Spring and Fall: to a young child

Márgarét, áre you gríeving
Over Goldengrove unleaving?
Leáves, like the things of man, you
With your fresh thoughts care for, can you?
Áh! ás the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you wíll weep and know why.
Now no matter, child, the name:
Sórrow's spríngs áre the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It is the blight man was born for,
It is Margaret you mourn for.

Gerard Manley Hopkins

Gerard Manley Hopkins was an English poet and Jesuit priest, whose posthumous fame placed him among the leading Victorian poets. His experimental explorations in prosody and his use of imagery established him as a daring innovator in a period of largely traditional verse. Hopkins' work had cutting-edge sensibilities that prefigured the modernist style, though his poems were first published only in 1918, long after his death.

Gerard Manley Hopkins

Fragment

Gerard Manley Hopkins, Simple Poetry

To what serves Mortal Beauty?

Gerard Manley Hopkins, Simple Poetry

The May Magnificat

Gerard Manley Hopkins, Simple Poetry

The Bugler's First Communion

Gerard Manley Hopkins, Simple Poetry

English

Suggested Poems

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Spring

Nothing is so beautiful as spring -
When weeds, in wheels, shoot long and lovely and lush;
Thrush's eggs look little low heavens, and thrush
Through the echoing timber does so rinse and wring
The ear, it strikes like lightnings to hear him sing;
The glassy peartree leaves and blooms, they brush
The descending blue; that blue is all in a rush
With richness; the racing lambs too have fair their fling.

What is all this juice and all this joy?
A strain of the earth's sweet being in the beginning
In Eden garden. Have, get, before it cloy,
Before it cloud, Christ, lord, and sour with sinning,
Innocent mind and Mayday in girl and boy,
Most, O maid's child, thy choice and worthy the winning.

Gerard Manley Hopkins

Spring Bereaved Ii

Sweet Spring, thou turnst with all thy goodly train,
Thy head with flames, thy mantle bright with flowrs:
The zephyrs curl the green locks of the plain,
The clouds for joy in pearls weep down their showrs.
Thou turnst, sweet youth, but ah! my pleasant hours
And happy days with thee come not again;
The sad memorials only of my pain
Do with thee turn, which turn my sweets in sours.
Thou art the same which still thou wast before,
Delicious, wanton, amiable, fair;
But she, whose breath embalmd thy wholesome air,
Is gone, nor gold nor gems her can restore.
Neglected virtue, seasons go and come,

William Henry Drummond

A Song Of Autumn

Where shall we go for our garlands glad
At the falling of the year,
When the burnt-up banks are yellow and sad,
When the boughs are yellow and sere?
Where are the old ones that once we had,
And when are the new ones near?
What shall we do for our garlands glad
At the falling of the year?

Child! can I tell where the garlands go?
Can I say where the lost leaves veer
On the brown-burnt banks, when the wild winds blow,
When they drift through the dead-wood drear?
Girl! when the garlands of next year glow,
You may gather again, my dear,
But I go where the last years lost leaves go
At the falling of the year.

Adam Lindsay Gordon

The Autumn

Go, sit upon the lofty hill,
And turn your eyes around,
Where waving woods and waters wild
Do hymn an autumn sound.
The summer sun is faint on them,
The summer flowers depart,
Sit still, as all transform'd to stone,
Except your musing heart.

How there you sat in summer-time,
May yet be in your mind;
And how you heard the green woods sing
Beneath the freshening wind.
Though the same wind now blows around,
You would its blast recall;
For every breath that stirs the trees,
Doth cause a leaf to fall.

Oh! like that wind, is all the mirth
That flesh and dust impart:
We cannot bear its visitings,
When change is on the heart.
Gay words and jests may make us smile,
When Sorrow is asleep;
But other things must make us smile,

Elizabeth Barrett Browning

Cheery Beggar

Beyond Mágdalen and by the Bridge, on a place called there the Plain,
In Summer, in a burst of summertime
Following falls and falls of rain,
When the air was sweet-and-sour of the flown fineflower of
Those goldnails and their gaylinks that hang along a lime;
.    .    .    .    .    .    .    .

The motion of that man's heart is fine
Whom want could not make píne, píne
That struggling should not sear him, a gift should cheer him
Like that poor pocket of pence, poor pence of mine.

Gerard Manley Hopkins

On the Portrait of Two Beautiful Young People A Brother and Sister

O I admire and sorrow! The heart's eye grieves
Discovering you, dark tramplers, tyrant years.
A juice rides rich through bluebells, in vine leaves,
And beauty's dearest veriest vein is tears.



Happy the father, mother of these! Too fast:
Not that, but thus far, all with frailty, blest
In one fair fall; but, for time's aftercast,
Creatures all heft, hope, hazard, interest.

And are they thus? The fine, the fingering beams
Their young delightful hour do feature down
That fleeted else like day-dissolvèd dreams
Or ringlet-race on burling Barrow brown.

She leans on him with such contentment fond
As well the sister sits, would well the wife;
His looks, the soul's own letters, see beyond,
Gaze on, and fall directly forth on life.

But...

Gerard Manley Hopkins