
And smile, albeit night name not even their names,
Ghost by ghost passing, flower blown down on flower:
That sweet-tongued shadow, like a stars that passed
Singing, and light was from its darkness cast
To paint the face of Painting fair with praise:¹
And that wherein forefigured smiles the pure
Fraternal face of Wordsworths Elidure
Between two child-faced masks of merrier days.²

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): Ben Jonson

Broad-based, broad-fronted, bounteous, multiform,
With many a valley impleached with ivy and vine,
Wherein the springs of all the streams run wine,
And many a crag full-faced against the storm,
The mountain where thy Muses feet made warm
Those lawns that revelled with her dance divine
Shines yet with fire as it was wont to shine
From tossing torches round the dance aswarm.

Nor less, high-stationed on the grey grave heights,
High-thoughted seers with heavens heart-kindling lights
Hold converse: and the herd of meaner things
Knows or by fiery scourge or fiery shaft
When wrath on thy broad brows has risen, and laughed,
Darkening thy soul with shadow of thunderous wings.

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): John Webster

Thunder: the flesh quails, and the soul bows down.
Night: east, west, south, and northward, very night
Star upon struggling star strives into sight,
Star after shuddering star the deep storms drown.
The very throne of night, her very crown,
A man lays hand on, and usurps her right
Song from the highest of heavens imperious height
Shoots, as a fire to smite some towering town.
Rage, anguish, harrowing fear, heart-crazing crime,
Make monstrous all the murderous face of Time
Shown in the spheral orbit of a glass
Revolving. Earth cries out from all her graves.
Frail, on frail rafts, across wide-wallowing waves,
Shapes here and there of child and mother pass.

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): John Marston

The bitterness of death and bitterer scorn
Breathes from the broad-leafed aloe-plant whence thou
Wast fain to gather for thy bended brow
A chaplet by no gentler forehead worn.
Grief deep as hell, wrath hardly to be borne,
Ploughed up thy soul till round the furrowing plough
The strange black soil foamed, as a black beaked prow
Bids night-black waves foam where its track has torn.
Too faint the phrase for thee that only saith
Scorn bitterer than the bitterness of death
Pervades the sullen splendour of thy soul,
Where hate and pain make war on force and fraud
And all the strengths of tyrants; whence unflawed
It keeps this noble heart of hatred whole.

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): Beaumont and Fletcher

An hour ere sudden sunset fired the west,
Arose two stars upon the pale deep east.
The hall of heaven was clear for nights high feast,
Yet was not yet days fiery heart at rest
Love leapt up from his mothers burning breast
To see those warm twin lights, as day decreased,
Wax wider, till when all the sun had ceased
As suns they shone from evenings kindled crest
Across them and between, a quickening fire,
Flamed Venus, laughing with appeased desire.
Their dawn, scarce lovelier for the gleam of tears,
Filled half the hollow shell twixt heaven and earth
With sound like moonlight, mingling moan and mirth,
Which rings and glitters down the darkling years.

Algernon Charles Swinburne

Sonnets on English Dramatic Poets (1590-1650): Thomas Middleton

A wild moon riding high from cloud to cloud,
That sees and sees not, glimmering far beneath,
Hells children revel along the shuddering heath
With dirge-like mirth and raiment like a shroud:
A worse fair face than witchcrafts, passion-proud,
With brows blood-flecked behind their bridal wreath
And lips that bade the assassins sword find sheath
Deep in the heart whereto loves heart was vowed:
A game of close contentious crafts and creeds
Played till white England bring black Spain to shame:
A sons bright sword and brighter soul, whose deeds
High conscience lights for mothers love and fame:
Pure gipsy flowers, and poisonous courtly weeds:
Such tokens and such trophies crown thy name.

Algernon Charles Swinburne