Sorrows For A Friend.

Ye brown old oaks that spread the silent wood,
How soothing sweet your stillness used to be;
And still could bless, when wrapt in musing mood,
But now confusion suits the best to me.
"Is it for love," the breezes seem to say,
"That you forsake our woodland silence here?
Is it for love, you roam so far away
From these still shades you valu'd once so dear?"
"No, breezes, no!"--I answer with a sigh,
"Love never could so much my bosom grieve;
Turnhill, my friend!--alas! so soon to die--
That is the grief which presses me to leave:
Though noise can't heal, it may some balm bestow;
But silence rankles in the wounds of woe."

John Clare

John Clare was an English poet known for his celebrations of the English countryside and lamentation of its disruption. Born in Helpston, Northamptonshire, Clare was initially a farm laborer. His poetry is characterized by its natural imagery and rustic language. Despite periods of fame during his period, Clare spent the later part of his life in an asylum due to mental health issues. His works gained greater recognition posthumously. Clare's major poem collections include "Poems Descriptive of Rural Life and Scenery" and "The Shepherd's Calendar."

John Clare

The Snowdrop.

John Clare, Simple Poetry

The Widower's Lament.

John Clare, Simple Poetry

Love's Emblem

John Clare, Simple Poetry

Pleasure's Past.

John Clare, Simple Poetry

English

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Autumn

Syren of sullen moods and fading hues,
Yet haply not incapable of joy,
Sweet Autumn! I thee hail
With welcome all unfeigned;

And oft as morning from her lattice peeps
To beckon up the sun, I seek with thee
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Of fields left fragrant then,

In solitudes, where no frequented paths
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Which woo the winds to play,
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And meadow pools, torn wide by lawless floods,
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John Clare

Autumn

Syren of sullen moods and fading hues,
Yet haply not incapable of joy,
Sweet Autumn! I thee hail
With welcome all unfeigned;

And oft as morning from her lattice peeps
To beckon up the sun, I seek with thee
To drink the dewy breath
Of fields left fragrant then,

In solitudes, where no frequented paths
But what thy own foot makes betray thy home,
Stealing obtrusive there
To meditate thy end:

By overshadowed ponds, in woody nooks,
With ramping sallows lined, and crowding sedge,
Which woo the winds to play,
And with them dance for joy;

And meadow pools, torn wide by lawless floods,
Where water-lilies spread their oily leaves,
On which, as wont, the fly
Oft battens in the sun;

Where leans the mossy willow half way oe...

John Clare

Love and Solitude

I hate the very noise of troublous man
Who did and does me all the harm he can.
Free from the world I would a prisoner be
And my own shadow all my company;
And lonely see the shooting stars appear,
Worlds rushing into judgment all the year.
O lead me onward to the loneliest shade,
The darkest place that quiet ever made,
Where kingcups grow most beauteous to behold
And shut up green and open into gold.
Farewell to poesy--and leave the will;
Take all the world away--and leave me still
The mirth and music of a woman's voice,
That bids the heart be happy and rejoice.

John Clare

The Widower's Lament.

Age yellows my leaf with a daily decline,
And nature turns sick with decay;
Short is the thread on life's spool that is mine,
And few are my wishes to stay:
The bud, that has seen but the sun of an hour,
When storms overtake it may sigh;
But fruit, that has weather'd life's sunshine and shower,
Drops easy and gladly to die.

The prop of my age, and the balm of my pain,
With the length of life's years has declin'd;
And, like the last sheep of the flock on the plain,
She leaves me uneasy behind:
I think of the days when our hearts they were one,
And she of my youth was the pride;
I look for the prop of my age, but it's gone,
And I long to drop down by her side.

John Clare

From "A Rhapsody"

Sweet solitude, what joy to be alone--
In wild, wood-shady dell to stay for hours.
Twould soften hearts if they were hard as stone
To see glad butterflies and smiling flowers.
Tis pleasant in these quiet lonely places,
Where not the voice of man our pleasure mars,
To see the little bees with coal black faces
Gathering sweets from little flowers like stars.

The wind seems calling, though not understood.
A voice is speaking; hark, it louder calls.
It echoes in the far-outstretching wood.
First twas a hum, but now it loudly squalls;
And then the pattering rain begins to fall,
And it is hushed--the fern leaves scarcely shake,
The tottergrass it scarcely stirs at all.
And then the rolling thunder gets awake,
And from black clouds the lightning flashes break.<...

John Clare

Decay

O Poesy is on the wane,
For Fancy's visions all unfitting;
I hardly know her face again,
Nature herself seems on the flitting.
The fields grow old and common things,
The grass, the sky, the winds a-blowing;
And spots, where still a beauty clings,
Are sighing "going! all a-going!"
O Poesy is on the wane,
I hardly know her face again.

The bank with brambles overspread,
And little molehills round about it,
Was more to me than laurel shades,
With paths of gravel finely clouted;
And streaking here and streaking there,
Through shaven grass and many a border,
With rutty lanes had no compare,
And heaths were in a richer order.
But Poesy is on the wane,
I hardly know her face again.

I sat beside the pasture stream,
When Beauty's sel...

John Clare